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Pivot: A Journal of Interdisciplinary Studies and Thought最新文献

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"lullaby" and "montréal-québec" "摇篮曲和蒙特利尔-魁北克
Pivot: A Journal of Interdisciplinary Studies and Thought Pub Date : 2023-12-20 DOI: 10.25071/2369-7326.40357
Roxanne Brousseau
{"title":"\"lullaby\" and \"montréal-québec\"","authors":"Roxanne Brousseau","doi":"10.25071/2369-7326.40357","DOIUrl":"https://doi.org/10.25071/2369-7326.40357","url":null,"abstract":"","PeriodicalId":297142,"journal":{"name":"Pivot: A Journal of Interdisciplinary Studies and Thought","volume":"60 7","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138994463","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Dissolved 解散
Pivot: A Journal of Interdisciplinary Studies and Thought Pub Date : 2023-12-20 DOI: 10.25071/2369-7326.40353
Aemun Wasim Syed
{"title":"Dissolved","authors":"Aemun Wasim Syed","doi":"10.25071/2369-7326.40353","DOIUrl":"https://doi.org/10.25071/2369-7326.40353","url":null,"abstract":"The face is dissolved, into the mass grave that is White Space.","PeriodicalId":297142,"journal":{"name":"Pivot: A Journal of Interdisciplinary Studies and Thought","volume":"479 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139170484","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Untitled 无标题
Pivot: A Journal of Interdisciplinary Studies and Thought Pub Date : 2023-12-20 DOI: 10.25071/2369-7326.40351
M. Díaz
{"title":"Untitled","authors":"M. Díaz","doi":"10.25071/2369-7326.40351","DOIUrl":"https://doi.org/10.25071/2369-7326.40351","url":null,"abstract":"A person opening space on a white space with her pencil.","PeriodicalId":297142,"journal":{"name":"Pivot: A Journal of Interdisciplinary Studies and Thought","volume":"383 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139170791","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Phone Call 电话
Pivot: A Journal of Interdisciplinary Studies and Thought Pub Date : 2023-12-20 DOI: 10.25071/2369-7326.40376
Samran Muhammad
{"title":"Phone Call","authors":"Samran Muhammad","doi":"10.25071/2369-7326.40376","DOIUrl":"https://doi.org/10.25071/2369-7326.40376","url":null,"abstract":"\"The Phone Call\" is a short story about a woman, Nadia, dealing with grief and her deteriorating mental health.","PeriodicalId":297142,"journal":{"name":"Pivot: A Journal of Interdisciplinary Studies and Thought","volume":"76 6","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138956829","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Scars of a Colonial History 殖民历史的伤痕
Pivot: A Journal of Interdisciplinary Studies and Thought Pub Date : 2023-12-20 DOI: 10.25071/2369-7326.40355
Marshall Burr
{"title":"Scars of a Colonial History","authors":"Marshall Burr","doi":"10.25071/2369-7326.40355","DOIUrl":"https://doi.org/10.25071/2369-7326.40355","url":null,"abstract":"Central to virtually any indictment of South African literature, its historiography, or otherwise culturally and politically influenced modes of representation persist themes of social, political, and racial inequality. That is not to say that all South African cultural productions revolve around a centrifuge of racially focused social commentary; rather, that when historicizing a work of South African aesthetics such themes inevitably arise because of the nation’s colonial history and the Eurocentrism that have pervaded its modern socio-political foundations. When examining South African aesthetic/cultural representations (in this case, a literary text) it is thus crucial to properly locate the work in as full a historical context as possible. My research therefore aims to link South Africa’s history of colonization with the damaged race relations that ensued in the twentieth century as represented in a prominent work of South African theater: Athol Fugard’s “Master Harold” … And the Boys. My essay traverses the history of British and Dutch colonization in South Africa and seeks therein to register foundations for the Eurocentric, whitewashed ideologies which would eventually translate into official state policy in 1948 and which precipitated the broken race relations that Fugard’s semi-autobiographical play interrogates. I discuss Fugard’s depiction of white privilege while systematically linking such representations back to their colonial foundations, and ultimately assess Fugard’s play as a condemnation of white supremacy and as a plea for the recalibration of prejudiced racial hierarchies.","PeriodicalId":297142,"journal":{"name":"Pivot: A Journal of Interdisciplinary Studies and Thought","volume":"108 35","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138958673","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Poetic Space of Intimacy and Movement 亲密与运动的诗意空间
Pivot: A Journal of Interdisciplinary Studies and Thought Pub Date : 2023-12-20 DOI: 10.25071/2369-7326.40360
Olivia De Sanctis
