{"title":"Index","authors":"","doi":"10.36019/9780813593630-010","DOIUrl":"https://doi.org/10.36019/9780813593630-010","url":null,"abstract":"","PeriodicalId":287634,"journal":{"name":"The Movies as a World Force","volume":"41 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131813914","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"4. “Everything Wooed Everything”: The Triumph of Morale over Moralism in Rupert Hughes’s Souls for Sale","authors":"","doi":"10.36019/9780813593630-005","DOIUrl":"https://doi.org/10.36019/9780813593630-005","url":null,"abstract":"","PeriodicalId":287634,"journal":{"name":"The Movies as a World Force","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131240217","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"1. Enlightened Public Opinion: Postreform Progressivism, Mental Science, and Gerald Stanley Lee’s “Moving-Pictures”","authors":"","doi":"10.36019/9780813593630-002","DOIUrl":"https://doi.org/10.36019/9780813593630-002","url":null,"abstract":"","PeriodicalId":287634,"journal":{"name":"The Movies as a World Force","volume":"113 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121425919","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Acknowledgments","authors":"","doi":"10.36019/9780813593630-008","DOIUrl":"https://doi.org/10.36019/9780813593630-008","url":null,"abstract":"","PeriodicalId":287634,"journal":{"name":"The Movies as a World Force","volume":"69 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125445161","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"3. “The Motion Picture Is War’s Greatest Antidote”: Rescue as Release of Force in D. W. Griffith’s Intolerance","authors":"","doi":"10.36019/9780813593630-004","DOIUrl":"https://doi.org/10.36019/9780813593630-004","url":null,"abstract":"","PeriodicalId":287634,"journal":{"name":"The Movies as a World Force","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116322050","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"2. “The Occult Elements of Motion and Light”: Vachel Lindsay’s Utopia of the Mirror Screen","authors":"","doi":"10.36019/9780813593630-003","DOIUrl":"https://doi.org/10.36019/9780813593630-003","url":null,"abstract":"","PeriodicalId":287634,"journal":{"name":"The Movies as a World Force","volume":"184 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121092379","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"5. “Little Grains of Sand”: Positive Thinking and Corporate Form in Douglas Fairbanks’s The Thief of Bagdad","authors":"","doi":"10.36019/9780813593630-006","DOIUrl":"https://doi.org/10.36019/9780813593630-006","url":null,"abstract":"","PeriodicalId":287634,"journal":{"name":"The Movies as a World Force","volume":"48 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131816618","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Conclusion: Universal History and the Historicity of Film Entertainment","authors":"","doi":"10.36019/9780813593630-007","DOIUrl":"https://doi.org/10.36019/9780813593630-007","url":null,"abstract":"","PeriodicalId":287634,"journal":{"name":"The Movies as a World Force","volume":"120 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125208681","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Introduction: Motion Pictures and Modern Communion","authors":"","doi":"10.36019/9780813593630-001","DOIUrl":"https://doi.org/10.36019/9780813593630-001","url":null,"abstract":"","PeriodicalId":287634,"journal":{"name":"The Movies as a World Force","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131338111","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Frontmatter","authors":"","doi":"10.36019/9780813593630-fm","DOIUrl":"https://doi.org/10.36019/9780813593630-fm","url":null,"abstract":"","PeriodicalId":287634,"journal":{"name":"The Movies as a World Force","volume":"65 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125174573","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}