Fenestella. Dentro l'arte medievale / Inside Medieval Art最新文献

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Nomina Inserere Voluerint, Non Prohibeatur. Nominal Inscriptions Inside the Altar in the North-East of the Iberic Peninsula (9th-13th Centuries)
Fenestella. Dentro l'arte medievale / Inside Medieval Art Pub Date : 2022-12-30 DOI: 10.54103/fenestella/18640
Marianne Blanchard
{"title":"Nomina Inserere Voluerint, Non Prohibeatur. Nominal Inscriptions Inside the Altar in the North-East of the Iberic Peninsula (9th-13th Centuries)","authors":"Marianne Blanchard","doi":"10.54103/fenestella/18640","DOIUrl":"https://doi.org/10.54103/fenestella/18640","url":null,"abstract":"Some manuscripts of the 11th and 12th centuries preserved in Catalonia present a specific rite when a bishop had to consecrate a church. In the altar he placed relics, three fragments of hosts, three grains of incense and small parchments on which was written the information about the consecration, the ten commandments and the beginning of the four gospels. The Catalan consecration ritual corresponded to a specific liturgical codification, the Catalan-Narbonne ordo, which is generally accepted to have been strictly followed. However, archaeological excavations carried out in pre-Romanesque and Romanesque churches in Catalonia since the 19th century have often brought to light a practice that was not codified in these texts: the modest containers of wood, stone or alabaster that contained the consecration relics had been engraved with names. This paper is dedicated to these nominal inscriptions from the consecration ritual, found inside the altars.","PeriodicalId":276730,"journal":{"name":"Fenestella. Dentro l'arte medievale / Inside Medieval Art","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128255186","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Riconsiderare l'insediamento monastico di Torba: la torre e le sue funzioni 重新考虑泥炭的修道院:这座塔及其功能
Fenestella. Dentro l'arte medievale / Inside Medieval Art Pub Date : 2022-12-30 DOI: 10.54103/fenestella/19447
F. Scirea
{"title":"Riconsiderare l'insediamento monastico di Torba: la torre e le sue funzioni","authors":"F. Scirea","doi":"10.54103/fenestella/19447","DOIUrl":"https://doi.org/10.54103/fenestella/19447","url":null,"abstract":"This article reconsiders some aspects of the early medieval monastic settlement of Torba, starting from an established historiography and the very recent publication of new archaeological data. Focusing on the Monastery tower, which had been part of the late antique curtain wall of Castelseprio, the research has led to a new interpretation of the construction phases and functions. The contribution thus offers new hypotheses for interdisciplinary evaluation, particularly about the possibility that the monastic choir might have been installed in a space not consecrated. The mural paintings of both the tower and the church of Santa Maria remain to be reconsidered in detail, as well as the relationship with the monastic building leaning against the curtain wall. The results should later be compared with the updated research on female monastic settlements in the early medieval West.","PeriodicalId":276730,"journal":{"name":"Fenestella. Dentro l'arte medievale / Inside Medieval Art","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126104667","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Nuove indagini sulle pitture rupestri dell’eremo di Selvascura presso il Santuario del Crocifisso a Bassiano 对巴塞亚十字架圣殿内威森隐士洞穴壁画的新调查
Fenestella. Dentro l'arte medievale / Inside Medieval Art Pub Date : 2022-12-30 DOI: 10.54103/fenestella/18645
Davide Angelucci
{"title":"Nuove indagini sulle pitture rupestri dell’eremo di Selvascura presso il Santuario del Crocifisso a Bassiano","authors":"Davide Angelucci","doi":"10.54103/fenestella/18645","DOIUrl":"https://doi.org/10.54103/fenestella/18645","url":null,"abstract":"This article aims to re-examine the frescoes in the Selvascura hermitage in Bassiano, one of the medieval pictorial contexts created in caves in Lower Lazio, both from an iconographic and stylistic point of view. In the past, the paintings aroused some attention from local connoisseurs, but they collected a barely timid interest in critical publications.