{"title":"Os Jesuítas e a «Ideia Republicana» em Portugal","authors":"F. D. Santos","doi":"10.53943/elcv.0118_14","DOIUrl":"https://doi.org/10.53943/elcv.0118_14","url":null,"abstract":"This article shows that the relationship between the Jesuits and the «republican idea» was rather peaceful for both parties, but was also very controversial within the Church itself. During the time of the Republic, in Portugal, and in the years leading up to it, the antijesuitism was a way to combat the power of the Jesuits. The republicans are fighting for solutions to the various political and social future of the country as opposed to constitutional monarchy. The use of ideological antijesuitism flag had been used very early in the propagandists manifests of the Republican Portuguese Party. However, some Jesuits were politically involved, partisand catholicism. Some members of the Company of Jesus had been in fact committed to the creation of the Nationalist Party in 1903 as the catholic party, believing that the agglutination of the catholic vote in one party to defend the values of the Church was the best solution to counter the anticlerical wave that was felt in political and cultural country. This work also aims to show that, during the Republic, was always concerned the problem of the involvement of clergy and catholics in general with partisan politics, showing the controversial relationship between the Jesuits and the «republican idea».","PeriodicalId":288631,"journal":{"name":"e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128179979","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Três mulheres com máscara de ferro, de Agustina Bessa-Luís: feminismo e subversão","authors":"Alda Maria Lentina","doi":"10.53943/elcv.0118_08","DOIUrl":"https://doi.org/10.53943/elcv.0118_08","url":null,"abstract":"Propomo-nos analisar, à luz das teorias de Género e «Queer», um texto inédito de Agustina Bessa-Luís, intitulado Três mulheres com máscara de ferro. A particularidade deste curto texto, sem indicação de género, reside no facto de a autora retomar três personagens femininas emblemáticas da sua obra, Quina, Ema e Fanny, transformadas em estátuas das três Graças da Antiguidade, e que, ao retirarem as máscaras e retomarem vida, instauram um diálogo a três. O nosso propósito será mostrar em que medida este texto marca a manifestação clara, por parte da autora, de um «feminismo subversivo» — problematizando os papéis de género para desenhar um continuum feminista — ultrapassando nisso o que Isabel Pires de Lima considera ser «cristalizações do feminino».","PeriodicalId":288631,"journal":{"name":"e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114659513","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Romper géneros","authors":"Pedro Serrano","doi":"10.53943/elcv.0221_04","DOIUrl":"https://doi.org/10.53943/elcv.0221_04","url":null,"abstract":"This essay argues that the paths of translation intersect and form different configurations as one advances in it and in the study of it. It also proposes that translated literature belongs to the literary history of the language in which it appears and, therefore, should be part of the studies in that language and those literatures. It begins by comparing different translations of Horace’s Ars poetica, goes through the argumentation in philosophy of science about the preeminence of practice over theory, and states that translating poetry is writing poetry. It concludes by proposing that literary translation is a craft involving creation, criticism, and theory.","PeriodicalId":288631,"journal":{"name":"e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes","volume":"65 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126762005","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"O desejo em várias claves: «A morte de Isolda»","authors":"Maria Theresa Abelha Alves","doi":"10.53943/elcv.0219_06","DOIUrl":"https://doi.org/10.53943/elcv.0219_06","url":null,"abstract":"The poem «A morte de Isolda» combines sonority and poetic and polyphonically articulates the genesis myth of knowledge, the medieval myth of love-passion, Wagner’s lyrical drama in order to evidence primary opposition: life and death, matter and spirit, obedience and transgression, heaven and earth. The last aria of the opera Tristan und Isolde presents a redundant libretto that serves as a substrate to the poem of Jorge de Sena, which is a product of the intelligent listening of its author, able to recreate the music in another language. Thus the tritone that initiates the opera, inaugurating the conductive theme to him, is reproduced in the first image of the poem, accompanying it from stanza to stanza. The poem is read as myths and music are read, in the melodic horizontality and verticality of the chords and arpeggios, in order to highlight the attractive process that makes the language erotic and the poem heretical.","PeriodicalId":288631,"journal":{"name":"e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes","volume":"82 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122913495","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Jorge de Sena e o exílio literário espanhol","authors":"Inês Espada Vieira","doi":"10.53943/elcv.0219_12","DOIUrl":"https://doi.org/10.53943/elcv.0219_12","url":null,"abstract":"Starting from the concept of exile, in this essay we explore Jorge de Sena as an hispanist. Critic and translator, he had a deep knowledge of Spanish authors and Spanish culture, maintaining regular contact with members of the Spanish intelligentsia in particular in the USA, both at personal level and via letter exchanges.","PeriodicalId":288631,"journal":{"name":"e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129645037","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"À mesa com Camilo Castelo Branco: a gastronomia como instrumento de identificação social em O santo da montanha","authors":"Maria Antonietta