The Cambridge Companion to Roman Comedy最新文献

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Metatheatre
The Cambridge Companion to Roman Comedy Pub Date : 2019-04-04 DOI: 10.1017/9780511740466.010
D. Christenson
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引用次数: 4
Fathers and Sons 父亲与儿子
The Cambridge Companion to Roman Comedy Pub Date : 2019-04-04 DOI: 10.1017/9780511740466.012
Martin T. Dinter
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引用次数: 0
Family Finances 家庭财务状况
The Cambridge Companion to Roman Comedy Pub Date : 2019-04-04 DOI: 10.1017/9780511740466.017
E. Fantham
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引用次数: 2
Legal Laughter 合法的笑声
The Cambridge Companion to Roman Comedy Pub Date : 2019-04-04 DOI: 10.1017/9780511740466.016
Andrea Bartholomä
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引用次数: 0
Roman Comedy in Early Modern England 近代早期英国的罗马喜剧
The Cambridge Companion to Roman Comedy Pub Date : 2019-04-04 DOI: 10.1017/9780511740466.021
R. Miola
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引用次数: 1
Stage Action in Roman Comedy 罗马喜剧中的舞台动作
The Cambridge Companion to Roman Comedy Pub Date : 2019-04-04 DOI: 10.1017/9780511740466.007
C. W. Marshall
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引用次数: 1
Roman Comedy and the Poetics of Adaptation 罗马喜剧与改编诗学
The Cambridge Companion to Roman Comedy Pub Date : 2019-04-04 DOI: 10.1017/9780511740466.005
M. Telò
{"title":"Roman Comedy and the Poetics of Adaptation","authors":"M. Telò","doi":"10.1017/9780511740466.005","DOIUrl":"https://doi.org/10.1017/9780511740466.005","url":null,"abstract":"Every act of literary creation endeavours to bridge the gap between fiction and reality by transplanting a textually constructed subjective experience into the cultural realm of its audience. When a play announces itself as a deliberate remake of a priorwork, the process of cultural adaptation is programmatically disclosed and converted into a subject of theatrical discourse. This is especially true in the case of the comoediae palliatae (‘comedies in Greek dress’) of the archaic Roman dramatists, which present themselves as revisitations of works originally conceived in and for a different cultural context. All the plays of Roman comedy are overt adaptations of originals of Greek ‘New Comedy’ (nea), so called to distinguish the Hellenistic evolution of the comic genre from its fifth-century manifestations, grouped under the label of ‘Old Comedy’ (archaia). The transition from the archaia to the nea marks an apparently radical thematic and tonal shift: from political topicality to familial domesticity, from vitriolic, ‘iambic’ abuse to psychological humour, from rampant obscenity to restrained laughter. It is from the main representatives of NewComedy (Menander,Diphilus, Philemon),whoseworks becameknown to Roman culture in the middle of the third century bc , that the Latin comedians drew their plots with stock characters, bourgeois atmospheres, and Greek settings. Roman comedy thus was born and developed as a genre of remakes. Roman comedy’s acknowledged appropriation of the repertoire of Greek New Comedy, then, transforms the stage into a site for meditating upon","PeriodicalId":303497,"journal":{"name":"The Cambridge Companion to Roman Comedy","volume":"65 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-04-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132319016","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 4
Gods and Roman Comedy 神与罗马喜剧
The Cambridge Companion to Roman Comedy Pub Date : 2019-04-04 DOI: 10.1017/9780511740466.015
A. Clark
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引用次数: 0
Roman Comedy in Early Modern Italy and France 近代早期意大利和法国的罗马喜剧
The Cambridge Companion to Roman Comedy Pub Date : 2019-04-04 DOI: 10.1017/9780511740466.022
Céline Candiard
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引用次数: 0
Roman Comedy on Stage and Screen in the Twentieth and Twenty-First Centuries 20世纪和21世纪舞台和银幕上的罗马喜剧
The Cambridge Companion to Roman Comedy Pub Date : 2019-04-04 DOI: 10.1017/9780511740466.024
Céline Candiard
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引用次数: 1
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