{"title":"17 Glocal Invasions: Appropriating Music from Abroad","authors":"R. Gillett","doi":"10.1515/9783110651966-018","DOIUrl":"https://doi.org/10.1515/9783110651966-018","url":null,"abstract":"","PeriodicalId":305903,"journal":{"name":"Musicking in Twentieth-Century Europe","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129814379","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"15 Performing for the Nation: Perspectives on Musical Diplomacy","authors":"Friedemann Pestel","doi":"10.1515/9783110651966-016","DOIUrl":"https://doi.org/10.1515/9783110651966-016","url":null,"abstract":"","PeriodicalId":305903,"journal":{"name":"Musicking in Twentieth-Century Europe","volume":"6 3","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"120912342","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"3 Performing for Pay: The Making and Undoing of the Music Profession","authors":"Marc Perrenoud","doi":"10.1515/9783110651966-004","DOIUrl":"https://doi.org/10.1515/9783110651966-004","url":null,"abstract":"","PeriodicalId":305903,"journal":{"name":"Musicking in Twentieth-Century Europe","volume":"22 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134268081","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"19 Backstage Integration: Europeanizing Musical Life Through International Organizations","authors":"M. Rempe","doi":"10.1515/9783110651966-020","DOIUrl":"https://doi.org/10.1515/9783110651966-020","url":null,"abstract":"","PeriodicalId":305903,"journal":{"name":"Musicking in Twentieth-Century Europe","volume":"119 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117139712","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"On the “Contemporary European History” Handbook Series","authors":"","doi":"10.1515/9783110651966-001","DOIUrl":"https://doi.org/10.1515/9783110651966-001","url":null,"abstract":"Do we need a new handbook series on contemporary European history? Asking this question leads to a range of related questions. At a time when the idea of “Europe” and the project of European integration are being questioned by some and defended by others, what is the role of historians in writing about Europe? What kind of historical accounts do they have to offer? Should they point out the complexity of European societies and histories as reasons for the difficulties in creating a “European identity,” or should they emphasize the degree to which European integration has successfully taken place on different levels? Should they analyze the tension between national, regional, and local factors in shaping the self-understanding of individuals and social groups, or should they concern themselves more with the functioning of transnational and supranational structures of Europe? More generally, is it at all possible to cover European history in a handbook format? If so, which definition of Europe should serve as the conceptual framework connecting the various volumes, which regions should be included or excluded, and which actors should stand at the center of attention? These questions are difficult to answer but useful to ask because they alert us to the challenges historical research on Europe currently faces. Fortunately, we do not stand empty-handed in front of these challenges. For one, the field of European history has developed remarkably over the past two or three decades, not only within Europe but also in many other parts of the world where Europe has become an increasingly interesting object of investigation since it suggests itself to comparisons and presents an important hub in a connected world. Secondly, the traditional identification of Europe with Western Europe has been challenged by a new generation of historians who are writing histories that leave behind narrow dichotomies like East and West, North and South. Thirdly, European history is no longer presented as a loose bundle of national entities and their predecessor states but is seen more as an assemblage of various imperial structures. These developments have resulted in a research perspective that looks at the interaction between the metropoles of the European empires as well as their colonies and other seemingly peripheral regions. European history is now understood as having been profoundly shaped by empires “striking back.” Relatedly, many historians have replaced diffusionist approaches with concepts like circulation and reception. Finally, the dialogue with global history has challenged traditional periodizations of European histo-","PeriodicalId":305903,"journal":{"name":"Musicking in Twentieth-Century Europe","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124136695","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"1 Introduction: Musicking in Twentieth-Century Europe","authors":"M. Rempe, Klaus Nathaus","doi":"10.1515/9783110651966-002","DOIUrl":"https://doi.org/10.1515/9783110651966-002","url":null,"abstract":"","PeriodicalId":305903,"journal":{"name":"Musicking in Twentieth-Century Europe","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131602495","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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