发布求助
文献互助 智能选刊 最新文献

Sciami | ricerche最新文献

筛选
英文 中文
Se la tv è un white cube. Trasmissioni dell’arte nella televisione italiana degli anni Novanta 如果电视是白色的立方体。上世纪90年代意大利电视上的艺术节目
Sciami | ricerche Pub Date : 2020-10-31 DOI: 10.47109/0102200109
Pasquale Fameli
{"title":"Se la tv è un white cube. Trasmissioni dell’arte nella televisione italiana degli anni Novanta","authors":"Pasquale Fameli","doi":"10.47109/0102200109","DOIUrl":"https://doi.org/10.47109/0102200109","url":null,"abstract":"During the 1990s, artists, critics, animators and tv authors saw the possibility of a fruitful dialogue between their respective areas of expertise. This relationship between art and television, however, took place under the banner of a reciprocal rethinking of the two entities: in some cases the medium conditioned artists to the point of inducing them to define specific operating methods or to transform their own works, in others, on the other hand, it was the transmission of the works themselves that “reinvented the medium”. The performative incursions carried out by the duo Formento Sossella and Arpiani Pagliarini for popular programmes such as Blob, Forum and Uomini e Donne are indicative of a thinning between reality and fiction that is typical of the television world and that, not by chance, also affects a good part of Italian art of the decade. The broadcast on Rai Tre of shows such as Prima Puntata and Arte Video TV in the mid-1990s attests to the unexpected possibility of redefining television as a sort of artistic installation connected to specific exhibition occasions. The activity of Leonardo Carrano for L’Angelo (Fininvest) and the collaboration between Paolo Canevari and Alberto D’Amico in the context of Blobcartoon (Rai Tre) are two interesting cases of semantic shift of the work and the dissolution of its unity within the new visual paradigms. The contribution examines these experiences verifying each time their respective implications.","PeriodicalId":300358,"journal":{"name":"Sciami | ricerche","volume":"66 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127083990","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Il piede e la sincope Note su Edipo sveglia il tempo di Chiara Guidi 俄狄浦斯的脚和晕厥笔记唤醒了基娅拉·圭迪的时间
Sciami | ricerche Pub Date : 2020-10-31 DOI: 10.47109/0102200113
Piersandra Di Matteo
{"title":"Il piede e la sincope Note su Edipo sveglia il tempo di Chiara Guidi","authors":"Piersandra Di Matteo","doi":"10.47109/0102200113","DOIUrl":"https://doi.org/10.47109/0102200113","url":null,"abstract":"The essay is based on the direct observation of the Edipo sveglia il tempo, a workshop directed by Chiara Guidi with a group of twenty-six teenagers. This Socìetas director, author and actress starts with Oedipus Rex by Sophocles to promote a mythopoeic exercise that suspends the «radical myth» involving custody and deviation, enacting it in a bodily-vocal practice. In this scenic writing, Oedipus’ limp becomes the pivot of a rhythmic dramaturgy with a syncopated gait, able to orient voice, words and movement.","PeriodicalId":300358,"journal":{"name":"Sciami | ricerche","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133427831","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Obladì Obladà e Immagina: sperimentazioni tra video e computer art in tv Obladì obladobe imagina:电视中的电脑艺术实验
Sciami | ricerche Pub Date : 2020-10-31 DOI: 10.47109/0102200108
Paola Lagonigro
{"title":"Obladì Obladà e Immagina: sperimentazioni tra video e computer art in tv","authors":"Paola Lagonigro","doi":"10.47109/0102200108","DOIUrl":"https://doi.org/10.47109/0102200108","url":null,"abstract":"During the Eighties, with the spread of personal computers, the image of the Italian television was revolutionised by computer graphics. Broadcasts like Obladì Obladà (1985) and Immagina (1987-88), both directed by Ranuccio Sodi, made extensive use of computer graphics and combined analogue and digital post-production techniques. These programs were dedicated to contemporary audio-visual production: from videoclips to video installations, from advertising to computer art and, more generally, to artistic forms related to electronics. For Obladì Obladà, Massimo Iosa Ghini designed the graphic line and created a futuristic studio that revealed the style of bolidismo. While in Immagina, Fabrizio Plessi’s scenographies dictated the aesthetics of the transmission, dialoguing with Mario Convertino’s graphics. \u0000The article aims to analyse the two programs as products of an aesthetical and technological experimentation in which the collaboration between the director and the artists involved represents an attempt to create a “television art”.","PeriodicalId":300358,"journal":{"name":"Sciami | ricerche","volume":"52 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124058532","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Rincorrere per non acchiappare. Un viaggio nell’esistenza di Wile E. Coyote e Road Runner, performer 每一件非配件都有相应的配件。野狼之路跑者，表演者
Sciami | ricerche Pub Date : 2020-10-31 DOI: 10.47109/0102200112
A. Bergamo
