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ABO Interactive Journal for Women in the Arts 16401830最新文献

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Postures After the Antique in Eighteenth-Century Portraits of Women 18世纪女性肖像中的姿势
ABO Interactive Journal for Women in the Arts 16401830 Pub Date : 2022-12-01 DOI: 10.5038/2157-7129.12.2.1279
Lauren DiSalvo
{"title":"Postures After the Antique in Eighteenth-Century Portraits of Women","authors":"Lauren DiSalvo","doi":"10.5038/2157-7129.12.2.1279","DOIUrl":"https://doi.org/10.5038/2157-7129.12.2.1279","url":null,"abstract":"This paper re-examines the relationship between eighteenth-century portraiture and the antique where women adopt the postures of floating female figures from Pompeiian wall paintings in eighteenth-century portraiture. I argue that eighteenth-century floating portraits afforded their female sitters an opportunity to assert classical knowledge while adhering to typical conventions of femininity.","PeriodicalId":30251,"journal":{"name":"ABO Interactive Journal for Women in the Arts 16401830","volume":"45 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74406691","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Review of The Life and Legend of Catterina Vizzani: Sexual Identity, Science and Sensationalism in Eighteenth-Century Italy and England, by Clorinda Donato 《卡特琳娜·维扎尼的生平与传奇:18世纪意大利和英国的性别认同、科学与轰动主义》书评，作者:克罗琳达·多纳托
ABO Interactive Journal for Women in the Arts 16401830 Pub Date : 2022-12-01 DOI: 10.5038/2157-7129.12.2.1327
Ula Lukszo Klein
{"title":"Review of The Life and Legend of Catterina Vizzani: Sexual Identity, Science and Sensationalism in Eighteenth-Century Italy and England, by Clorinda Donato","authors":"Ula Lukszo Klein","doi":"10.5038/2157-7129.12.2.1327","DOIUrl":"https://doi.org/10.5038/2157-7129.12.2.1327","url":null,"abstract":"Review of The Life and Legend of Catterina Vizzani: Sexual Identity, Science and Sensationalism in Eighteenth-Century Italy and England, by Clorinda Donato, written by Ula Lukszo Klein. Oxford University Studies in the Enlightenment, Liverpool University Press, 2020, 347 pp., 3 b/w images. ISBN: 978-1-789-62221-8","PeriodicalId":30251,"journal":{"name":"ABO Interactive Journal for Women in the Arts 16401830","volume":"26 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79592918","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Review of A Revolution in Canvas: The Rise of Women Artists in Britain and France, 1760-1830, by Paris A. Spies-Gans 回顾画布上的革命:1760-1830年英国和法国女性艺术家的崛起，作者:Paris A. spyes - gans
ABO Interactive Journal for Women in the Arts 16401830 Pub Date : 2022-12-01 DOI: 10.5038/2157-7129.12.2.1326
Gabrielle Stecher
{"title":"Review of A Revolution in Canvas: The Rise of Women Artists in Britain and France, 1760-1830, by Paris A. Spies-Gans","authors":"Gabrielle Stecher","doi":"10.5038/2157-7129.12.2.1326","DOIUrl":"https://doi.org/10.5038/2157-7129.12.2.1326","url":null,"abstract":"A review of Paris A. Spies-Gans, A Revolution on Canvas: The Rise of Women Artists in Britain and France, 1760-1830 by Gabrielle Stecher","PeriodicalId":30251,"journal":{"name":"ABO Interactive Journal for Women in the Arts 16401830","volume":"58 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79709675","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Concise Collections: Teaching British Women Travelers 《简明文集:教导英国女性旅行者》
ABO Interactive Journal for Women in the Arts 16401830 Pub Date : 2022-12-01 DOI: 10.5038/2157-7129.12.2.1329
Tiffany M. Potter
