{"title":"Parque, veuve et entremetteuse : Colette à Casamène, ou la fin de Claudine","authors":"Jérôme Champagne","doi":"10.7202/1097816ar","DOIUrl":"https://doi.org/10.7202/1097816ar","url":null,"abstract":"","PeriodicalId":281460,"journal":{"name":"MuseMedusa: Revue de littérature et d’arts modernes","volume":"82 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124956819","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Présence des émotions, vulnérabilité critique","authors":"Thomas Ayouti","doi":"10.7202/1097826ar","DOIUrl":"https://doi.org/10.7202/1097826ar","url":null,"abstract":"","PeriodicalId":281460,"journal":{"name":"MuseMedusa: Revue de littérature et d’arts modernes","volume":"22 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133679738","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"ma mère, ma morte","authors":"Jean-Simon Desrochers","doi":"10.7202/1097839ar","DOIUrl":"https://doi.org/10.7202/1097839ar","url":null,"abstract":"","PeriodicalId":281460,"journal":{"name":"MuseMedusa: Revue de littérature et d’arts modernes","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134103563","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Au coeur des expériences, les êtres","authors":"M. Redondo","doi":"10.7202/1097834ar","DOIUrl":"https://doi.org/10.7202/1097834ar","url":null,"abstract":"","PeriodicalId":281460,"journal":{"name":"MuseMedusa: Revue de littérature et d’arts modernes","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132181581","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Les Moires dans les épigrammes funéraires grecques","authors":"Michaël Ledig","doi":"10.7202/1097814ar","DOIUrl":"https://doi.org/10.7202/1097814ar","url":null,"abstract":"This paper consists of a study of the representation of the Moirai in Greek funerary epigrams. We will first study the oldest representations of the Moirai, those we find in Homer’s epic poetry, then those in the poetry of his successors, represented in particular by Hesiod and Pindar. Afterward, we will examine how the epigrammatists, whose poetic practice follow to a great extent the poetry of Homer and his successors, represented the goddesses of fate in their compositions. Thus, we will be able to see that, if the epigrammatist painted the Moirai under their traditional features, they appear","PeriodicalId":281460,"journal":{"name":"MuseMedusa: Revue de littérature et d’arts modernes","volume":"46 24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124668883","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"L’exécution des fées ou l’impossible retour à l’origine dans Le Ravissement d’Andrée A. Michaud","authors":"Vicky Montambault","doi":"10.7202/1097821ar","DOIUrl":"https://doi.org/10.7202/1097821ar","url":null,"abstract":": By showing two, or multiple, faces, the mythical figure of the fairy unfolds in an ambivalent way in the novel Le Ravissement . If, traditionally, this mainly feminine and benevolent character is associated with guidance, Andrée A. Michaud, for her part, changes the meaning, for what the fairy always escorts in a slow descent into hell that leads the protagonists to madness. Linked to distraction, this figure also summons the symbolism of the fall. The michaudian fairy is a figure of perdition and transgression who, borrowing the features of the witch and the mermaid, symbolizes a problematic relationship with the Origin and circumscribes its nostalgic contours. Mots-clés","PeriodicalId":281460,"journal":{"name":"MuseMedusa: Revue de littérature et d’arts modernes","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124039007","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"We Go Looking for Stories in Order to See","authors":"Maxime Fecteau","doi":"10.7202/1097827ar","DOIUrl":"https://doi.org/10.7202/1097827ar","url":null,"abstract":"twenty-eighth, when I was discovering that not all of the promises would be kept, that some things are in fact irrevocable and that it had counted after all, every evasion and every procrastination, every mistake, every word, all of it 18 .","PeriodicalId":281460,"journal":{"name":"MuseMedusa: Revue de littérature et d’arts modernes","volume":"38 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129091547","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}