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Núm. 1 (2021): CRATER, Arte e Historia
CRATER, Arte e Historia Pub Date : 1900-01-01 DOI: 10.12795/crater.2021.i01
Crater Crater
{"title":"Núm. 1 (2021): CRATER, Arte e Historia","authors":"Crater Crater","doi":"10.12795/crater.2021.i01","DOIUrl":"https://doi.org/10.12795/crater.2021.i01","url":null,"abstract":"","PeriodicalId":300283,"journal":{"name":"CRATER, Arte e Historia","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128760115","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
¿BASADO EN HECHOS REALES? HACIA UNA CULTURA POP DEL CRIMEN. 基于真实事件?走向犯罪流行文化。
CRATER, Arte e Historia Pub Date : 1900-01-01 DOI: 10.12795/crater.2021.i01.02
Javier Iáñez Picazo
{"title":"¿BASADO EN HECHOS REALES? HACIA UNA CULTURA POP DEL CRIMEN.","authors":"Javier Iáñez Picazo","doi":"10.12795/crater.2021.i01.02","DOIUrl":"https://doi.org/10.12795/crater.2021.i01.02","url":null,"abstract":"El presente artículo busca reflexionar sobre una cultura pop del crimen, entendida como un conjunto complejo de fenómenos, narrativas e identidades que legitiman la violencia a través de dinámicas de incertidumbres entre hechos y ficciones. Para ello, se abordarán las dos principales condiciones que han propiciado este fenómeno: en primer lugar, la espectacularización de la violencia en la ficción popular, que va desde la narrativa romántica postgótica hasta las películas gore actuales, haciendo hincapié en el cine de explotación y la consecuente mitificación (y posterior desmitificación) del snuff. En segundo lugar, una creciente fascinación por el asesino en serie, que eleva su estatus al de celebrity y permite filiaciones identitarias por parte de los espectadores y consumidores, lo cual conduce a cierta ficcionalización del criminal. Estos aspectos recalcarán el funcionamiento de la cultura pop del crimen, que se apoya en esta movilidad cultural entre realidad y ficción para generar una sensibilidad cultural del asesinato que ha sido renovada en las sociedades contemporáneas. No solo el desarrollo de los canales de producción y difusión de imágenes, sino otros factores modernos como la consecuente normalización de la violencia en los sistemas neoliberales y heteropatriarcales tendrán un impacto decisivo en la cultura popular y los hábitos de consumo. Un repaso final por algunas tendencias subculturales como la murderabilia o el necroporno servirá para escenificar la permeabilidad de algunos artefactos culturales que reflejan y contribuyen a esta violencia sistémica.","PeriodicalId":300283,"journal":{"name":"CRATER, Arte e Historia","volume":"69 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114389607","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Macanas: the art of clubs from Amazonia Macanas:亚马逊地区的棍棒艺术
CRATER, Arte e Historia Pub Date : 1900-01-01 DOI: 10.12795/crater.2022.i02.01
Alexandre Bernand
{"title":"Macanas: the art of clubs from Amazonia","authors":"Alexandre Bernand","doi":"10.12795/crater.2022.i02.01","DOIUrl":"https://doi.org/10.12795/crater.2022.i02.01","url":null,"abstract":"Wooden clubs from Amazonia, called macanas, have been identified and valued by Europeans since the Conquest and quickly became essential additions to Wunderkammern. However surviving pieces often lack a detailed collection history, as they have been brought to Europe over a period of five hundred years by various kinds of visitors with different goals and sets of mind. The first section reviews the early reports and descriptions mentioning those pieces, whether in situ (e.g. chronicles of Columbus voyages or later travelers), or in European collections. We present in the second part a nonexhaustive selection of eleven types of clubs from Amazonia that belong to European (mostly public) collections, and we try to connect these types to the abovementioned historical sources. The aim of this paper is to show the diversity of shapes and also the historical depth of the club tradition in Amazonia.","PeriodicalId":300283,"journal":{"name":"CRATER, Arte e Historia","volume":"55 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129518778","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
FROM PORTUGAL TO THE COLONIES: CHARACTERISTICS OF PORTUGUESE EXILES AT THE END OF THE 18TH CENTURY. 从葡萄牙到殖民地:18世纪末葡萄牙流亡者的特点。
CRATER, Arte e Historia Pub Date : 1900-01-01 DOI: 10.12795/crater.2021.i01.04
Liliana Andreia Valente Neves