Rossi","doi":"10.53943/elcv.0220_06","DOIUrl":"https://doi.org/10.53943/elcv.0220_06","url":null,"abstract":"The present work aims to analyse the use of food and the main meals — lunches and dinners — in the historical novel O santo da montanha, published in 1866, by Camilo Castelo Branco, a prolific portuguese author belonging to the so-called second romantic generation, as a narrative tool to reveal the social paradigms of the old noble class of the 19th century, in phase of decay parallel to the ascendancy of the bourgeoisie.","PeriodicalId":288631,"journal":{"name":"e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes","volume":"161 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127032033","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Os Magalhães e a fundação de hospitais em Ponte da Barca (1560-1590)","authors":"Alice Borges Gago","doi":"10.53943/elcv.0121_04","DOIUrl":"https://doi.org/10.53943/elcv.0121_04","url":null,"abstract":"This article presents new data on the foundation of 16th century hospitals for the poor and pilgrims by the Magalhães family, lords of Ponte da Barca, based on the study of a family archive, the Almada and Lencastre Bastos fonds, held by the National Library of Portugal.","PeriodicalId":288631,"journal":{"name":"e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123658834","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A poesia, a arte, a imortalidade","authors":"Jorge Vaz de Carvalho","doi":"10.53943/elcv.0219_09","DOIUrl":"https://doi.org/10.53943/elcv.0219_09","url":null,"abstract":"The recurring theme of literary immortality runs through literature since Homer. If all culture proclaims the desire to overcome our natural condition, we find in Jorge de Sena, along with the vehement nonconformity in the face of the absurdity of being born to die, an affirmation of disbelief in any kind of immortality. Hence the urgency in recognizing the merits of his incomparable work, of which he is aware, as he wants to be recognized in this world because, as he writes, he does not believe in another. But if a work is essentially a gesture of survival, that of Sena certainly fulfils the prophecy of its verse: «One day we will be delivered from death without ceasing to die».","PeriodicalId":288631,"journal":{"name":"e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes","volume":"34 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125710793","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Rocio Luna Urdaibay, Claudia Fragoso Susunaga, Adriana Rovira Vázquez
{"title":"FRACTALES. Obra artística virtual transdisciplinaria","authors":"Rocio Luna Urdaibay, Claudia Fragoso Susunaga, Adriana Rovira Vázquez","doi":"10.53943/elcv.0221_05","DOIUrl":"https://doi.org/10.53943/elcv.0221_05","url":null,"abstract":"FRACTALES is an artistic hypertext in constant development. It begins in 2020, based on an international collaboration between stage and digital media creators (Mexico-USA) interested in exploring their «womanhood». The project, of hybrid origin, is being configured from 10 major ideas: generate a horizontal process, cross disciplines transversally, as well as the competences of creation and research, favor a childlike aesthetic, summon play, work with memory and imagination, assuming unpredictability, allowing appropriation, venturing into the realm of intimacy and the feminine. During their creative process, the artists-researchers involved approach the study of transdisciplinarity, which allows them to theoretically systematize several of the precepts that support the proposal, in such a way that their theoretical-practical, artistic-investigative, private-public merges into a first product: FRACTALES - FIRST TERRITORY/PRIMER TERRITORIO. Once the first stage of the work is built, it is presented to groups of students, Art History students, researchers, national and international creators to be intervened. There are no fixed routes, it is not known how the FIRST TERRITORY/PRIMER TERRITORIO will be deconstructed, there is no censorship or guidelines for the loading or unloading of the materials generated on the slates that accumulate. In the year 2021, FRACTALES already constitutes a rhizome in constant expansion, open to your sight and periodic intervention, where open relationships of an affective-sensory-intellectual-sensitive-esthetic-public-social-personal order are established... In this article, the creative process experienced by the creators is systematized, contemplating expressive needs, poetic stakes and theoretical foundations through an analytical descriptive process.","PeriodicalId":288631,"journal":{"name":"e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132474293","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A assistência aos expostos de Lisboa: a aprendizagem de ofícios da construção (1777-1812)","authors":"Milene Alves","doi":"10.53943/elcv.0121_06","DOIUrl":"https://doi.org/10.53943/elcv.0121_06","url":null,"abstract":"Among other strategies that the Real Casa dos Expostos, managed by Misericórdia of Lisbon, has adopted in an attempt to ensure the autonomy of the young people it has assisted, it has promoted training in various crafts through contracts with masters of differents trades, in which it has determined the obligations that they had to fulfil towards the institution and apprentices. The fundamental objective was to prepare them to work as journeymen, as stated by the tripartite hierarchy of crafts. Amongst contracts of apprenticeship signed between 1777 and 1812, I will highlight those relating to the building area. The aim is to characterize one of the strategies promoted by that institution to insert the young people it assisted, at a time in their lives when it was not constrained to maintain its assistance.","PeriodicalId":288631,"journal":{"name":"e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes","volume":"59 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122003881","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}