{"title":"Poetic Space of Intimacy and Movement","authors":"Olivia De Sanctis","doi":"10.25071/2369-7326.40360","DOIUrl":"https://doi.org/10.25071/2369-7326.40360","url":null,"abstract":"This paper explores the transformation of poetic blank space in the work of three contemporary poets: Carolyn Thompson, Sonja Johanson, and Lisa Huffaker. Specifically, Thompson's Actions Speak Louder Than Words, and The Eaten Heart, Johnson's Untitled Erasure poem series, and Huffaker's 6 Images are compared and contrasted for their unique approaches to using the space of the page to add to the reading experience. The works discussed by each poet are erasure works that transform the page's white spaces surrounding the poem, using various additive or reductive methods to reimagine this space. If the white spaces surrounding a poem are often read as silences or voids, then using multi-modal techniques, these three poets transform these spaces in ways that signal intimacy and movement instead. This creation of intimacy and movement is explored through the intertextual jesters, an essential aspect of erasure poetry, along with the intersections between poetry and sculpture, bodily interactions with and implications within the texts, and poetry and avant-garde notions of cartography.  \u0000 ","PeriodicalId":297142,"journal":{"name":"Pivot: A Journal of Interdisciplinary Studies and Thought","volume":"125 16","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138958848","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Black Words and White Space 黑字与空白
Pivot: A Journal of Interdisciplinary Studies and Thought Pub Date : 2023-12-20 DOI: 10.25071/2369-7326.40369
Tara Costello
{"title":"Black Words and White Space","authors":"Tara Costello","doi":"10.25071/2369-7326.40369","DOIUrl":"https://doi.org/10.25071/2369-7326.40369","url":null,"abstract":"This essay analyzes how Cheryl Foggo’s memoir Pourin’ Down Rain contextualizes itself in the recovery of Black space, identity, and story in Canada. An understanding of Black storytelling, founded in Joanne Braxton’s Black Women Writing Autobiography, provides insight into the ways in which Foggo’s memoir fits within a Black storytelling tradition, and how these forms work to disrupt the kind of tradition preserving the ideological space of the “White West.” An analysis of photography and oral storytelling helps explore how Foggo uses alternative narrative techniques to tell a story that challenges dominant perceptions of Blackness and what historical archiving should look like. Finally, this essay deconstructs perceptions of the Canadian West as established by the region’s pre-existing literary canon, and explores how Pourin’ Down Rain opposes these perceptions by challenging some of the common conventions in White prairie narratives.","PeriodicalId":297142,"journal":{"name":"Pivot: A Journal of Interdisciplinary Studies and Thought","volume":"5 6","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138956036","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“It’s all to do with the breath”: (Un)Sound in M. NourbeSe Philip’s “The Ga(s)p” and Zong! “这一切都与呼吸有关”:(哼)诺贝斯·菲利普的《the Ga(s)p》中的声音和Zong!
Pivot: A Journal of Interdisciplinary Studies and Thought Pub Date : 2022-10-17 DOI: 10.25071/2369-7326.40324
Kristen Smith
{"title":"“It’s all to do with the breath”: (Un)Sound in M. NourbeSe Philip’s “The Ga(s)p” and Zong!","authors":"Kristen Smith","doi":"10.25071/2369-7326.40324","DOIUrl":"https://doi.org/10.25071/2369-7326.40324","url":null,"abstract":"Abstract \u0000Diving into the politics of radical hospitality, the acceptance of alterity, and the erasure of black women’s bodies in “The Ga(s)p” (2018), m. NourbeSe Philip demonstrates reciprocal breath as a thread of connection that is central to human existence. Throughout this essay, Philip counters prominent, male-centric theories on receptive bodies through the emphasis on the ubiquity of contingent respiration. Philip contends that this “process of shared breath … and dependency becomes useful as a model of community and connectedness in a more female-centred, embodied symbolic universe” (36). Philip enacts this theory on the page in her book-length poem Zong! (2008). \u0000            Using the court report of Gregson v. Gilbert as a source text, Zong! grapples with the November 1781 massacre of 150 Africans aboard the slave ship Zong on its passage from Ghana to England. Zong! is an erasure poem of 173 pages with movements that Philip describes as “the bones” and “the flesh.” The linguistic material of the poem and its arrangement reflect corporeality and respiration; the textual fragments are physically separated on the page—leaving room for breath. The body and breath of Zong! extends beyond the page to performance. In theory and praxis, Philip uses challenging linguistic material and arrangement to inscribe the body on the page; consequently, she causes the reader to interrogate their positionality and their relationship to the body, to language, and to performance. \u0000  \u0000Keywords: \u0000erasure, erasure poetry, body, performance, breath, respiration, reciprocity, positionality","PeriodicalId":297142,"journal":{"name":"Pivot: A Journal of Interdisciplinary Studies and Thought","volume":"65 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114232933","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Three Poems 三首诗
Pivot: A Journal of Interdisciplinary Studies and Thought Pub Date : 2022-10-17 DOI: 10.25071/2369-7326.40332
Olivia De Sanctis
{"title":"Three Poems","authors":"Olivia De Sanctis","doi":"10.25071/2369-7326.40332","DOIUrl":"https://doi.org/10.25071/2369-7326.40332","url":null,"abstract":"","PeriodicalId":297142,"journal":{"name":"Pivot: A Journal of Interdisciplinary Studies and Thought","volume":"37 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121970222","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
One Poem 一首诗
Pivot: A Journal of Interdisciplinary Studies and Thought Pub Date : 2022-10-17 DOI: 10.25071/2369-7326.40321
S. Akhtar
{"title":"One Poem","authors":"S. Akhtar","doi":"10.25071/2369-7326.40321","DOIUrl":"https://doi.org/10.25071/2369-7326.40321","url":null,"abstract":"","PeriodicalId":297142,"journal":{"name":"Pivot: A Journal of Interdisciplinary Studies and Thought","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130779115","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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