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Contemporary Women's Writing最新文献

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Women, Subalterns, and Ecologies in South and Southeast Asian Women’s Fiction 南亚和东南亚女性小说中的女性、次等人和生态学
Contemporary Women's Writing Pub Date : 2024-03-02 DOI: 10.1093/cww/vpae005
Tran Thi Khanh Vi
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引用次数: 0
Denise Levertov’s “Histrionics” Denise Levertov 的 "Histrionics"（咏叹调
Contemporary Women's Writing Pub Date : 2024-02-13 DOI: 10.1093/cww/vpae004
Melissa Parrish
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引用次数: 0
“Every Story Tells a Picture”: Suspended Time in Ali Smith’s Seasons Novels "每个故事都讲述一幅画"：阿里-史密斯《季节》小说中的悬浮时间
Contemporary Women's Writing Pub Date : 2024-02-09 DOI: 10.1093/cww/vpae003
Grace Cowtan
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引用次数: 0
“Every Story Tells a Picture”: Suspended Time in Ali Smith’s Seasons Novels "每个故事都讲述一幅画"：阿里-史密斯《季节》小说中的悬浮时间
Contemporary Women's Writing Pub Date : 2024-02-09 DOI: 10.1093/cww/vpae003
Grace Cowtan
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引用次数: 0
“Prince Charming with an Erection”: The Sensational Pleasures of the Bonkbuster "勃起的白马王子勃起的快感
Contemporary Women's Writing Pub Date : 2024-02-06 DOI: 10.1093/cww/vpae002
Amy Burge, Jodi McAlister, Charlotte Ireland
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引用次数: 0
“Prince Charming with an Erection”: The Sensational Pleasures of the Bonkbuster "勃起的白马王子勃起的快感
Contemporary Women's Writing Pub Date : 2024-02-06 DOI: 10.1093/cww/vpae002
Amy Burge, Jodi McAlister, Charlotte Ireland
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引用次数: 0
“Stuckness” and the Fraying Promise of Postfeminism in Contemporary Women’s Short Stories 当代女性短篇小说中的 "困顿 "与后女权主义承诺的破灭
Contemporary Women's Writing Pub Date : 2024-01-18 DOI: 10.1093/cww/vpad025
M.K. Appleton
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引用次数: 0
Rethinking the Mother–Daughter Plot: Female Polyphony in Najat El Hachmi’s Migration Trilogy 重新思考母女情节：纳贾特-埃尔-哈奇米 "迁徙三部曲 "中的女性复调音乐
Contemporary Women's Writing Pub Date : 2024-01-16 DOI: 10.1093/cww/vpad022
Núria Codina Solx00E0;
{"title":"Rethinking the Mother–Daughter Plot: Female Polyphony in Najat El Hachmi’s Migration Trilogy","authors":"Núria Codina Solx00E0;","doi":"10.1093/cww/vpad022","DOIUrl":"https://doi.org/10.1093/cww/vpad022","url":null,"abstract":"\u0000 This article traces the various representations of motherhood in the fictional work of the Catalan-Amazigh writer Najat El Hachmi. By using a contrapuntal reading that retrieves the silenced female voices implicitly embedded in the texts, the article underlines the importance of attending to linguistic and narrative polyphony both in narratives of mothering and in texts in which the mother plays a secondary role. This multilingual and feminist approach to Edward Said’s strategy of contrapuntal reading provides new tools to revisit Marianne Hirsch’s conception of the mother–daughter plot, demonstrating that the mother’s voice is not necessarily absent in narratives of daughters, but rather unheard.","PeriodicalId":291192,"journal":{"name":"Contemporary Women's Writing","volume":"49 29","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139527642","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Miriam Toews’ Women Talking and the Embodied Life of Feminist Nonviolence 米里亚姆-托伊斯（Miriam Toews）的《女性对话与女权主义非暴力的体现生活》（Women Talking and the Embodied Life of Feminist Nonviolence
Contemporary Women's Writing Pub Date : 2023-11-28 DOI: 10.1093/cww/vpad021
Victoria Glista
{"title":"Miriam Toews’ Women Talking and the Embodied Life of Feminist Nonviolence","authors":"Victoria Glista","doi":"10.1093/cww/vpad021","DOIUrl":"https://doi.org/10.1093/cww/vpad021","url":null,"abstract":"In Miriam Toews’ novel Women Talking (2018), the women of a remote Mennonite colony discover that they have been serially raped in their sleep, and so they meet to plot a nonhierarchical community of their own. I argue that this transformation relies on gestures, postures, and reorientations that spur liberatory new ways of perceiving and participating in the world; consequently, their bodily comportment is essential to revolutionary worldmaking, as well as to how we might approach the novel beyond its titular emphasis on speech. The women’s rechoreography of the colony’s norms also revivifies nonviolence as agonistic and egalitarian—a tentpole of the Mennonite faith. My reading works across the entanglement of movement and transformation in Women Talking before thinking through its rehearsal of bodily relations or set of gestural and postural ethics that ultimately dispose these women and survivors toward radical forms of care and interdependence, or what Judith Butler might call “aggressive nonviolence.”","PeriodicalId":291192,"journal":{"name":"Contemporary Women's Writing","volume":"13 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139218447","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Opacity of the World: Zadie Smith’s Swing Time 世界的不透明扎迪-史密斯的《摇摆时光
Contemporary Women's Writing Pub Date : 2023-11-17 DOI: 10.1093/cww/vpad019
Miriam Nandi
{"title":"The Opacity of the World: Zadie Smith’s Swing Time","authors":"Miriam Nandi","doi":"10.1093/cww/vpad019","DOIUrl":"https://doi.org/10.1093/cww/vpad019","url":null,"abstract":"Zadie Smith’s novel Swing Time explores the complex ways in which women relate to each other across cultural difference and generational gaps, as mothers and daughters, as rivals and friends. My article traces the friction between Black feminist group solidarity and aesthetic distance in Swing Time to suggest that the novel can be brought into dialogue with a postcolonial aesthetics of opacity, as coined by Édouard Glissant. The tension between opacity and transparency is the organizing principle of Swing Time, as the novel engages with movement and change, postcolonial spaces, and the mysteries of friendship, while vacillating between ironic narrative commentary and a more elusive aesthetics of concealment. Reading Smith’s work through a Glissantian lens also sheds light on affinities between her essayistic writing and her fiction.","PeriodicalId":291192,"journal":{"name":"Contemporary Women's Writing","volume":"58 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139263015","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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