{"title":"La creación del mundo on the Seventeenth-century Street and Stage","authors":"Thacker","doi":"10.5325/comeperf.17.1.0007","DOIUrl":"https://doi.org/10.5325/comeperf.17.1.0007","url":null,"abstract":": By 1629 there were two comedias entitled La creación del mundo in the repertoires of Golden Age acting troupes, one by Lope de Vega and the other by Luis Vélez de Guevara. From the texts of the plays, one a printed edition and the other a manuscript, and perhaps especially from the stage directions included in these play-texts, it is possible to make some tentative deductions about how and where these works–dramatizing the early chapters of the Old Testament Book of Genesis–were performed. Analysis of archival documentation from Badajoz together with these two play texts and an awareness of performance norms of the period may help solve the riddle of which Creación came first, Lope’s or Vélez’s.","PeriodicalId":29823,"journal":{"name":"Comedia Performance","volume":"58 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70796511","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Truth, Only More So: Bances Candamo Beyond the Limits of Embodiment","authors":"Slater","doi":"10.5325/COMEPERF.16.1.0001","DOIUrl":"https://doi.org/10.5325/COMEPERF.16.1.0001","url":null,"abstract":"","PeriodicalId":29823,"journal":{"name":"Comedia Performance","volume":"1 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70795908","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Calderón reloaded: El gran mercado del mundo para niños","authors":"Fernández","doi":"10.5325/COMEPERF.16.1.0014","DOIUrl":"https://doi.org/10.5325/COMEPERF.16.1.0014","url":null,"abstract":"","PeriodicalId":29823,"journal":{"name":"Comedia Performance","volume":"1 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70796070","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Tangible/Intangible Dialectic in La dama duende: A Critical Appreciation of the CNTC’s 2017 Production","authors":"Ocampo","doi":"10.5325/COMEPERF.16.1.0050","DOIUrl":"https://doi.org/10.5325/COMEPERF.16.1.0050","url":null,"abstract":"","PeriodicalId":29823,"journal":{"name":"Comedia Performance","volume":"1 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70796535","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Performing Peribáñez y el Comendador de Ocaña: Music as an Agent of Harmony","authors":"Walters","doi":"10.5325/COMEPERF.16.1.0028","DOIUrl":"https://doi.org/10.5325/COMEPERF.16.1.0028","url":null,"abstract":"","PeriodicalId":29823,"journal":{"name":"Comedia Performance","volume":"28 12 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70796471","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“El género no puede ser un impedimento”: una conversación sobre Ana Caro con la directora Leyma López","authors":"Boyle","doi":"10.5325/COMEPERF.16.1.0115","DOIUrl":"https://doi.org/10.5325/COMEPERF.16.1.0115","url":null,"abstract":"","PeriodicalId":29823,"journal":{"name":"Comedia Performance","volume":"1 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70796750","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Swordplay Uncloaked: Women as Active Agents in Ana Caro’s Valor, agravio, y mujer and Lope de Vega’s La pobreza estimada","authors":"Petersen","doi":"10.5325/COMEPERF.16.1.0086","DOIUrl":"https://doi.org/10.5325/COMEPERF.16.1.0086","url":null,"abstract":"","PeriodicalId":29823,"journal":{"name":"Comedia Performance","volume":"1 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70796692","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“A Game and a Sense of Strategy”: Playwright Callie Kimball on Sofonisba Anguissola","authors":"M. Boyle","doi":"10.5325/comeperf.14.1.0178","DOIUrl":"https://doi.org/10.5325/comeperf.14.1.0178","url":null,"abstract":"","PeriodicalId":29823,"journal":{"name":"Comedia Performance","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2017-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45116563","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}