{"title":"Discusiones doctrinales y problemas de traducción. La representación de la Santísima Trinidad, la virgen María y los ángeles en La fazienda de Ultramar","authors":"M. Marti","doi":"10.24215/18524478e095","DOIUrl":"https://doi.org/10.24215/18524478e095","url":null,"abstract":"La fazienda de Ultramar es un texto del siglo XIII que traduce la Biblia a la manera de los itinerarios o guías de peregrinos medievales: en él, la selección de pasajes de la Escritura está motivada por la geografía de Tierra Santa, que orienta el recorrido por los relatos bíblicos. El objetivo de este trabajo será profundizar en las operaciones discursivas que diferencian a La fazienda de Ultramar de sus fuentes y de otros romanceamientos, y que reflejan las dificultades que enfrentaban los primeros traductores de la Biblia a las lenguas vernáculas. Nos centraremos específicamente en los aspectos que se vinculan con los debates de índole doctrinal y las discusiones teológicas propias del momento de redacción de la obra. Por ello, analizaremos la representación de la Santísima Trinidad, la Virgen María y los ángeles, augurando que nos permitirá conocer el sistema cultural en que se ubicaba el autor y su modo de trabajo en tanto traductor.","PeriodicalId":30357,"journal":{"name":"Olivar Revista de Literatura y Cultura Espanolas","volume":"47 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-05-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89972037","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Lía Schwartz en el recuerdo","authors":"J. Vila","doi":"10.24215/18524478e080","DOIUrl":"https://doi.org/10.24215/18524478e080","url":null,"abstract":"Lía Schwartz en el recuerdo","PeriodicalId":30357,"journal":{"name":"Olivar Revista de Literatura y Cultura Espanolas","volume":"7 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77974283","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Clea Gerber, La genealogía en cuestión: cuerpos, textos y reproducción en el ‘Quijote’ de Cervantes, Alcalá de Henares, Universidad de Alcalá, Instituto Universitario de Investigación Miguel de Cervantes, 2018, 316 pp.","authors":"M. Fonsalido","doi":"10.24215/18524478E087","DOIUrl":"https://doi.org/10.24215/18524478E087","url":null,"abstract":"Revisión del libro La genealogía en cuestión: cuerpos, textos y reproducción en el ‘Quijote’ de Cervantes de Clea Gerber","PeriodicalId":30357,"journal":{"name":"Olivar Revista de Literatura y Cultura Espanolas","volume":"7 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-11-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72779184","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"María Eduarda Mirande, Las que cantan. El copleo femenino en Jujuy: historia y relato,San Salvador de Jujuy, EDIUNJu, 2018, 288pp. Cecilia Stecher","authors":"Cecilia Stecher","doi":"10.24215/18524478e069","DOIUrl":"https://doi.org/10.24215/18524478e069","url":null,"abstract":"Reseña del libro Las que cantan. El copleo femenino en Jujuy: historia y relato","PeriodicalId":30357,"journal":{"name":"Olivar Revista de Literatura y Cultura Espanolas","volume":"19 1","pages":"11"},"PeriodicalIF":0.0,"publicationDate":"2019-11-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47059940","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"La reescritura del pasado violento y la ficcionalización del presente conflictivo: las narrativas de Edurne Portela e Iban Zaldua","authors":"Mikel Ayerbe Sudupe","doi":"10.24215/18524478e061","DOIUrl":"https://doi.org/10.24215/18524478e061","url":null,"abstract":"El analisis de la novela Mejor la ausencia de Edurne Portela y los relatos de Iban Zaldua publicados despues del alto al fuego definitivo de ETA remarcan la necesidad de seguir ahondando literariamente en torno a las cuestiones relacionadas con el conflicto vasco, aun cuando el conflicto ha entrado en otro ciclo. Portela opta por ofrecer una revision del pasado violento mediante una cronica familiar y la reescritura de la misma, mientras que en el caso de Zaldua, los relatos mas recientes se situan temporal y tematicamente en la denominada era post-ETA.","PeriodicalId":30357,"journal":{"name":"Olivar Revista de Literatura y Cultura Espanolas","volume":"19 1","pages":"3"},"PeriodicalIF":0.0,"publicationDate":"2019-11-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47238031","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Narrativas