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An Artistic Description of History -A Study on 《Shi Kui Shu》 历史的艺术描述——《史夔书》研究
IF 0.1
Chinese Literature Today Pub Date : 2021-01-01 DOI: 10.21192/SCLL.106..202102.009
Lee Jin
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引用次数: 0
AI and Education Modernization in China 人工智能与中国教育现代化
IF 0.1
Chinese Literature Today Pub Date : 2021-01-01 DOI: 10.21192/SCLL.106..202102.004
P. Hyun
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引用次数: 0
A Study on the Development of Verse Meaning and Form of a Four-word Poem - Jeongun (停雲) -Focused on Tao Yuanming (陶淵明) and Su Shi (蘇軾) 四字诗《全坤》的韵意和形式发展研究——以陶渊明和苏轼为例
IF 0.1
Chinese Literature Today Pub Date : 2021-01-01 DOI: 10.21192/SCLL.106..202102.006
Park So Hyun
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引用次数: 0
The Usage of the Chinese Auxiliary Verb ‘YAO(要)’ as a Habitual Marker 汉语助动词“么”作为习惯标记的用法
IF 0.1
Chinese Literature Today Pub Date : 2021-01-01 DOI: 10.21192/SCLL.106..202102.014
Liang Zhu-jun
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引用次数: 0
A Comparative Study on the Urban Festival’s Performing Arts of China and Japan in the Modern Times -Through the Contrast between Writing and Painting 近代中日城市节日表演艺术比较研究——以文字与绘画的对比为视角
IF 0.1
Chinese Literature Today Pub Date : 2021-01-01 DOI: 10.21192/SCLL.106..202102.012
SangKyung An
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引用次数: 0
A Study on Translation Quality of Neural Network Machines in Korean-Chinese -Focused on Korean Homonymous Words 神经网络机器汉汉翻译质量研究——以韩语同音词为例
IF 0.1
Chinese Literature Today Pub Date : 2021-01-01 DOI: 10.21192/SCLL.106..202102.016
Yeonok Hong, L. Yafei
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引用次数: 0
The Fall of the Dynasty and Things ―An Introduction to Bada Shanren's Flower-and-Bird Painting 朝亡物——八达山人花鸟画简介
IF 0.1
Chinese Literature Today Pub Date : 2021-01-01 DOI: 10.21192/SCLL.106..202102.010
L. Hyun
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引用次数: 0
Editor’s Note 编者按
IF 0.1
Chinese Literature Today Pub Date : 2020-07-02 DOI: 10.1080/21514399.2020.1896230
Jonathan Stalling
{"title":"Editor’s Note","authors":"Jonathan Stalling","doi":"10.1080/21514399.2020.1896230","DOIUrl":"https://doi.org/10.1080/21514399.2020.1896230","url":null,"abstract":"","PeriodicalId":29859,"journal":{"name":"Chinese Literature Today","volume":" ","pages":"3 - 3"},"PeriodicalIF":0.1,"publicationDate":"2020-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/21514399.2020.1896230","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47539582","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Gina Anne Tam. Dialect and Nationalism in China, 1860–1960 吉娜·安妮·谭。中国的方言与民族主义，1860-1960
IF 0.1
Chinese Literature Today Pub Date : 2020-07-02 DOI: 10.1080/21514399.2020.1852045
Yuqing Liu
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引用次数: 0
The Banquet 宴会
IF 0.1
Chinese Literature Today Pub Date : 2020-07-02 DOI: 10.1080/21514399.2020.1851960
Minhui Lu, Michael Day
{"title":"The Banquet","authors":"Minhui Lu, Michael Day","doi":"10.1080/21514399.2020.1851960","DOIUrl":"https://doi.org/10.1080/21514399.2020.1851960","url":null,"abstract":"Lu Min has a sharp mind, a sensitive soul, and a big heart. In “The Banquet,” she leverages this unique combination of qualities to give us, as if by magic, a story that is satirical, sentimental, hilarious, empathetic, whip-smart, biting, and soothing, all at the same time. The banquet of the title—spoiler alert—fizzles out, but the story is a delicious brew bubbling with effervescent life. Yang Zao, a humble bus driver, gets it in his head to invite a gang leader to dinner. He and his friends are convinced that the godfather-like Brother Rong can solve all their problems, whether related to money, health, or love, if only they can get on his good side. The banquet turns to a fiasco, and the emptiness and neediness at the core of these ambitions are laid bare, but with gentle humor; the story spares sympathy for these big dreamers, showing that Lu Min has a warm heart to match her cutting intellect. Lu Min’s tales of the countryside, often set in the village of Dongba, made a name for her in China and are loved by many. Her recent work, like “The Banquet” (2016), shows a new dimension of her talent, focusing on the lives of everyday people and the experiences of women in urbanizing China. “The Banquet” can be read as comedy and/or social commentary, suggesting questions like, do the saviors we believe in truly have the powers we think they do? Are dreams of modern urban wealth really desirable or within reach? Though the satire cuts, it has a warm, soft touch that could only be Lu Min’s, as if she clasps her readers’ hands beneath the table. This magical, heart-to-heart approach is one few other authors could pull off. From Issue 2 of Chinese Arts and Literature, published by Xanadu Press, 2016; reprinted with revisions by permission of Chinese Arts and Literature.","PeriodicalId":29859,"journal":{"name":"Chinese Literature Today","volume":"9 1","pages":"28 - 37"},"PeriodicalIF":0.1,"publicationDate":"2020-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/21514399.2020.1851960","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45824458","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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