{"title":"Concise Collections: Teaching British Women Travelers","authors":"Tiffany M. Potter","doi":"10.5038/2157-7129.12.2.1329","DOIUrl":"https://doi.org/10.5038/2157-7129.12.2.1329","url":null,"abstract":"","PeriodicalId":30251,"journal":{"name":"ABO Interactive Journal for Women in the Arts 16401830","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85909269","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Review of The Novel Stage: Narrative Form from the Restoration to Jane Austen, by Marcie Frank 《小说的舞台:从复辟到简·奥斯汀的叙事形式》书评，作者:马茜·弗兰克
ABO Interactive Journal for Women in the Arts 16401830 Pub Date : 2022-12-01 DOI: 10.5038/2157-7129.12.2.1323
Kathleen E. Urda
{"title":"Review of The Novel Stage: Narrative Form from the Restoration to Jane Austen, by Marcie Frank","authors":"Kathleen E. Urda","doi":"10.5038/2157-7129.12.2.1323","DOIUrl":"https://doi.org/10.5038/2157-7129.12.2.1323","url":null,"abstract":"A review of Marcie Frank's The Novel Stage: Narrative Form from the Restoration to Jane Austen by Kathleen E. Urda","PeriodicalId":30251,"journal":{"name":"ABO Interactive Journal for Women in the Arts 16401830","volume":"4 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80699847","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Hannah Humphrey, London’s Leading Caricature Printseller 汉娜·汉弗莱，伦敦首屈一指的漫画印刷商
ABO Interactive Journal for Women in the Arts 16401830 Pub Date : 2022-12-01 DOI: 10.5038/2157-7129.12.2.1259
Ersy Contogouris, Béatrice Denis
{"title":"Hannah Humphrey, London’s Leading Caricature Printseller","authors":"Ersy Contogouris, Béatrice Denis","doi":"10.5038/2157-7129.12.2.1259","DOIUrl":"https://doi.org/10.5038/2157-7129.12.2.1259","url":null,"abstract":"Hannah Humphrey (ca. 1745-1818) was the exclusive publisher of James Gillray's (1756-1815) caricatures from 1791 until Gillray's death. His achievements were made possible in large part thanks to Humphrey and her innovative business acumen. But while Gillray has been celebrated and studied by art historians, Humphrey’s contribution to his success and to the history of graphic satire has remained unexamined. This article is a first attempt to shift the focus onto her in the story of the “golden age” of British caricature. It outlines Humphrey’s career, takes a closer look at her relationship with Gillray, and finally considers some of the reasons she has remained in the shade.","PeriodicalId":30251,"journal":{"name":"ABO Interactive Journal for Women in the Arts 16401830","volume":"9 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74381998","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Negotiating Gender, Representing Landscape: Teaching Lady Anne Lindsay Barnard’s Letters, Journals and Watercolours from the Cape Colony (1797–1801) 协商性别，代表风景:安妮·琳赛·巴纳德夫人在开普殖民地的信件、日记和水彩画(1797-1801)
ABO Interactive Journal for Women in the Arts 16401830 Pub Date : 2022-12-01 DOI: 10.5038/2157-7129.12.2.1317
L. Filipová
{"title":"Negotiating Gender, Representing Landscape: Teaching Lady Anne Lindsay Barnard’s Letters, Journals and Watercolours from the Cape Colony (1797–1801)","authors":"L. Filipová","doi":"10.5038/2157-7129.12.2.1317","DOIUrl":"https://doi.org/10.5038/2157-7129.12.2.1317","url":null,"abstract":"The article focuses on Lady Anne Lindsay Barnard’s letters, journals and watercolours that she produced during her stay at the Cape Colony (1797–1801). Combining a series of tasks focused on close reading of Barnard’s work and a critical discussion of the historical context, the article provides a teaching strategy to examine her work with respect to the gendered discourse of the eighteenth century, and her approach to the Cape landscape and its inhabitants which both employs and, significantly, subverts contemporaneous conventions. More specifically, the tasks draw attention to Barnard’s use of ‘the modesty topos’ and the way she uses rhetorical self-deprecation in her writing to prevent violating the gender norms of her time. Furthermore, they