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Mobilographies. Pour un matérialisme écologiste Mobilographies。生态唯物主义
IF 0.1
Cinemas Pub Date : 2022-01-01 DOI: 10.7202/1092306ar
R. Bégin
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引用次数: 0
Caméra portée et images de synthèse : vers une « portabilité augmentée » ? Le cas de la SimulCam d’Avatar de James Cameron 手持相机和计算机成像:迈向“增强便携性”?詹姆斯·卡梅隆的模拟阿凡达案例
IF 0.1
Cinemas Pub Date : 2022-01-01 DOI: 10.7202/1092308ar
Jean-Baptiste Massuet
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引用次数: 0
Dans le mouvement du monde. La musique pop filmée par le cinéma direct 在世界的运动中。由cinema direct拍摄的流行音乐
IF 0.1
Cinemas Pub Date : 2022-01-01 DOI: 10.7202/1092304ar
Gilles Mouëllic
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引用次数: 0
Mobilité(s) de l’écoute. De la schizophonie à la résonance 听力的移动性。从精神分裂症到共振
IF 0.1
Cinemas Pub Date : 2022-01-01 DOI: 10.7202/1092305ar
V. Campan
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引用次数: 0
« Le monde ne suffit pas. » Représentations audiovisuelles de la mobilité dans la saga James Bond (1962-2015) “光有世界是不够的。»詹姆斯·邦德传奇中的移动视听表现(1962-2015)
IF 0.1
Cinemas Pub Date : 2022-01-01 DOI: 10.7202/1092309ar
Marie-Hélène Chevrier, C. Huvet
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引用次数: 0
Vers une « danse photogénique ». Dispositifs portatifs et imaginaire du mouvement corporel dans les premières théories françaises du cinéma 走向“上镜之舞”。早期法国电影理论中的便携式和想象的身体运动装置
IF 0.1
Cinemas Pub Date : 2022-01-01 DOI: 10.7202/1092303ar
L. Guido
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引用次数: 0
De la peinture au péplum. L’anticomanie du second xix siècle et son héritage à l’écran 从画到画。19世纪的反科曼尼亚及其在银幕上的遗产
IF 0.1
Cinemas Pub Date : 2021-01-01 DOI: 10.7202/1084575ar
Yann Le Pape
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引用次数: 0
Pages liminaires 开场页
IF 0.1
Cinemas Pub Date : 2021-01-01 DOI: 10.1016/b978-2-294-74334-4.50001-0
L. Groulx
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引用次数: 0
De l’immaturité de Hannah Horvath. Commentaire queer sur l’inaccomplissement de soi dans Girls 汉娜·霍瓦特的不成熟。《女孩》中关于自我不满足的酷儿评论
IF 0.1
Cinemas Pub Date : 2021-01-01 DOI: 10.7202/1084569ar
Olivier Tremblay
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引用次数: 0
Tout va bien. Regard queer sur It’s Alright Michel de Marie-Pierre Grenier 一切都很好。玛丽-皮埃尔·格雷尼尔(Marie-Pierre Grenier)的《米歇尔》(Michel)
IF 0.1
Cinemas Pub Date : 2021-01-01 DOI: 10.7202/1084574ar
J. Rouleau
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引用次数: 0
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