Networking Knowledge: Journal of the MeCCSA Postgraduate Network最新文献_第7页

Revolting Animation: The Hierarchy of Masculinities in the Representation of Race and Male Same-Sex Desire in Adult Cartoons 令人反感的动画:成人卡通中种族和男性同性欲望表现中的男性等级

Networking Knowledge: Journal of the MeCCSA Postgraduate Network Pub Date : 2017-10-17 DOI: 10.31165/NK.2017.103.517

Irene Fubara-Manuel

引用次数: 1

Camping Outside the Magic Kingdom’s Gates: The Power of Femslash in the Disney Fandom 在魔法王国的大门外露营:迪斯尼粉丝圈中的女性的力量

Networking Knowledge: Journal of the MeCCSA Postgraduate Network Pub Date : 2017-10-17 DOI: 10.31165/NK.2017.103.514

Kodi Maier

引用次数: 3

‘We Are Not Things’: Infertility, Reproduction, and Rhetoric of Control in Avengers: Age of Ultron and Mad Max: Fury Road “我们不是物”:《复仇者联盟:奥创纪元》和《疯狂的麦克斯:狂暴之路》中的不育、繁殖和控制修辞

Networking Knowledge: Journal of the MeCCSA Postgraduate Network Pub Date : 2017-10-17 DOI: 10.31165/NK.2017.103.515

E. Rowson

引用次数: 0

The Hidden Sex: Representations of Intersex People in Circus and Sideshow Novels 隐藏的性:马戏与杂耍小说中双性人的表现

Networking Knowledge: Journal of the MeCCSA Postgraduate Network Pub Date : 2017-10-17 DOI: 10.31165/NK.2017.103.512

N. Frisby

引用次数: 0

Sex and Sexualities in Popular Culture: A Networking Knowledge Special Issue 大众文化中的性与性行为:网络知识特刊

Networking Knowledge: Journal of the MeCCSA Postgraduate Network Pub Date : 2017-10-17 DOI: 10.31165/NK.2017.103.513

M. Popova, Bethan Jones

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引用次数: 0

Honey, You Know I Can’t Hear You When You Aren’t in the Room: Key Female Filmmakers Prove the Importance of Having a Female in the Writing Room 亲爱的，你知道当你不在房间里的时候我听不见你:重要的女性电影人证明了在写作室里有一个女性的重要性

Networking Knowledge: Journal of the MeCCSA Postgraduate Network Pub Date : 2017-06-14 DOI: 10.31165/NK.2017.102.509

Rosanne Welch

{"title":"Honey, You Know I Can’t Hear You When You Aren’t in the Room: Key Female Filmmakers Prove the Importance of Having a Female in the Writing Room","authors":"Rosanne Welch","doi":"10.31165/NK.2017.102.509","DOIUrl":"https://doi.org/10.31165/NK.2017.102.509","url":null,"abstract":"The need for more diversity in Hollywood films and television is currently being debated by scholars and content makers alike, but where is the proof that more diverse writers will create more diverse material? Since all forms of art are subjective, there is no perfect way to prove the importance of having female writers in the room except through samples of qualitative case studies of various female writers across the history of film. By studying the writing of several female screenwriters – personal correspondence, interviews and their writing for the screen – this paper will begin to prove that having a female voice in the room has made a difference in several prominent films. It will further hypothesise that greater representation can only create greater opportunity for more female stories and voices to be heard. \u0000 Research for my PhD dissertation ‘Married: With Screenplay’ involved the work of several prominent female screenwriters across the first century of filmmaking, including Anita Loos, Dorothy Parker, Frances Goodrich and Joan Didion. In all of their memoirs and other writings about working on screenplays, each mentioned the importance of (often) being the lone woman in the room during pitches and during the development of a screenplay. Goodrich summarised all their experiences concisely when she wrote, ‘I’m always the only woman working on the picture and I hold the fate of the women [characters] in my hand… I’ll fight for what the gal will or will not do, and I can be completely unfeminine about it.’ Also, the rise of female directors, such as Barbra Streisand or female production executives, such as Kathleen Kennedy, prove that one of the greatest assets to having a female voice in the room is the ability to invite other women inside. Therefore, this paper contributes to the scholarship on women in film and to authorship studies.","PeriodicalId":299414,"journal":{"name":"Networking Knowledge: Journal of the MeCCSA Postgraduate Network","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-06-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114284621","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Re-Configuring the New Women - Female Screenwriters and Street Films in Weimar Republic 重新配置新女性——魏玛共和国的女性编剧与街头电影

Networking Knowledge: Journal of the MeCCSA Postgraduate Network Pub Date : 2017-06-14 DOI: 10.31165/NK.2017.102.507

Juliane Scholz

引用次数: 0

Bracketting Noir: Narrative and Masculinity in The Long Goodbye 黑色支架:《漫长的告别》中的叙事与男子气概

Networking Knowledge: Journal of the MeCCSA Postgraduate Network Pub Date : 2017-06-14 DOI: 10.31165/nk.2017.102.501

K. Barret

引用次数: 0

Gender and the Screenplay 性别与剧本

Networking Knowledge: Journal of the MeCCSA Postgraduate Network Pub Date : 2017-06-14 DOI: 10.31165/nk.2017.102.502

Louise Sawtell, Stayci Taylor

{"title":"Gender and the Screenplay","authors":"Louise Sawtell, Stayci Taylor","doi":"10.31165/nk.2017.102.502","DOIUrl":"https://doi.org/10.31165/nk.2017.102.502","url":null,"abstract":"While plenty has been written about gender representation on screen, much less has been written about gender in regards to screenplays. Emerging scholarly research around screenwriting practice often focuses on questions of the craft – is screenwriting a technical or creative act? – and whether or not the screenplay’s only destiny is to disappear into the film (Carriere, cited in Maras 1999, 147). Thus there might be room for further exploration into screenwriters and their practice – to ask who (in regards to gender) is writing screenplays, especially considering the assertion of Dancyger and Rush that the three-act structure (a dominant screenwriting practice) is ‘designed to suggest the story tells itself’ (2013, 38). Moreover, questions of gender representation on screen might be considered from the perspective of screenwriting practice, given this same ubiquitous structure means that barriers, including those related to gender, ‘are still presented as secondary to the transcendence of individual will’ (Dancyger and Rush 2013, 36). This special issue of Networking Knowledge, then, brings together a collection of scholarly perspectives on screenwriting theory and practice through the lens of gender.","PeriodicalId":299414,"journal":{"name":"Networking Knowledge: Journal of the MeCCSA Postgraduate Network","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-06-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128782543","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Hidden a-gender? 隐藏的性别?

Networking Knowledge: Journal of the MeCCSA Postgraduate Network Pub Date : 2017-06-14 DOI: 10.31165/NK.2017.102.508

Stayci Taylor

引用次数: 3