{"title":"Rincorrere per non acchiappare. Un viaggio nell’esistenza di Wile E. Coyote e Road Runner, performer","authors":"A. Bergamo","doi":"10.47109/0102200112","DOIUrl":"https://doi.org/10.47109/0102200112","url":null,"abstract":"The article introduces the theory of a ludic acting approach to drama, formulated by the Russian director and drama theorist Anatolij Vasil'ev in the 90s. Subsequently, the array of analytical devices of this theory are applied to Wile E. Coyote and Road Runner the cartoon series produced between the 1940s and the 80s by Warner Bros, directed by Chuck Jones. The analysis outlines some of its dynamic make up and focuses attention on the rich poetic impact of these works. Finally, the essay focuses on the specific dramatic function of acting looking into the camera, seen as a cinematographic analogue of the particular type of \"apart\" which in the theater is defined as “coup de masque”.","PeriodicalId":300358,"journal":{"name":"Sciami | ricerche","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125412676","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
L’invenzione della tv in Italia nell’ esperienza di Mario Sasso. 马里奥·萨索在意大利发明了电视。
Sciami | ricerche Pub Date : 2020-10-31 DOI: 10.47109/0102200107
Marco Maria Gazzano
{"title":"L’invenzione della tv in Italia nell’ esperienza di Mario Sasso.","authors":"Marco Maria Gazzano","doi":"10.47109/0102200107","DOIUrl":"https://doi.org/10.47109/0102200107","url":null,"abstract":"Mario Sasso, painter and videoartist, has gradually made the expressive exploration of new technological languages the privileged area of his experience. However, he is also known to the general public for being the most sensitive \"art director\" of television graphics, an activity in which, since the 1960s, and in particular for Rai-Radiotelevisione italiana, he has transfused the richness of his plastic research.\u0000Sasso is the main architect of the \"image\" of Italian public television: of that particular way of presenting himself and being recognized, beyond the programs, in peculiar signs and graphic layouts that the artist himself has conceptually contributed to conceiving: innovating and proposing in new ways the languages of nascent television. Made by him are the first “covers”, the first broadcast opening credits of Rai and its flagship programs; as well as a whole series of expressive innovations that have marked the history of the audiovisual sector. Furthermore, operations of destructuring and intersection of artistic languages that have contributed to building the identity of the medium in Italy even before the official affirmation of the electronic arts and up to the pioneering experience of RaiSat.","PeriodicalId":300358,"journal":{"name":"Sciami | ricerche","volume":"56 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131965901","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Dalla formazione in scenografia alla Rai. Giosetta Fioroni costumista e Pino Pascali scenografo per la nascente televisione italiana 从舞台设计到Rai。Giosetta Fioroni speedo和Pino pas卡利为意大利冉冉升起的电视制作
Sciami | ricerche Pub Date : 2020-10-31 DOI: 10.47109/0102200105
M. Rossi
{"title":"Dalla formazione in scenografia alla Rai. Giosetta Fioroni costumista e Pino Pascali scenografo per la nascente televisione italiana","authors":"M. Rossi","doi":"10.47109/0102200105","DOIUrl":"https://doi.org/10.47109/0102200105","url":null,"abstract":"Giosetta Fioroni and Pino Pascali have worked in different years for the nascent national television. Fioroni was engaged as a costume designer between 1955 and 1957; while Pascali as set designer between 1963-1967.\u0000For both – educated in scenography at the Academy of Fine Arts in Rome – these commissioned works precede their debut as research artists.\u0000The programs examined, Gli interessi creati and Biblioteca di Studio Uno, represent case studies of Fioroni and Pascali's way of working with the scenic and then with the television language.\u0000This contribution intends to examine the works commissioned by Rai to Giosetta Fioroni and Pino Pascali, highlighting how these episodes are exemplary to understand the impact of the academic training from the intermediate stage of their artistic career, up to the synthesis made in the mature works of the two artists.","PeriodicalId":300358,"journal":{"name":"Sciami | ricerche","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131299821","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Integrazione VS decostruzione nelle collaborazioni degli artisti visivi con la tv e qualche nota su Foligno ’67 di Alfredo Di Laura 在视觉艺术家与电视的合作中融入和解构，以及劳拉·阿尔弗雷多关于Foligno ' 67的一些笔记
Sciami | ricerche Pub Date : 2020-10-31 DOI: 10.47109/0102200101
F. Gallo
{"title":"Integrazione VS decostruzione nelle collaborazioni degli artisti visivi con la tv e qualche nota su Foligno ’67 di Alfredo Di Laura","authors":"F. Gallo","doi":"10.47109/0102200101","DOIUrl":"https://doi.org/10.47109/0102200101","url":null,"abstract":"The contribution gives an overview of the way visual artists have intervened in television production and within its specific audiovisual languages. Against the background of some famous and prolonged international experiences, the reflection focuses on Italian television between the 1960s and 1970s. Integration, experimentation, deconstruction are some of the categories in which such interventions can be steal, in relation to the way in which painters, sculptors and multimedia artists have intended to relate to tv, on the one hand attracted by the communicative and technological potential of the medium, and on the other critical of that type of visual universe and cultural offer in general. In the same position is also placed Alfredo Di Laura, television director and author of the program Avanguardie ‘60: a particularly representative case study both as an innovative reading of the seminal contemporary art exhibition, Lo spazio dell’immagine, and for the marginalization in the schedule. The intent of the contribution, moreover, is also to underline the ineffectiveness of critical formulations that in assimilating television to electronic technology tout court absorb peculiar formal exercises, born in dialectic with the pervasive means of mass communication, within the wider history of video art.","PeriodicalId":300358,"journal":{"name":"Sciami | ricerche","volume":"29 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122638355","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