{"title":"FROM PORTUGAL TO THE COLONIES: CHARACTERISTICS OF PORTUGUESE EXILES AT THE END OF THE 18TH CENTURY.","authors":"Liliana Andreia Valente Neves","doi":"10.12795/crater.2021.i01.04","DOIUrl":"https://doi.org/10.12795/crater.2021.i01.04","url":null,"abstract":"The exile penalty has been widely used by the portuguese justice over the past centuries. The exiled were forced to cross the Atlantic in the direction of Brazil, Africa and Asia, where they fulfilled the punishment. The constant sending of large human contingents to colonial territories demonstrates the interests that the Crown had in removing the criminals from the metropolis. However, it can be an indicator of other objectives, such as the population and effective possession of the places where they were destined. This reality caused variations in the fate of the exiles according to the times and the needs that the Crown had in different periods. Thus, several authors agree that the sending of exiles to the colonies was aimed at occupation, defence, settlement and contribution to miscegenation in these territories. Through this research work, we seek to carry out a comparative study where we highlight the differences between the sending of exiles to the South American and African colonial territories. We also seek to get to know these individuals seeking to know their social status, profession, crime, age, marital status, place of birth, destination of exile and time of sentence. It was also our intention to analyze how the process of sending these individuals overseas was carried out, the time between the condemnation and their departure, how they were shipped, who was in charge of taking them to their destination and who guaranteed their survival during the trip.","PeriodicalId":300283,"journal":{"name":"CRATER, Arte e Historia","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123459282","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Escenificaciones bienalísticas y agotamiento crítico. 双年展的舞台和关键的疲惫。
CRATER, Arte e Historia Pub Date : 1900-01-01 DOI: 10.12795/crater.2022.i02.07
Fernando Castro Flórez
{"title":"Escenificaciones bienalísticas y agotamiento crítico.","authors":"Fernando Castro Flórez","doi":"10.12795/crater.2022.i02.07","DOIUrl":"https://doi.org/10.12795/crater.2022.i02.07","url":null,"abstract":"","PeriodicalId":300283,"journal":{"name":"CRATER, Arte e Historia","volume":"90 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117086611","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Biotecnología, arte y educación: un punto de vista 生物技术、艺术与教育:一种观点
CRATER, Arte e Historia Pub Date : 1900-01-01 DOI: 10.12795/crater.2022.i02.04
María Antonia Muñoz Majalovich
{"title":"Biotecnología, arte y educación: un punto de vista","authors":"María Antonia Muñoz Majalovich","doi":"10.12795/crater.2022.i02.04","DOIUrl":"https://doi.org/10.12795/crater.2022.i02.04","url":null,"abstract":"Este texto está fundamentado en la documentación levantada a lo largo de 25 años en un Curso Técnico de Biotecnología de Rio de Janeiro, organizado en el contexto Ciencia, Tecnología, Sociedad y Ambiente (CSTA). Muestra algunos puntos de articulación con el arte biológico alcanzados en actividades de observación y experimentación (tendencia mediática) y en la utilización de material disponible en la literatura e Internet (tendencia temática).","PeriodicalId":300283,"journal":{"name":"CRATER, Arte e Historia","volume":"45 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115836124","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
TUPAC INCA PACHACUTI Y VLADIMIR KANDINSKY. LÍNEAS PUNTOS Y CONTRASTES. 图帕克印加帕恰库蒂和弗拉基米尔康定斯基。线、点和对比。
CRATER, Arte e Historia Pub Date : 1900-01-01 DOI: 10.12795/crater.2021.i01.01
Carmen Bernand
{"title":"TUPAC INCA PACHACUTI Y VLADIMIR KANDINSKY. LÍNEAS PUNTOS Y CONTRASTES.","authors":"Carmen Bernand","doi":"10.12795/crater.2021.i01.01","DOIUrl":"https://doi.org/10.12795/crater.2021.i01.01","url":null,"abstract":"Este texto propone cotejar, sobre la base del formalismo y de la pasión geométrica, dos mundos distintos, reunidos irrespetuosamente aquí: el de los Incas del Perú, conquistados en el siglo XVI por España, y el de Vasily Kandinsky, nacido en la Rusia imperial y exiliado después de la Revolución de 1917. Los diseños de los tejidos y los resplandores sagrados del alba y del crepúsculo de los Incas, nos evocan las formas lineales, la luz crepuscular de Moscú, y “las vibraciones del alma” del inventor de la pintura moderna, influenciado por las imágenes sagradas ortodoxas y el chamanismo de los pastores de la zona subártica.","PeriodicalId":300283,"journal":{"name":"CRATER, Arte e Historia","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131243235","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
El arte de la fotografía durante la crisis del SIDA 艾滋病危机期间的摄影艺术
