Emotions-History Culture Society最新文献_第8页

The Politics of Humiliation: A Modern History, written by Frevert, Ute 《屈辱的政治:一部现代史》，作者:弗莱弗特

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Emotions-History Culture Society Pub Date : 2021-12-23 DOI: 10.1163/2208522x-02010135

Nina Kreibig

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History of Emotions: Where Are We? 情感的历史:我们在哪里?

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Emotions-History Culture Society Pub Date : 2021-12-23 DOI: 10.1163/2208522x-02010133

P. Stearns, J. Ruys, Robert S. White, G. Moore, Merridee L. Bailey, Una McIlvenna, Kirk Essary

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Laughter and Grief in Twelfth-Century Accounts of the Death of William Rufus 12世纪威廉·鲁弗斯之死的欢笑与悲伤

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Emotions-History Culture Society Pub Date : 2021-12-23 DOI: 10.1163/2208522x-02010127

Lindsay M. Diggelmann

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Living Death: Imagined History and the Tarrant Manifesto 《活死:想象的历史与塔兰特宣言

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Emotions-History Culture Society Pub Date : 2021-07-13 DOI: 10.1163/2208522X-02010112

M. Harwood

引用次数: 1

The Fission of the Forbidden: The Popularity of Video Content in an Online Right-Wing Extremist Environment 禁忌的裂变:网络右翼极端主义环境下视频内容的流行

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Emotions-History Culture Society Pub Date : 2021-07-13 DOI: 10.1163/2208522X-02010113

Lise Waldek

引用次数: 2

Practising Shame: Female Honour in Later Medieval England, written by Flannery, Mary 《实践羞耻:中世纪后期英格兰的女性荣誉》，玛丽·弗兰纳里著

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Emotions-History Culture Society Pub Date : 2021-07-13 DOI: 10.1163/2208522X-02010121

M. Cassidy-Welch

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Liturgy and the Emotions in Byzantium: Compunction and Hymnody, written by Mellas, Andrew 拜占庭的礼拜仪式与情感:忏悔与赞美诗，安德鲁·梅拉斯著

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Emotions-History Culture Society Pub Date : 2021-07-13 DOI: 10.1163/2208522X-02010123

Eduard Iricinschi

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Re-enactment and Traumatic Memory: Cinematic Ethics in The Act of Killing and S21: The Khmer Rouge Killing Machine 重演与创伤记忆:《杀戮演绎》与《红色高棉杀人机器》中的电影伦理

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Emotions-History Culture Society Pub Date : 2021-07-13 DOI: 10.1163/2208522X-02010117

Robert Sinnerbrink

{"title":"Re-enactment and Traumatic Memory: Cinematic Ethics in The Act of Killing and S21: The Khmer Rouge Killing Machine","authors":"Robert Sinnerbrink","doi":"10.1163/2208522X-02010117","DOIUrl":"https://doi.org/10.1163/2208522X-02010117","url":null,"abstract":"\u0000The Act of Killing (Oppenheimer, 2012) and its companion piece, The Look of Silence (2014), are powerful works of cinematic ethics. The former is a ‘perpetrator documentary’ that invites killers to make movie re-enactments of their crimes, the latter a case of ‘ethical witnessing’ in which a victim’s descendant questions his brother’s killer. In what follows, I explore The Act of Killing’s use of stylised re-enactments, using various movie genres as distancing and mediating devices, which enable the perpetrators to approach and expose their traumatic acts of violence. I contrast this with Rithy Panh’s perpetrator/witness documentary, S21: The Khmer Rouge Killing Machine (2003), focusing on the mass killings perpetrated by the Pol Pot regime (1975–1979), which uses both visual representations and a more direct, bodily performative mode of re-enactment, to represent and communicate traumatic memory. Both films examine a range of moral emotions, solicited through interview sequences and different modes of cinematic re-enactment. These strategies enable the perpetrators to expose their traumatic violence and, in some cases, acknowledge the suffering of their victims, but also allow the perpetrators to be questioned and held to account, staging an ethical encounter wherein the social recognition of traumatic memory of political violence might become possible.","PeriodicalId":29950,"journal":{"name":"Emotions-History Culture Society","volume":"1 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2021-07-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89278359","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Emotions, Activism and Documentary Storytelling: A Biographical Production-Based Case Study 情感、行动主义和纪录片叙事:基于传记制作的案例研究

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Emotions-History Culture Society Pub Date : 2021-07-13 DOI: 10.1163/2208522X-02010116

T. Murray

{"title":"Emotions, Activism and Documentary Storytelling: A Biographical Production-Based Case Study","authors":"T. Murray","doi":"10.1163/2208522X-02010116","DOIUrl":"https://doi.org/10.1163/2208522X-02010116","url":null,"abstract":"\u0000The biography of Douglas Grant (c.1885–1951) has been publicly and popularly told in media since 1916. Interestingly, Grant’s unusual life-story has consistently been deployed to serve various political agendas. This essay examines the role of popular-media biographies of Douglas Grant and the emotions embedded in them, and utilises a documentary-film production as a case study to examine relations between these emotions, activist agendas and documentary-film storytelling. Additionally, given the consistent use of tragedy as a formal narrative structure employed in tellings of Douglas Grant’s story, this essay also describes how narrative structures are not culturally neutral, but are themselves emotionally suggestive cultural productions. Analysing a century of tellings of the Douglas Grant biography, this essay also offers insights into how conquest-colonial ideology is manifest in these often ‘tragic’ tales. As an attempt at decolonising scholarship, this essay also responds to insights by Indigenous commentators within the case-study text to reflect on Indigenous ontologies and the role of Country and Indigenous futurism as places/sites/histories of hope.","PeriodicalId":29950,"journal":{"name":"Emotions-History Culture Society","volume":"96 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2021-07-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82423202","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Introduction: Political Emotions and Ideological Performance 导论:政治情感与思想表现

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Emotions-History Culture Society Pub Date : 2021-07-13 DOI: 10.1163/2208522X-02010110

Louise D’Arcens, Lise Waldek

{"title":"Introduction: Political Emotions and Ideological Performance","authors":"Louise D’Arcens, Lise Waldek","doi":"10.1163/2208522X-02010110","DOIUrl":"https://doi.org/10.1163/2208522X-02010110","url":null,"abstract":"This special issue, ‘Political Emotions and Ideological Performance’, emerges out of a series of workshops of the same name, held in 2020 and hosted by the Macquarie University node of the Australian Research Council Centre for the History of Emotions (CHE@MQ), with funding support from the Macquarie University Faculty of Arts. The idea for both the workshops and this special issue emerged in late 2019 out of conversations revealing the surprising number of CHE@MQ members who were currently undertaking research on political extremism, political violence and ideological identity formation. Because the node was only established in 2019, and its members hail from a wide range of disciplines, many had not yet had an opportunity to collaborate, but all were keen to learn from one another’s disciplinary approaches to the intersection of politics, ideology and emotion. The resulting collection of essays situates itself at the nexus of theoretical-textual research on emotions and data-driven sociological research, offering a novel consideration of political emotions: it explores how emotions sustain ideologies, as well as how they generate, and are generated by, political engagement. almost commonsense that to allows us to address the of how subjects become invested in particular structures’","PeriodicalId":29950,"journal":{"name":"Emotions-History Culture Society","volume":"403 6","pages":""},"PeriodicalIF":0.5,"publicationDate":"2021-07-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72448341","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1