Critical RhythmPub Date : 2020-12-31DOI: 10.1515/9780823282067-008
D. Attridge
{"title":"Th e Rhythms of the English Dolnik","authors":"D. Attridge","doi":"10.1515/9780823282067-008","DOIUrl":"https://doi.org/10.1515/9780823282067-008","url":null,"abstract":"","PeriodicalId":278197,"journal":{"name":"Critical Rhythm","volume":"49 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116607403","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Critical RhythmPub Date : 2020-12-31DOI: 10.1515/9780823282067-005
V. Jackson
{"title":"Th e Cadence of Consent: Francis Barton Gummere, Lyric Rhythm, and White Poetics","authors":"V. Jackson","doi":"10.1515/9780823282067-005","DOIUrl":"https://doi.org/10.1515/9780823282067-005","url":null,"abstract":"","PeriodicalId":278197,"journal":{"name":"Critical Rhythm","volume":"51 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128160643","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Critical RhythmPub Date : 2019-01-08DOI: 10.5422/fordham/9780823282043.003.0011
Natalie Gerber
{"title":"Beyond Meaning: Differing Fates of Some Modernist Poets’ Investments of Belief in Sounds","authors":"Natalie Gerber","doi":"10.5422/fordham/9780823282043.003.0011","DOIUrl":"https://doi.org/10.5422/fordham/9780823282043.003.0011","url":null,"abstract":"Modernist American poets Robert Frost, Wallace Stevens, and William Carlos Williams insisted on the values of linguistic sound beyond the semantic. Stevens focused on the modulations of the sounds and lexical stresses of individual words within the meter. Frost and Williams focused on the less predictable intonational contours of phrases and sentences (although for Frost, the intonational contours play with and against the metrical pattern, whereas for Williams, lines tend to align with intonational phrases, turning prosodic speech tunes into a prosodic verse measure). Drawing on recent cognitive studies that pertain to the processing of speech sound and birdsong, this article suggests a need to revise critical assessments of the poets’ investments of belief in sound; it also considers why, given this research, Frost’s theory of sentence sounds has, perhaps unfairly, fared a worse critical reception.","PeriodicalId":278197,"journal":{"name":"Critical Rhythm","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-01-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127351259","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Critical RhythmPub Date : 2019-01-08DOI: 10.2307/j.ctv8jp01t.11
T. Cable
{"title":"How to Find Rhythm on a Piece of Paper","authors":"T. Cable","doi":"10.2307/j.ctv8jp01t.11","DOIUrl":"https://doi.org/10.2307/j.ctv8jp01t.11","url":null,"abstract":"For the past two centuries discussions of the meter and rhythm of a line of poetry have often been at cross-purposes because of different assumptions about whether the poem is a temporal object. References to the idiosyncrasies of a “performance” have confused the question by contrasting a specific event with a supposedly independent, enduring, timeless object. The conclusion of this line of thought rejects any reference to temporal features as part of the poem’s structure. By contrast, the ontology of the present essay is firmly temporal. It draws on ideas of “embodiment” in cognitive science to argue that the poem does not exist until it is performed and perceived. These actualizations of a poem may find cues in the conventional written representation of a poem, but the marks on paper are not the poem.","PeriodicalId":278197,"journal":{"name":"Critical Rhythm","volume":"28 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-01-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121977199","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}