del después: El “boom de la memoria” y las imaginaciones culturales del pasado violento en el escenario del pos-conflicto vasco","authors":"Patrick Eser","doi":"10.24215/18524478e059","DOIUrl":"https://doi.org/10.24215/18524478e059","url":null,"abstract":"Introducción","PeriodicalId":30357,"journal":{"name":"Olivar Revista de Literatura y Cultura Espanolas","volume":"65 1","pages":"1"},"PeriodicalIF":0.0,"publicationDate":"2019-11-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68796539","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Sabrina Riva, La garra suave: representaciones de Miguel Hernández como escritor popular, Salamanca, Ediciones Universidad de Salamanca, 2017, 259 pp.","authors":"M. Domingo","doi":"10.24215/18524478e068","DOIUrl":"https://doi.org/10.24215/18524478e068","url":null,"abstract":"Resena del libro La garra suave: representaciones de Miguel Hernandez como escritor popular","PeriodicalId":30357,"journal":{"name":"Olivar Revista de Literatura y Cultura Espanolas","volume":"19 1","pages":"10"},"PeriodicalIF":0.0,"publicationDate":"2019-11-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68797062","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Cecilio Benítez de Castro, «Se ha ocupado el kilómetro 6...» (Contestación a Remarque), ed. Javier Lluch-Prats, Madrid, Guillermo Escolar editor, 2017, 419 pp.","authors":"Blanca Ripoll Sintes","doi":"10.24215/18524478e067","DOIUrl":"https://doi.org/10.24215/18524478e067","url":null,"abstract":"Reseña del libro «Se ha ocupado el kilómetro 6...» (Contestación a Remarque)","PeriodicalId":30357,"journal":{"name":"Olivar Revista de Literatura y Cultura Espanolas","volume":"19 1","pages":"9"},"PeriodicalIF":0.0,"publicationDate":"2019-11-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47230581","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"¿Y si nos reímos? La comedia cinematográfica tras el fin de ETA","authors":"Igor Barrenetxea Marañón","doi":"10.24215/18524478e064","DOIUrl":"https://doi.org/10.24215/18524478e064","url":null,"abstract":"espanolAunque se han rodado mas de un centenar de peliculas sobre ETA, salvo una, todas han sido retratos amargos del drama de su violencia y terror. No sera hasta su anuncio del fin de la via armada, en 2011, cuando se abriria una senda inusitada a la hora de tratar la influencia del terrorismo en la sociedad espanola con una serie de peliculas de humor como son: 8 apellidos vascos (2014), Negociador (2014) y Fe de etarras (2017). Este articulo analiza las claves de estos filmes y la necesidad que cobra toda sociedad de encarar ciertas crudas realidades mediante la satira y la comedia. EnglishEven though more than a hundred films have been shot on ETA, all but one have been bitter pictures of the drama caused by their violence and terror. It would not be until after their announcement to end their armed struggle in 2011 that an unusual path to deal with the influence of terrorism on Spanish society would open, with a series of humor films such as 8 apellidos vascos (2014), Negociador (2014) and Fe de etarras (Bomb scared) (2017). This article analyzes the keys of these films and the necessity that every society develops to face certain crude realities by means of satire and comedy.","PeriodicalId":30357,"journal":{"name":"Olivar Revista de Literatura y Cultura Espanolas","volume":"19 1","pages":"6"},"PeriodicalIF":0.0,"publicationDate":"2019-11-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68797393","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
María Álvarez Villalobos, Cristina Suárez Toledano
{"title":"Censura y creación literaria II. Entrevistas a Juan Marsé, Carlos Rojas, Mario Vargas Llosa y José María Vaz de Soto","authors":"María Álvarez Villalobos, Cristina Suárez Toledano","doi":"10.24215/18524478e066","DOIUrl":"https://doi.org/10.24215/18524478e066","url":null,"abstract":"Entrevistas a Juan Marsé, Carlos Rojas, Mario Vargas Llosa y José María Vaz de Soto","PeriodicalId":30357,"journal":{"name":"Olivar Revista de Literatura y Cultura Espanolas","volume":"19 1","pages":"8"},"PeriodicalIF":0.0,"publicationDate":"2019-11-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68797047","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}