{"title":"Home on the Range: Reshaping Narratives of Domesticity in Marilyn Monroe’s Westerns","authors":"Amanda Konkle","doi":"10.1080/14775700.2023.2255050","DOIUrl":"https://doi.org/10.1080/14775700.2023.2255050","url":null,"abstract":"ABSTRACT Although Marilyn Monroe is not best remembered for her performances in westerns, she starred in three: River of No Return (Otto Preminger, 1954), Bus Stop (Joshua Logan, 1956), and The Misfits (John Huston, 1961). Monroe’s western films contributed to mid-century domestic ideology for both men and women, firstly by featuring an independent, career-oriented woman as a prominent western co-star who ends her films no longer working in saloons and nightclubs but safely ensconced in the home, and secondly by advancing the western project of domesticating not the landscape but the male hero. Monroe’s star persona, as a sexy but not manipulative woman, when shifted into western films, shepherds the hypermasculine cowboys through a process of becoming more vulnerable, willing to choose domestic life, and more suited to a mid-century lifestyle. At the same time, for women, Monroe embodied the independent woman who would only be lured away from her career dreams by a companionate partnership of equals. During a time when both men and women had to adjust to shifting gender roles, western films starring Marilyn Monroe made those changes attractive. This article discusses how Monroe’s western films reflect mid-century gender ideology.","PeriodicalId":29897,"journal":{"name":"COMPARATIVE AMERICAN STUDIES","volume":"36 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135717866","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Outlaw Trails: New Routes Through the Postwar Western","authors":"Helena Bacon, Mark Jancovich","doi":"10.1080/14775700.2023.2269742","DOIUrl":"https://doi.org/10.1080/14775700.2023.2269742","url":null,"abstract":"","PeriodicalId":29897,"journal":{"name":"COMPARATIVE AMERICAN STUDIES","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135717420","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Amnesia: Cultural Memory, Reconciliation, and Communal Accountability in the Americas","authors":"Lessie Jo Frazier","doi":"10.1179/1477570015Z.000000000104","DOIUrl":"https://doi.org/10.1179/1477570015Z.000000000104","url":null,"abstract":"Contributing to debates on the status of comparison in transnational American studies, this essay offers a morphologically comparative approach to memory’s cultural politics in conflict resolution, juxtaposing two histo-ries — one ‘geo-political’ (nation-state, transatlantic) and the other ‘micro-history’ (small-town, regional) — whose ensuing negotiations unsettle paradigms of silencing and forgetting, especially as these pertain to ‘reconciliation’. Offering an alternative to predominantly psychoanalytic treatments of cultural memory and power, this essay employs morphological analysis and queer theory to explore cultural amnesia through blending ethnographic and media sources on the politics of it in the assignment of accountability and belonging.","PeriodicalId":29897,"journal":{"name":"COMPARATIVE AMERICAN STUDIES","volume":"13 1","pages":"146 - 160"},"PeriodicalIF":0.3,"publicationDate":"2015-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1179/1477570015Z.000000000104","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"65792926","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"‘Nothing But Hill and Hollow’: The Canadian Border as American Frontier in the Hollywood Northern","authors":"Richard G. Baker","doi":"10.1179/1477570015Z.000000000102","DOIUrl":"https://doi.org/10.1179/1477570015Z.000000000102","url":null,"abstract":"Abstract The Northern genre historically has been Hollywood’s primary vehicle for relating stories about Canada. While these films are set in Canada, feature Canadian characters, and purport to tell Canadian stories, they are structured around the conventions of the standard Hollywood Western. The Canada-US border regularly plays a pivotal role in the Northern, a pattern that weights these films with important implications for the self-understanding of American audiences. An emphasis on the border implies to viewers that Canada and Canadian history derive meaning from the context of the US. Thus, proximity to the US and Americans becomes an essential feature for understanding Canada. The broad impact of this tendency is to reconfigure the Canadian setting as the American frontier. It reduces the country to an inert, wilderness backdrop and naturalizes the presence of the iconic American cowboy in Canadian territory. Canada becomes the scene wherein epic struggles between good and evil and between order and chaos are decided by American virtues of strength, freedom, and individualism. In this process, the Hollywood Northern generates a sanctified and exaggerated understanding of American agency and scripts