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Transvestism and the Onnagata Traditions in Shakespeare and Kabuki最新文献

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Sukeroku Yukari no Edo Zakura — its text and performance 《由光之江户小仓》的文本与表演
Transvestism and the Onnagata Traditions in Shakespeare and Kabuki Pub Date : 2006-01-01 DOI: 10.1163/9789004213586_011
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引用次数: 0
Onnagata in Kabuki and the London Globe Theatre 在歌舞伎和伦敦环球剧院演出
Transvestism and the Onnagata Traditions in Shakespeare and Kabuki Pub Date : 2006-01-01 DOI: 10.1163/9789004213586_012
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引用次数: 0
Afterword 后记
Transvestism and the Onnagata Traditions in Shakespeare and Kabuki Pub Date : 2006-01-01 DOI: 10.1163/9789004213586_015
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引用次数: 0
The Staging of a Kabuki Version of Hamlet 歌舞伎版《哈姆雷特》的舞台剧
Transvestism and the Onnagata Traditions in Shakespeare and Kabuki Pub Date : 2006-01-01 DOI: 10.1163/9789004213586_010
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引用次数: 0
The Introduction of Actresses in England: Delay or Defensiveness? 英国女演员的引进:延迟还是防御?
Transvestism and the Onnagata Traditions in Shakespeare and Kabuki Pub Date : 2006-01-01 DOI: 10.1163/9789004213586_007
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引用次数: 1
Performing Gender: The Construction of Femininity in Shakespeare and Kabuki 表演性别:莎士比亚与歌舞伎中女性气质的建构
Transvestism and the Onnagata Traditions in Shakespeare and Kabuki Pub Date : 2006-01-01 DOI: 10.1163/9789004213586_006
A. Thompson
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引用次数: 1
Figures of Worship: Responses to Onnagata on the Kabuki Stage in Seventeenth-century Japanese Vernacular Prose 崇拜人物:对17世纪日本白话散文中歌舞伎舞台上女长形的回应
Transvestism and the Onnagata Traditions in Shakespeare and Kabuki Pub Date : 2006-01-01 DOI: 10.1163/9789004213586_008
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引用次数: 1
Female-role Specialization in Kabuki: How Real is Real? 歌舞伎中的女性角色专门化:到底有多真实?
Transvestism and the Onnagata Traditions in Shakespeare and Kabuki Pub Date : 2006-01-01 DOI: 10.1163/9789004213586_009
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引用次数: 2
Forum: Gender in Shakespeare and Kabuki 论坛:莎士比亚与歌舞伎中的性别
Transvestism and the Onnagata Traditions in Shakespeare and Kabuki Pub Date : 2006-01-01 DOI: 10.1163/9789004213586_014
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引用次数: 0
Shakespeare and Kabuki 莎士比亚与歌舞伎
Transvestism and the Onnagata Traditions in Shakespeare and Kabuki Pub Date : 2006-01-01 DOI: 10.1163/9789004213586_005
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引用次数: 0
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