La colpa in gioco Elementi del Trauerspiel (a partire da Benjamin) (从本杰明开始)
Sciami | ricerche Pub Date : 2020-10-31 DOI: 10.47109/0102200111
M. Palma
{"title":"La colpa in gioco Elementi del Trauerspiel (a partire da Benjamin)","authors":"M. Palma","doi":"10.47109/0102200111","DOIUrl":"https://doi.org/10.47109/0102200111","url":null,"abstract":"The article discusses the theatrical form named Trauerspiel (baroque drama or mourning play), starting from the very elements that form its concept – play and mourning. Far from being identifiable with tragedy or from being reducible to a sort of anticipation of Romantic features, Trauerspiel expresses the traumas of subjectivity in early modern age, as it deals with religious and political turmoil. Taking inspiration from Walter Benjamin’s Ursprung des deutschen Trauerspiels, the article investigates some crucial elements of baroque mise-en-scène such as sovereignty, guilt, empathy, searching for further intersections with the theories of play by both Johan Huizinga and Georges Bataille.","PeriodicalId":300358,"journal":{"name":"Sciami | ricerche","volume":"45 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114899806","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Note sul rapporto tra artisti e televisione italiana delle origini 关于早期意大利艺术家和电视之间关系的说明
Sciami | ricerche Pub Date : 2020-10-31 DOI: 10.47109/0102200110
Damiano Garofalo
{"title":"Note sul rapporto tra artisti e televisione italiana delle origini","authors":"Damiano Garofalo","doi":"10.47109/0102200110","DOIUrl":"https://doi.org/10.47109/0102200110","url":null,"abstract":"This paper aims to reconstruct some of the issues that revolve around the role played by artists in early Italian television in a discursive and non-exhaustive way. The principal aim is to discuss how the study of the television experiences of many visual artists can help to re-read some issues in the field of television historiography. First of all, the importance of the sources and their necessary integration in the study of this relationship will be underlined, with particular reference to the problem of accessibility (see the Rai experimental programs produced between 1952 and 1954). Secondly, we will focus on the relationship between arthouse and popular culture, as it emerges from early Italian television and develops, over the following years, in the debate between entertainment television and art television. As a third question, we will focus on a marginalized element, that of the audiences, and we will discuss what kind of negotiations the art consumption through television implies. Through these three issues some possible lines of research will be drawn in order to try to broaden the approaches and perspectives of television historiography.","PeriodicalId":300358,"journal":{"name":"Sciami | ricerche","volume":"45 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116483374","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Didattica d’artista in tv: Costruire è facile di Bruno Munari 布鲁诺·穆纳里(Bruno Munari)的《电视艺术家的教育:建筑很容易
Sciami | ricerche Pub Date : 2020-10-31 DOI: 10.47109/0102200104
Guido Bartorelli
{"title":"Didattica d’artista in tv: Costruire è facile di Bruno Munari","authors":"Guido Bartorelli","doi":"10.47109/0102200104","DOIUrl":"https://doi.org/10.47109/0102200104","url":null,"abstract":"Through the examination of the old issues of the “Radiocorriere”, the contribution measures the size of an artist’s work for tv, that was surprisingly lasting and structured: the television serial program Costruire è facile [Making is easy], written and presented by Bruno Munari (Milan, 1907-1998). Broadcasted throughout 1956 on the Rai national program, the program earned the artist/designer a certain reputation also as a television presenter. Still little investigated, Munari’s work for television responds to one of the main tasks which, according to him, are proper to the artists in the mass society: unveiling the “secrets of the trade” in order to build a future in which the art of the few can be replaced by an art freely made by everyone. Obviously, one has to learn to be creative, therefore the artists have to start teaching. The masterpiece that society expects from them has a didactic reason, and to convey it, television proves to be a very effective vehicle.","PeriodicalId":300358,"journal":{"name":"Sciami | ricerche","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124944481","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
下一页 尾页
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整，为了账户安全，请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
请完成安全验证×
相关产品
×
本文献相关产品
联系我们：info@booksci.cn Book学术提供免费学术资源搜索服务，方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号：604180095
Book学术官方微信
小红书