Critical Studies in Improvisation / Études critiques en improvisation最新文献

Splash Page with Music 带有音乐的启动页面

Critical Studies in Improvisation / Études critiques en improvisation Pub Date : 2022-07-25 DOI: 10.21083/csieci.v15i1.7121

Sam Boer

引用次数: 0

Vinyl Freak: Love Letters to a Dying Medium by John Corbett 《黑胶怪人:致垂死媒介的情书》约翰·科比特著

Critical Studies in Improvisation / Études critiques en improvisation Pub Date : 2022-07-20 DOI: 10.21083/csieci.v15i1.6735

Mischa van Kan

引用次数: 1

Reassessing the Role of Subjectivity in Improvised Musical Performance 重新评估主体性在即兴音乐表演中的作用

Critical Studies in Improvisation / Études critiques en improvisation Pub Date : 2022-07-20 DOI: 10.21083/csieci.v15i1.5408

Sam McAuliffe

引用次数: 0

Universal Tonality: The Life and Music of William Parker by Cisco Bradley 《普遍调性:威廉·帕克的生活与音乐》，思科·布拉德利著

Critical Studies in Improvisation / Études critiques en improvisation Pub Date : 2022-07-20 DOI: 10.21083/csieci.v15i1.6703

Benjamin Barson

引用次数: 0

Improvisation and Emergence, For Frédérique Arroyas 即兴与突现，为fracimadrique Arroyas

Critical Studies in Improvisation / Études critiques en improvisation Pub Date : 2022-07-20 DOI: 10.21083/csieci.v15i1.7119

Kevin M. Mcneilly

引用次数: 0

Sudden Music: Improvisation, Sound, Nature by David Rothenberg 突如其来的音乐:即兴，声音，自然，大卫·罗森伯格著

Critical Studies in Improvisation / Études critiques en improvisation Pub Date : 2022-07-20 DOI: 10.21083/csieci.v15i1.6730

Marcela Echeverri

引用次数: 0

Intents and Purposes: Philosophy and the Aesthetics of Improvisation by Eric Lewis 《意图与目的:即兴创作的哲学与美学》作者:埃里克·刘易斯

Critical Studies in Improvisation / Études critiques en improvisation Pub Date : 2022-07-20 DOI: 10.21083/csieci.v15i1.6391

引用次数: 5

Just Making It Up: Structure and Spontaneity in Music and Teaching 即兴创作:音乐与教学中的结构与自发性

Critical Studies in Improvisation / Études critiques en improvisation Pub Date : 2022-07-20 DOI: 10.21083/csieci.v15i1.4100

Noam Lemish

{"title":"Just Making It Up: Structure and Spontaneity in Music and Teaching","authors":"Noam Lemish","doi":"10.21083/csieci.v15i1.4100","DOIUrl":"https://doi.org/10.21083/csieci.v15i1.4100","url":null,"abstract":"William Allaudin Mathieu (born in 1937) is a consummate musician, a pianist, composer, author, and teacher — and, in my view, one of the most influential musicians of his generation. In his early twenties he composed music for the Kenton and Ellington Big Bands, was the founding musical director of the famed Second City of Chicago (Improv Theater) and was a pioneer in the 1960s of the application of theater improvisation games into the musical sphere. He is the author of four influential books, including the best selling \"The Listening Book\" (1991). In a teaching career spanning more than fifty years, Mathieu has been an important influence and guide to many musicians worldwide. \u0000 \u0000As I demonstrate throughout this essay, W.A. Mathieu reminds us that in highlighting the world of improvisation we must be careful not to romanticize spontaneity, for doing so might well involve our falling into the trap of dualistic thinking that separates if not excludes such activity from composition. Overall, Mathieu implores us to reflect deeply about false dichotomies as improvisation/composition, and by extension think more broadly about the perils of dualistic thinking in general. In exploring themes in discussion of improvisation, I highlight some of the ways in which we can begin to draw connections between Mathieu’s ideas and the usefulness of improvisation to pedagogy in music education and beyond.","PeriodicalId":277401,"journal":{"name":"Critical Studies in Improvisation / Études critiques en improvisation","volume":"140 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-07-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127507967","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Clock in the Living Room 客厅里的钟

Critical Studies in Improvisation / Études critiques en improvisation Pub Date : 2022-07-20 DOI: 10.21083/csieci.v15i1.6667

L. Levesque, J. Levesque

{"title":"Clock in the Living Room","authors":"L. Levesque, J. Levesque","doi":"10.21083/csieci.v15i1.6667","DOIUrl":"https://doi.org/10.21083/csieci.v15i1.6667","url":null,"abstract":"This article explores the practice of intergenerational listening and its implications for re-imagining social connection in the COVID-19 crisis. Using an approached based in conversation and exchange facilitated through video-conferencing platforms, the authors critically reflect on the possibilities for developing a new sense of social connection by listening to the everyday sounds (Tuuri and Peltola 2019) of particular spaces. More specifically, the principal aim is to investigate the impact of re-imagining the daily sounds of spaces under locked-down as sources of intimacy, accompaniment, and creativity. These sounds include the ‘buzz’ of a cherished clock, the creak of a screened in porch, or records regularly listened to in a family living room. Supported by literature on ‘listening at a distance’ (Finer 2018) and the ‘sonic imagination’ (Street 2019), we ask: how can intergenerational, socially-distanced listeners engage with sound and space to improvise new forms of social connectivity? Asking these questions, we argue, can inform research and action into the roles that intergenerational listening and improvisation can play in the representation and the valuing an ageing population (Lanphier 2019) in an emerging post-pandemic musical landscape.","PeriodicalId":277401,"journal":{"name":"Critical Studies in Improvisation / Études critiques en improvisation","volume":"22 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-07-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125182795","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Voices Found: Free Jazz and Singing by Chris Tonelli 发现的声音:克里斯·托内利的自由爵士和歌唱

Critical Studies in Improvisation / Études critiques en improvisation Pub Date : 2022-07-20 DOI: 10.21083/csieci.v15i1.6810

引用次数: 3