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The Routledge Research Companion to Modernism in Music最新文献

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‘Es klang so alt und WAR doch so neu!’ 你知道吗"
The Routledge Research Companion to Modernism in Music Pub Date : 2018-10-29 DOI: 10.4324/9781315613291-20
M. Berry
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引用次数: 1
Reactive modernism 反应性的现代主义
The Routledge Research Companion to Modernism in Music Pub Date : 2018-10-29 DOI: 10.4324/9781315613291-7
J. P. E. Harper-Scott
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引用次数: 1
Institutions, artworlds, new music 机构，艺术世界，新音乐
The Routledge Research Companion to Modernism in Music Pub Date : 2018-10-29 DOI: 10.4324/9781315613291-4
M. Iddon
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引用次数: 0
The composer as communication theorist 作为传播理论家的作曲家
The Routledge Research Companion to Modernism in Music Pub Date : 2018-10-29 DOI: 10.4324/9781315613291-13
M. Grant
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引用次数: 0
The Balinese moment in the Montreal new music scene as a regional modernism 巴厘岛的时刻在蒙特利尔的新音乐场景作为一个区域现代主义
The Routledge Research Companion to Modernism in Music Pub Date : 2018-10-29 DOI: 10.4324/9781315613291-17
Jonathan Goldman
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引用次数: 1
Vers une écriture liminale 走向阈值写作
The Routledge Research Companion to Modernism in Music Pub Date : 2018-10-29 DOI: 10.4324/9781315613291-18
L. Cagney
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引用次数: 0
Modernism and history 现代主义与历史
The Routledge Research Companion to Modernism in Music Pub Date : 2018-10-01 DOI: 10.4324/9781315613291-5
D. Code
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引用次数: 0
Modernism for and of the masses? 大众的现代主义?
The Routledge Research Companion to Modernism in Music Pub Date : 2018-09-28 DOI: 10.4324/9781315613291-11
Stephen Graham
{"title":"Modernism for and of the masses?","authors":"Stephen Graham","doi":"10.4324/9781315613291-11","DOIUrl":"https://doi.org/10.4324/9781315613291-11","url":null,"abstract":"Though often posed in oppositional terms, modernist and popular music have always shared common ground. This is reflected in a growing body of literature that examines crossover as much as conflict, but mutual entanglement has been the case from the get-go. It is of course important to understand modernism and pop as two fairly distinct forms, but the territory between them has proved fertile ground. This chapter studies that territory. It provides a critical synthesis of literature on the topic, and looks at a number of concrete musical examples of ‘popular modernism’, a limit case of pop/modernist entanglement.","PeriodicalId":275112,"journal":{"name":"The Routledge Research Companion to Modernism in Music","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133652113","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Musical modernity, the beautiful and the sublime 音乐的现代性，美丽和崇高
The Routledge Research Companion to Modernism in Music Pub Date : 2018-08-06 DOI: 10.4324/9781315613291-6
E. Campbell
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引用次数: 1
Contemporary opera and the failure of language 当代歌剧与语言的失败
The Routledge Research Companion to Modernism in Music Pub Date : 2018-06-27 DOI: 10.4324/9781315613291-30
Amy Bauer
{"title":"Contemporary opera and the failure of language","authors":"Amy Bauer","doi":"10.4324/9781315613291-30","DOIUrl":"https://doi.org/10.4324/9781315613291-30","url":null,"abstract":"Author(s): Bauer, A | Abstract: Opera after 1945 largely retreated from the challenge of modernism. A survey of notable post-war music theatre locates language and its vexed relation to music as the central concern of a true modernist operatic aesthetic. I discuss the relations that bind music, philosophy and language before analyzing five contemporary operas: Gyorgy Ligeti’s Le Grand Macabre, Claude Vivier’s Prologue pour Marco Polo, Helmut Lachenmann’s Das Madchen mit den Schwefelholzern, Salvatore Sciarrino’s Luci mie traditrici and David Lang’s The Difficulty of Crossing a Field. Each opera poses a unique challenge to the crisis of representational language, and its relation to truth, the law, and the ethics of the sensual.","PeriodicalId":275112,"journal":{"name":"The Routledge Research Companion to Modernism in Music","volume":"2013 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-06-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132213174","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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