CRATER, Arte e Historia Pub Date : 1900-01-01 DOI: 10.12795/crater.2022.i02.03
Francisco Parra Montero
{"title":"El arte de la fotografía durante la crisis del SIDA","authors":"Francisco Parra Montero","doi":"10.12795/crater.2022.i02.03","DOIUrl":"https://doi.org/10.12795/crater.2022.i02.03","url":null,"abstract":"Si algo caracterizó el mundo del arte, durante los últimos años del siglo XX, fue la crisis provocada por el SIDA transformando su escenario. El campo de la fotografía aportó un amplio abanico de imágenes capaces de conmocionar, e incluso de alterar conductas, canalizando el sufrimiento del enfermo desde un lugar privilegiado. El retrato fotográfico se reiteró en el terreno artístico y los trabajos realizados se convirtieron en auténticos documentos sociales de una época. La necesidad de ponerle rostro al virus, y de luchar contra el estigma, propició el desarrollo de una temática fotográfica que agitó conciencias. Los profesionales, lejos del sensacionalismo, captaron la pandemia de múltiples maneras desde una óptica realista, poética en algunos casos, pero siempre con un protagonista absoluto como era el desahuciado, el cual se dejó fotografiar sin ningún tabú.","PeriodicalId":300283,"journal":{"name":"CRATER, Arte e Historia","volume":"34 5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116501540","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
TRANSLATING FEAR IN BORDER SPACES. ANTONI MUNTADAS´ ON TRANSLATION: FEAR / MIEDO/ JAUF 在边境地区传递恐惧。Antoni muntadas’on翻译:恐惧/ miedo / jauf
CRATER, Arte e Historia Pub Date : 1900-01-01 DOI: 10.12795/crater.2021.i01.05
Mª del Carmen África Vidal Claramonte
{"title":"TRANSLATING FEAR IN BORDER SPACES. ANTONI MUNTADAS´ ON TRANSLATION: FEAR / MIEDO/ JAUF","authors":"Mª del Carmen África Vidal Claramonte","doi":"10.12795/crater.2021.i01.05","DOIUrl":"https://doi.org/10.12795/crater.2021.i01.05","url":null,"abstract":"The aim of this article is to show how Antoni Muntadas’ projects deconstruct the spaces controlled by economic powers, politicians, the media and government institutions. Most Muntadas’ projects are site-specific and, therefore, focus on spaces like the city, public and private spaces or digital spaces. This article concentrates on those projects by Antoni Muntadas which show asymmetries of power in different spaces and moves on to focus on a concrete space, the border, in two projects: On Translation: Miedo/Fear, on the border between the United States and Mexico, and On Translation: Miedo/Jauf on the border between Spain and Morocco. These projects analyse how some people and others, those who are most vulnerable and those who are afraid of strangers, feel fear, depending on what side of the border they are on.","PeriodicalId":300283,"journal":{"name":"CRATER, Arte e Historia","volume":"51 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134360218","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
“ACCIÓN DE LA REAL COMPAÑÍA DE SAN FERNANDO DE SEVILLA” ESTAMPADA POR PEDRO TORTOLERO. ESTUDIO ICONOGRÁFICO. “圣费尔南多德塞维利亚皇家公司的行动”由佩德罗·托托列罗印制。研究肖像。
CRATER, Arte e Historia Pub Date : 1900-01-01 DOI: 10.12795/crater.2021.i01.06
Reyes Escalera Pérez
{"title":"“ACCIÓN DE LA REAL COMPAÑÍA DE SAN FERNANDO DE SEVILLA” ESTAMPADA POR PEDRO TORTOLERO. ESTUDIO ICONOGRÁFICO.","authors":"Reyes Escalera Pérez","doi":"10.12795/crater.2021.i01.06","DOIUrl":"https://doi.org/10.12795/crater.2021.i01.06","url":null,"abstract":"En 1747 el pintor y grabador sevillano Pedro Tortolero (ca. 1700-1767) estampó la “Acción de la Real Compañía de San Fernando de Sevilla” con un interesante programa visual en el que resume plásticamente los propósitos de esta, así como los beneficios que supone su establecimiento para la ciudad y la monarquía. El autor, con un lenguaje simbólico muy propio del Barroco, recurre para su composición a santos protectores –san José y un obispo mártir-, deidades mitológicas –Mercurio y Neptuno-, figuras alegóricas –España y América- y vistas de calles e hitos arquitectónicos sevillanos junto a lemas inspirados en las Sagradas Escrituras y en fuentes clásicas para transmitir un mensaje de prosperidad auspiciado por la nueva compañía. Esta estampa, de la que se conservan diversos ejemplares con leves diferencias debidas al retallado de la matriz deteriorada por el uso, pudo servir de inspiración a otras “Acciones”, como la de la Compañía Marítima de Málaga que grabó Francisco de la Torre en 1789.","PeriodicalId":300283,"journal":{"name":"CRATER, Arte e Historia","volume":"29 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124438928","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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