\u0000The carried out research revealed the existence of a link between the iconographic choices made in the cave paintings and the Greek theological literature, especially the Heavenly Ladder of St. John Climacus, known by the Franciscan Spirituals thanks to the translations by Angelo Clareno. Therefore, it is possible to suggest a new iconological interpretation of the frescoes on the right side of the cave and to overcome the traditional approach that considered the decoration of this hermitage as a mere juxtaposition of votive panels. Furthermore, an unpublished painting inspired by one of the apologues told by Barlaam to the Indian prince Josaphat has been identified and it can be added to the small list of monumental works with this theme related to the Italian Middle Age. This paper explains also all the documents from the current archives of the Soprintendenza concerning these frescoes and their preservative history from the 70s to the 90s of the XX century.\u0000Finally, an accurate analysis of the stylistic features and the comparison with other pictorial and mosaic works from Rome and the rest of Lazio allow to date back the paintings to the period between the end of the 13th and the beginning of the 14th century and to recognize the style of unknown artists trained in the school of Cavallini, very close to the Magister Conxolus’s lesson.","PeriodicalId":276730,"journal":{"name":"Fenestella. Dentro l'arte medievale / Inside Medieval Art","volume":"43 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115574309","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Esperimenti urbani: insediamenti e spazi alle origini dei monasteri femminili 城市实验:女性修道院起源的定居点和空间
Fenestella. Dentro l'arte medievale / Inside Medieval Art Pub Date : 2022-12-30 DOI: 10.54103/fenestella/18840
Stella Ferrari
{"title":"Esperimenti urbani: insediamenti e spazi alle origini dei monasteri femminili","authors":"Stella Ferrari","doi":"10.54103/fenestella/18840","DOIUrl":"https://doi.org/10.54103/fenestella/18840","url":null,"abstract":"The paper deals with the development and settlement of female monasteries in the urban contexts of the early Middle Ages.\u0000Through a preliminary focus on the community founded by saint Cesarius in Arles during the 6th century, the article aims to identify some elements recognizable in this context and to investigate them in other towns. Important aspects like the liturgical organization of different oratoria, the placement of the burial church for the female community, and the role in the promotion of saints’ cult during the high Middle Ages represent an interesting possibility of comparison, in this case with the reality of Metz, specifically with Saint-Pierre-aux-Nonnains and Sainte-Glossinde. The last part of the paper is dedicated to a first analysis of the role and spatial organization of female monasteries in two Lombard towns: Milan and Pavia. Through a survey of the communities already existing in the 11th century and their position in the urban topography the paper opens to some remarks following the observations made for Arles and Metz, thus suggesting the necessity of an in-depth study of these north-Italian contexts.","PeriodicalId":276730,"journal":{"name":"Fenestella. Dentro l'arte medievale / Inside Medieval Art","volume":"60 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131559139","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Monasteri piemontesi nell’altomedioevo (secoli VIII-X) 中世纪的皮埃蒙特修道院(VIII-X世纪)
Fenestella. Dentro l'arte medievale / Inside Medieval Art Pub Date : 2022-12-30 DOI: 10.54103/fenestella/18718
E. Destefanis
{"title":"Monasteri piemontesi nell’altomedioevo (secoli VIII-X)","authors":"E. Destefanis","doi":"10.54103/fenestella/18718","DOIUrl":"https://doi.org/10.54103/fenestella/18718","url":null,"abstract":"Sin dall’alto medioevo, la presenza monastica in Piemonte trova aree favorevoli e alquanto diversificate in cui insediarsi. La storiografia degli ultimi decenni ha avviato una messa a punto dei dati noti, anche se una visione complessiva stenta ancora al momento a delinearsi, al di là di approfondimenti su siti puntuali. Partendo da questa premessa, e in forza delle novità che l’archeologia e la revisione delle fonti scritte hanno prodotto su diversi contesti, è intenzione di questo intervento tentare di proporre una lettura complessiva del primo monachesimo piemontese. Il fine non è quello di trarne un quadro esaustivo, al momento non possibile, quanto definirne linee di sviluppo e suggerire qualche spunto di riflessione per future ricerche.","PeriodicalId":276730,"journal":{"name":"Fenestella. Dentro l'arte medievale / Inside Medieval Art","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127905762","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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