facilitate a discussion of her subject position, particularly with respect to the period’s media landscape and manuscript culture, as well as some of the contemporaneous artistic conventions. While Barnard’s views and approaches to the Cape and its inhabitants are shown to occasionally echo officialdom, she needs to be read as a rather sophisticated observer who sometimes subtly breaks these conventions.","PeriodicalId":30251,"journal":{"name":"ABO Interactive Journal for Women in the Arts 16401830","volume":"13 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80698787","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Review of Placing Charlotte Smith, eds Elizabeth A. Dolan and Jacqueline M. Labbe 评议安置夏洛特·史密斯，编辑伊丽莎白A.多兰和杰奎琳M.拉贝
ABO Interactive Journal for Women in the Arts 16401830 Pub Date : 2022-12-01 DOI: 10.5038/2157-7129.12.2.1324
Heather Heckman-McKenna
{"title":"Review of Placing Charlotte Smith, eds Elizabeth A. Dolan and Jacqueline M. Labbe","authors":"Heather Heckman-McKenna","doi":"10.5038/2157-7129.12.2.1324","DOIUrl":"https://doi.org/10.5038/2157-7129.12.2.1324","url":null,"abstract":"A review of Placing Charlotte Smith edited by Elizabeth A. Dolan and Jacqueline M. Labbe, written by Heather Heckman-McKenna","PeriodicalId":30251,"journal":{"name":"ABO Interactive Journal for Women in the Arts 16401830","volume":"19 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73980245","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Review of the The Closet: The Eighteenth-Century Architecture of Intimacy, by Danielle Bobker 《衣橱:18世纪的亲密建筑》，丹尼尔·博克著
ABO Interactive Journal for Women in the Arts 16401830 Pub Date : 2022-05-01 DOI: 10.5038/2157-7129.12.1.1303
Mary Peace
{"title":"Review of the The Closet: The Eighteenth-Century Architecture of Intimacy, by Danielle Bobker","authors":"Mary Peace","doi":"10.5038/2157-7129.12.1.1303","DOIUrl":"https://doi.org/10.5038/2157-7129.12.1.1303","url":null,"abstract":"","PeriodicalId":30251,"journal":{"name":"ABO Interactive Journal for Women in the Arts 16401830","volume":"112 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74767410","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Seeking Margaret Baker: Identifying the Author of Three Manuscript Receipt Books 寻找玛格丽特贝克:确定三个手稿收据书的作者
ABO Interactive Journal for Women in the Arts 16401830 Pub Date : 2022-05-01 DOI: 10.5038/2157-7129.12.1.1252
Kimberley Connor
{"title":"Seeking Margaret Baker: Identifying the Author of Three Manuscript Receipt Books","authors":"Kimberley Connor","doi":"10.5038/2157-7129.12.1.1252","DOIUrl":"https://doi.org/10.5038/2157-7129.12.1.1252","url":null,"abstract":"This paper uses recipe contributors named in three early modern manuscript receipt books (Sloane MS 2485, Sloane MS 2486 and Folger V.a 619) to identify the author as Margaret Baker, daughter of Richard Baker the Chronicler (c.1568-1645) and Margaret Mainwaring (died c.1652). A familial connection is also made to Wellcome MS 212. The Margaret Baker example is used to argue for the necessity of identifying a broader range of receipt, or recipe, book writers in order to understand the spatial and temporal distribution of recipe book production, and their social context. In the case of Margaret Baker, additional information about her family background, marital status and age at the time of writing the books both shed light on the recipes included in the book, and raise new questions about her culinary and medical practices.","PeriodicalId":30251,"journal":{"name":"ABO Interactive Journal for Women in the Arts 16401830","volume":"48 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91375846","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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