ABO Interactive Journal for Women in the Arts 16401830最新文献_第9页

Review of Memoirs of a Woman of Pleasure by John Cleland, edited by Richard Terry and Helen Williams 约翰·克莱兰的《快乐女人回忆录》书评，由理查德·特里和海伦·威廉姆斯编辑

ABO Interactive Journal for Women in the Arts 16401830 Pub Date : 2020-11-01 DOI: 10.5038/2157-7129.10.2.1241

Bethany E. Qualls

引用次数: 0

Review of the London Stage Database 回顾伦敦舞台数据库

ABO Interactive Journal for Women in the Arts 16401830 Pub Date : 2020-11-01 DOI: 10.5038/2157-7129.10.2.1242

Fiona Ritchie

引用次数: 0

“Yield it up cheerfully”: Teaching Consent, Violence, and Coercion in Samuel Richardson’s Pamela “欣然放弃”:塞缪尔·理查森的《帕梅拉》中的同意、暴力和强迫教学

ABO Interactive Journal for Women in the Arts 16401830 Pub Date : 2020-11-01 DOI: 10.5038/2157-7129.10.2.1237

Leah Grisham

引用次数: 1

Beyond Victims & Villains: Teaching Cleland With Haywood & Behn 超越受害者和恶棍:与海伍德和贝恩一起教克利兰

ABO Interactive Journal for Women in the Arts 16401830 Pub Date : 2020-11-01 DOI: 10.5038/2157-7129.10.2.1239

Christopher C. Nagle

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A Novel Moment for #WriteWithAphra #与阿芙拉一起写作的新时刻

ABO Interactive Journal for Women in the Arts 16401830 Pub Date : 2020-11-01 DOI: 10.5038/2157-7129.10.2.1247

Laura L. Runge, T. Howe

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Entering the Lady’s Dressing Room: Using feminist game design to look at and beyond the male gaze in Swift’s The Lady’s Dressing Room. 进入女士更衣室:在斯威夫特的《the Lady’s Dressing Room》中，使用女权主义游戏设计来观察和超越男性的目光。

ABO Interactive Journal for Women in the Arts 16401830 Pub Date : 2020-04-01 DOI: 10.5038/2157-7129.10.1.1193

Melanie D. Holm

{"title":"Entering the Lady’s Dressing Room: Using feminist game design to look at and beyond the male gaze in Swift’s The Lady’s Dressing Room.","authors":"Melanie D. Holm","doi":"10.5038/2157-7129.10.1.1193","DOIUrl":"https://doi.org/10.5038/2157-7129.10.1.1193","url":null,"abstract":"In 2017, I developed “Entering the Lady’s Dressing Room,” an Interactive Fiction game based on Jonathan Swift’s satiric poem “The Lady’s Dressing Room” (1734) to help my students become better readers of Restoration satire, and poetry generally. I did this for two reasons: to test whether the digital mediation of game-playing could help my undergraduate students more fruitfully engage with the poem, and 2) to theorize the similarities between poetic interpretation, the multiple narrative-making experience of gameplaying. This article takes seriously the idea that poetry is play. It describes the circumstances that led to the development of the game and why Swift’s poem seemed an appropriate site for such experimentation. Crucial to game construction is a commitment to theories feminist game design that complement the poem’s own indictment of sexist determinism. With meditations on the affinity between poems and games, an examination of preceding experiments of literary translation into the ludic digital, details on game construction and local objectives, this article reflects on how digital mediation suggests a self-conscious mode of reading as a phenomenon of fictional world building. I don’t mean to suggest that this approach is necessarily appropriate for every poem or that every poem can be translated into the digital sphere in this way; rather, I want to share how the case of Entering the Lady’s Dressing Room suggests that the experience of translating a poem into Interactive Fiction can contribute to the formation of careful, detail-oriented reading practices in undergraduate readers. And poetry, if nothing else, is about the details.","PeriodicalId":30251,"journal":{"name":"ABO Interactive Journal for Women in the Arts 16401830","volume":"10 3 1","pages":"2"},"PeriodicalIF":0.0,"publicationDate":"2020-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82709410","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Review of Women’s Periodicals and Print Culture in Britain, 1690–1820s: The Long Eighteenth Century 英国女性期刊与印刷文化回顾，1690 - 1820年代:漫长的18世纪

ABO Interactive Journal for Women in the Arts 16401830 Pub Date : 2020-04-01 DOI: 10.5038/2157-7129.10.1.1231

Lisa Maruca

引用次数: 0

Review of Deborah Boyle on Margaret Cavendish 德博拉·博伊尔对玛格丽特·卡文迪什的评论

ABO Interactive Journal for Women in the Arts 16401830 Pub Date : 2020-04-01 DOI: 10.5038/2157-7129.10.1.1229

Dustin D. Stewart

引用次数: 0

A Review of Joanna Wharton, Material Enlightenment: Women Writers and the Science of the Mind, 1770–1830 乔安娜·沃顿:《物质启蒙:女性作家与心灵科学，1770-1830

ABO Interactive Journal for Women in the Arts 16401830 Pub Date : 2020-04-01 DOI: 10.5038/2157-7129.10.1.1232

Kandice Sharren

引用次数: 0

Knowledge Networks: Contested Geographies in The History of Mary Prince 知识网络:玛丽·普林斯历史上有争议的地理

ABO Interactive Journal for Women in the Arts 16401830 Pub Date : 2019-12-01 DOI: 10.5038/2157-7129.9.2.1182

L. Thomas

{"title":"Knowledge Networks: Contested Geographies in The History of Mary Prince","authors":"L. Thomas","doi":"10.5038/2157-7129.9.2.1182","DOIUrl":"https://doi.org/10.5038/2157-7129.9.2.1182","url":null,"abstract":"The History of Mary Prince, a West-Indian Slave, Related by Herself (1831) is the first published woman’s slave narrative. In her History, Prince describes horrendous physical violence to which she and other enslaved peoples of African descent are subjected as well as the corresponding psychological and sexual abuse they endure. While Prince “speaks” the sexual abuse to some extent, how she knows what she knows goes unspoken. She expresses her knowledge of reading and writing and, at times, of the law, but she does not explain how she obtains this knowledge or knows what she knows. Her optimism to travel from one geographic location to another may indicate some knowledge that her circumstances may improve; yet when she arrives in a new location, her conditions worsen with the exceptions of Antigua and England. From the beginning of her History, Prince possesses a strong desire to escape the conditions of chattel slavery, especially shown as she travels from Brackish Pond to Spanish Point in Bermuda, from Bermuda to Turks Island, and later from Turks Island to Bermuda, then to Antigua, and finally to England. As she relates her travel, Prince speaks her knowledge networks that lay hidden within her narrative through her “silences.”","PeriodicalId":30251,"journal":{"name":"ABO Interactive Journal for Women in the Arts 16401830","volume":"13 1","pages":"2"},"PeriodicalIF":0.0,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89401164","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1