Canada as a natural and inevitable outlet for the projection of American power and authority.","PeriodicalId":29897,"journal":{"name":"COMPARATIVE AMERICAN STUDIES","volume":"13 1","pages":"107 - 121"},"PeriodicalIF":0.3,"publicationDate":"2015-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1179/1477570015Z.000000000102","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"65792906","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"America in the Psyche of Bangla Authors: Opening of the Space by Tagore","authors":"Udaya Narayana Singh","doi":"10.1179/1477570014Z.00000000066","DOIUrl":"https://doi.org/10.1179/1477570014Z.00000000066","url":null,"abstract":"Abstract The essay, divided into five sections, explores how the Cultural Space called ‘America’ (and ‘Americanism’) are reflected in the works of a far-away literary-cultural community called Bangla (or Bengali) in South Asia, and how this inter-relationship was strengthened by Rabindranath Tagore. It begins with the post-Tagore post-WWII literary scene where America occurs as a backdrop and then touches upon Tagore’s contemporaries who referred to America. But it focuses on how Tagore, in his polemical writing, views the role of America in the international arena, or how he conceptualises Indo-American relations while commenting on American Society and its beliefs and practices — especially how it handles linguistic plurality, majority-minority relationships, and less-privileged groups. In particular, it discusses the concepts such as Individuality, Plurality, Diversity, Liberty and Civilization — all relevant for foreign policy initiatives then as well as now, and how America is viewed as a land of promise and opportunity.","PeriodicalId":29897,"journal":{"name":"COMPARATIVE AMERICAN STUDIES","volume":"373 1","pages":"32 - 48"},"PeriodicalIF":0.3,"publicationDate":"2014-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1179/1477570014Z.00000000066","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"65792854","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Inter-ethnic Return: Racial and Cultural Multiplicity in Foundational Asian American and Chicana/o Literatures","authors":"Jayson T. Gonzales Sae-Saue","doi":"10.1179/147757010X12773889526028","DOIUrl":"https://doi.org/10.1179/147757010X12773889526028","url":null,"abstract":"Abstract This article advocates that inter-ethnic contact and cross-cultural traffic condition the possibilities of imagining Asian American and Chicana/o identities, respectively, in early Asian American and Chicana/o novels. Using Maxine Hong Kingston's The Woman Warrior and Sandra Cisneros' The House on Mango Street as my primary examples, I demonstrate how early Asian American and Chicana/o literatures that have been critiqued almost exclusively within binary analytic paradigms articulate identity within a diverse field of racial and cultural differences. I argue that, in order to regard properly the inter-ethnic trends of recent US fiction and to liberate foundational minority texts from ethnic specific enclaves within US institutions, scholars need to recognize how negotiating a diverse spectrum of racial and cultural distinctions is a critical element of the early Asian American and Chicana/o literary imagination.","PeriodicalId":29897,"journal":{"name":"COMPARATIVE AMERICAN STUDIES","volume":"8 1","pages":"267 - 282"},"PeriodicalIF":0.3,"publicationDate":"2010-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1179/147757010X12773889526028","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"65792654","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"From 'Web of Life' to Necropolis: An Ecocritical Perspective on Urban Vitalism in Late-Nineteenth and Early-Twentieth-Century Anglo-American Poetry","authors":"Christophe Den Tandt","doi":"10.1179/147757008X280812","DOIUrl":"https://doi.org/10.1179/147757008X280812","url":null,"abstract":"Abstract This paper investigates urban vitalism as it developed in Anglo-American poetry from the mid-nineteenth to the early twentieth century. After a few remarks about the status of vitalism in realist and naturalist fiction, the article focuses on American romantic poet Walt Whitman and late-Victorian Scottish poet James Thomson, with passing references to French protomodernist Charles Baudelaire, as well as Anglo-American modernists T. S. Eliot and Hart Crane. Beyond tracing the development of urban vitalism as a literary phenomenon, the paper evaluates the ecocritical value of this discourse, especially with reference to its capacity to map the urban sphere. This part of the argument uses as theoretical background the Marxist theory of reification. The latter seems on first inspection hostile to vitalistic discourse, but proves useful in circumscribing the critical relation of urban vitalist discourse with regard to technocapitalism.","PeriodicalId":29897,"journal":{"name":"COMPARATIVE