{"title":"Steering Committee","authors":"A. Lewis","doi":"10.1109/mcsoc2018.2018.00009","DOIUrl":"https://doi.org/10.1109/mcsoc2018.2018.00009","url":null,"abstract":"November 10, moNday, 14:00 muratgermen.com KeYNOTe speAKer From Analog to Digital, Fictive vs. Documentary: An Ongoing Journey KeYNOTe speAKer abstract Paul Brown Paul Brown was a member of that group at the Slade School and isan artist and writer who has specialised in art, science &technology since the late-1960s and in computational & generativeart since the mid 1970s. His early work included creatinglarge-scale lighting works for musicians and performance groupslike Meredith Monk, Music Electronica Viva, Pink Floyd, etc... and he has an international exhibition record that includes thecreation of both permanent and temporary public artworks datingfrom the late 1960s. He has participated in shows at major venueslike the TATE, Victoria & Albert and ICA in the UK; the AdelaideFestival; ARCO in Spain, the Substation in Singapore and theVenice Biennale and his work is represented in public, corporateand private collections in Australia, Asia, Europe, Russia and theUSA. With Charlie Gere, Nick Lambert and Catherine Mason he was aco-editor of _White Heat Cold Logic British Computer Art 1960– 1980_ (MIT Press, Leonardo Imprint, 2009). Since 2005 hehas been honorary visiting professor and artist-in-residence atthe Centre for Computational Neuroscience and Robotics, School of Engineering and Informatics at the University of Sussex.Paul Brown Paul Brown was a member of that group at the Slade School and isan artist and writer who has specialised in art, science &technology since the late-1960s and in computational & generativeart since the mid 1970s. His early work included creatinglarge-scale lighting works for musicians and performance groupslike Meredith Monk, Music Electronica Viva, Pink Floyd, etc... and he has an international exhibition record that includes thecreation of both permanent and temporary public artworks datingfrom the late 1960s. He has participated in shows at major venueslike the TATE, Victoria & Albert and ICA in the UK; the AdelaideFestival; ARCO in Spain, the Substation in Singapore and theVenice Biennale and his work is represented in public, corporateand private collections in Australia, Asia, Europe, Russia and theUSA. With Charlie Gere, Nick Lambert and Catherine Mason he was aco-editor of _White Heat Cold Logic British Computer Art 1960– 1980_ (MIT Press, Leonardo Imprint, 2009). Since 2005 hehas been honorary visiting professor and artist-in-residence atthe Centre for Computational Neuroscience and Robotics, School of Engineering and Informatics at the University of Sussex. The work of Paul Cezanne, Georges Seurat and their contemporarieshad a profound influence on the art of the 20th century. Art asa formal analysis of it’s own internal processes became a commontheme of several inter-related art movements that, in the1960’s, overthrew the concept of art as object and replaced itwith one of art as process. The systems and conceptual artistsembraced and developed these ideas and then, in the 1970’s, anew generation of artis","PeriodicalId":288873,"journal":{"name":"2021 IEEE/ACM 29th International Conference on Program Comprehension (ICPC)","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126019052","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Keynotes","authors":"Serge Leef","doi":"10.1109/icfhr-2018.2018.00009","DOIUrl":"https://doi.org/10.1109/icfhr-2018.2018.00009","url":null,"abstract":"","PeriodicalId":288873,"journal":{"name":"2021 IEEE/ACM 29th International Conference on Program Comprehension (ICPC)","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126330770","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Message from the ICPC 2021 Chairs","authors":"","doi":"10.1109/icpc52881.2021.00005","DOIUrl":"https://doi.org/10.1109/icpc52881.2021.00005","url":null,"abstract":"","PeriodicalId":288873,"journal":{"name":"2021 IEEE/ACM 29th International Conference on Program Comprehension (ICPC)","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130176058","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}