AMERICAN STUDIES","volume":"7 1","pages":"110 - 98"},"PeriodicalIF":0.3,"publicationDate":"2009-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1179/147757008X280812","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"65793027","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"'Sobre Las Olas': A Mexican Genesis in Borderlands Jazz and the Legacy for Ethnic Studies","authors":"Gaye Theresa Johnson","doi":"10.1179/147757008X330195","DOIUrl":"https://doi.org/10.1179/147757008X330195","url":null,"abstract":"Abstract In 1884 the Mexican government sent a national military band to the Cotton Exposition in New Orleans. When the Fair ended in 1885, several of these musicians remained in the city. By the 1890s, many of New Orleans' and Texas' most promising Black jazz and blues artists were acquiring musical instruction from Mexicano musicians. The evidence presented in this article recalls the centuries-long parallels and meeting points between Black and Mexicano histories of subjugation and resilience, of political suppression and cultural expression, and of the inevitable exchanges that occur through migration and culture among marginalized communities. I argue that the presence of Mexico and Mexicans in the jazz and blues history of the borderlands inspires a reconsideration of relational identities and cultural productions that lie outside the bounds of traditional racial and historical discourses.","PeriodicalId":29897,"journal":{"name":"COMPARATIVE AMERICAN STUDIES","volume":"6 1","pages":"225 - 240"},"PeriodicalIF":0.3,"publicationDate":"2008-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1179/147757008X330195","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"65792597","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Reading Azar Nafisi in Tehran","authors":"Seyed Mohammed Marandi","doi":"10.1179/174126713X13789815098667","DOIUrl":"https://doi.org/10.1179/174126713X13789815098667","url":null,"abstract":"Abstract Over the past few years, partially as a result of the success of Azar Nafisi's Reading Lolita in Tehran, a cluster of memoirs have been written by members of the Iranian diaspora. Almost all of them become deeply enmeshed in the politics of rendering Iran from a transnational perspective. Hence, in these memoirs, representation is regularly interwoven with other aims and projections, which militate against accuracy. In this article, an attempt will be made to show that Reading Lolita in Tehran is a work of one who has 'Westernized' her outlook; Nafisi constantly confirms what orientalist representations have regularly claimed: the backwardness and inferiority of Muslims and Islam. This article will attempt to show that Nafisi has produced gross misrepresentations of Iranian society and Islam and that she uses quotes and references which are inaccurate, misleading, or even wholly invented.","PeriodicalId":29897,"journal":{"name":"COMPARATIVE AMERICAN STUDIES","volume":"32 1","pages":"179 - 189"},"PeriodicalIF":0.3,"publicationDate":"2008-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1179/174126713X13789815098667","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"65850384","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Internationalizing the US Ethnic Canon: Revisiting Carlos Bulosan","authors":"E. S. Juan, Jr","doi":"10.1179/174126713X13789815098586","DOIUrl":"https://doi.org/10.1179/174126713X13789815098586","url":null,"abstract":"Abstract The quasi-autobiographical writing of Carlos Bulosan, a migrant farmworker from the US colony of the Philippines from the 1930s to the 1950s, was discovered by ethnic activists during the US Civil Rights struggles. Once adopted as canonical texts in the US academy from the 1980s on, Bulosan's radical edge was blunted in critical readings of his work, his subversive tendencies sanitized to promote a conformist multiculturalism. We need to recover a submerged decolonizing strand in the history of Filipino deracination, sedimented in Bulosan's testimonies. This essay seeks to excavate those oppositional impulses in Bulosan's works by re-contextualizing them in the anti-colonial revolutionary movement of Filipinos dating back to the revolution of 1896; to the Filipino-American War together with the peasant insurgencies during the first three decades of US occupation (1899–1935); and in the popular-front mobilization during the US Great Depression up to the onset of the Cold War. Re-situated in their historical-biographical milieu and geopolitical provenance, Bulosan's oeuvre acquires immediacy and resonance.","PeriodicalId":29897,"journal":{"name":"COMPARATIVE AMERICAN STUDIES","volume":"6 1","pages":"123 - 143"},"PeriodicalIF":0.3,"publicationDate":"2008-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1179/174126713X13789815098586","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"65849647","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}