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Making The Trouble with Love and Sex 在爱情和性方面制造麻烦
Drawn from Life Pub Date : 2018-12-01 DOI: 10.3366/edinburgh/9780748694112.003.0012
J. Hodgson
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引用次数: 0
Drawings to Remember 要记住的图画
Drawn from Life Pub Date : 2018-12-01 DOI: 10.3366/edinburgh/9780748694112.003.0008
Nanette Kraaikamp
{"title":"Drawings to Remember","authors":"Nanette Kraaikamp","doi":"10.3366/edinburgh/9780748694112.003.0008","DOIUrl":"https://doi.org/10.3366/edinburgh/9780748694112.003.0008","url":null,"abstract":"South African Artist William Kentridge’s Drawings for Projection films animate his charcoal drawings. This chapter analyses Kendridge’s animated film Felix in Exile (1994), for which forty charcoal drawings were amended and filmed during each step of the work’s stop-motion animation process. Felix in Exile addresses the traumatic history of South Africa during apartheid and provides a good meta-level insight into the process of drawing. This chapter explores how Kentridge’s drawing mechanisms and the representation of history, time and memory are interrelated. Questions examined include: How are mechanisms of drawing and animation related to history? How does Felix in Exile mediate time and memory? What is it exactly that causes this film’s affect? This chapter reflects on these questions by using Walter Benjamin’s philosophical texts, On the Concept of History (1942) and On the Mimetic Faculty (1933) in conjunction with theoretical literature on drawing in order to analyse Kentridge’s work.","PeriodicalId":272749,"journal":{"name":"Drawn from Life","volume":"45 6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129571126","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Documentary Attraction: Animation, Simulation and the Rhetoric of Expertise 纪录片的吸引力:动画，模拟和专业知识的修辞
Drawn from Life Pub Date : 2018-12-01 DOI: 10.3366/edinburgh/9780748694112.003.0006
L. Gurevitch
{"title":"The Documentary Attraction: Animation, Simulation and the Rhetoric of Expertise","authors":"L. Gurevitch","doi":"10.3366/edinburgh/9780748694112.003.0006","DOIUrl":"https://doi.org/10.3366/edinburgh/9780748694112.003.0006","url":null,"abstract":"In this chapter Leon Gurevitch discusses computer-generated documentary simulations that function both as spectacular attractions and visual signifiers of expertise and authority. Gurevitch explores the increasing prominence of such images within a variety of documentary contexts since the digital revolution that began during the 1990s. The chapter underscores the extent to which CG-animated documentary spectacles are today routinely encountered within a range of fields, many not readily associated in the popular mind with animated aesthetics, production technologies or histories: military, scientific, architectural and engineering, for example. Gurevitch explains that in the absence of live footage (or even in support of it), animated and simulated spectacle is frequently deployed within documentary film making in the interests of “expertise”. In this sense, CG simulations function to persuade the audience of the time and effort put into making the documentary and therefore act as an index of a given moving image work’s veracity.","PeriodicalId":272749,"journal":{"name":"Drawn from Life","volume":"16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125348331","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Animated Documentary, Recollection, ‘Re-enactment’ and Temporality 动画纪录片，回忆，“重现”和时间性
Drawn from Life Pub Date : 2018-12-01 DOI: 10.3366/edinburgh/9780748694112.003.0005
Paul Ward
{"title":"Animated Documentary, Recollection, ‘Re-enactment’ and Temporality","authors":"Paul Ward","doi":"10.3366/edinburgh/9780748694112.003.0005","DOIUrl":"https://doi.org/10.3366/edinburgh/9780748694112.003.0005","url":null,"abstract":"In this chapter Paul Ward focuses particularly on the concept of re-enactment, arguing that it raises varied questions about the nature of performance, agency, point of view and temporality within animated documentary. Ward grounds his theoretical speculations and conceptual distinctions in close readings of two animated documentaries, Andersartig (2011) and The Children of the Holocaust (2014), both of which depict individual childhood memories of living in Nazi-era Germany. He concludes that works such as these encourage audiences and critics alike to understand and engage with animated documentary as a filmmaking mode able to portray intangible, often non-indexical (and therefore un-photographable) documentary phenomena.","PeriodicalId":272749,"journal":{"name":"Drawn from Life","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122369658","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
‘Does this look right?’ Working Inside the Collaborative Frame “这看起来对吗?”在协作框架内工作
Drawn from Life Pub Date : 2018-12-01 DOI: 10.3366/edinburgh/9780748694112.003.0013
Samantha Moore
{"title":"‘Does this look right?’ Working Inside the Collaborative Frame","authors":"Samantha Moore","doi":"10.3366/edinburgh/9780748694112.003.0013","DOIUrl":"https://doi.org/10.3366/edinburgh/9780748694112.003.0013","url":null,"abstract":"This chapter is written from, and critically examines, the creative and ethical perspectives of animated documentary practitioners. The author, Samantha Moore, focuses particularly on collaboratively ethnographic approaches to, and examples of, animated documentary filmmaking. This chapter asks to what extent the frame within an animated documentary can become a collaborative, co-authored space that creates truly dialogic images. It also enquiries as to how practitioners do or could go about creating, negotiating and sustaining such forms of collaboration. The chapter discusses key examples from the filmmaking practices of the author and her peers, including Shira Avni, who works with the Down syndrome and autistic communities. It does so in order to outline what impacts different forms of collaborative filmmaking approach might have for audience, filmmakers, and documentary subject-participants, especially in the contexts of documentary films that aim to give a voice to marginalised and unrepresented human perspectives.","PeriodicalId":272749,"journal":{"name":"Drawn from Life","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129318174","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Before Sound, there was Soul: The Role of Animation in Silent Nonfiction Cinema 在声音之前，有灵魂:动画在无声非虚构电影中的角色
Drawn from Life Pub Date : 2018-12-01 DOI: 10.3366/edinburgh/9780748694112.003.0003
Mihaela Mihailova
{"title":"Before Sound, there was Soul: The Role of Animation in Silent Nonfiction Cinema","authors":"Mihaela Mihailova","doi":"10.3366/edinburgh/9780748694112.003.0003","DOIUrl":"https://doi.org/10.3366/edinburgh/9780748694112.003.0003","url":null,"abstract":"Mihaela Mihailova examines the role and functions of the drawn image within early-twentieth-century scientific and educational media texts (in this case, a range of 1920s educational animated short films). Exploring seminal names from animation history, such as Bray Productions and the Fleischer brothers, Mihailova demonstrates the contemporary resonances and applications of these works. The chapter examines a range of foundational trends, methods and approaches that subsequently shaped animated documentary during the nine decades since the advent of sound. Examining the functions which the drawn image fulfils, animation is seen as a metacommentary on its own expressive limitations, as well as those of nonfiction, foregrounding the challenges of conveying reality by means of a single representational mode. At once liberated from the concreteness of the photographic record and limited in their abstraction by the requirements of scientific content, these films occupy a position between mechanical recording and pure artistic creation.","PeriodicalId":272749,"journal":{"name":"Drawn from Life","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115745237","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
From Contextualisation to Categorisation of Animated Documentaries 从语境化到动画纪录片的分类
Drawn from Life Pub Date : 2018-12-01 DOI: 10.3366/edinburgh/9780748694112.003.0002
P. Lefèvre
{"title":"From Contextualisation to Categorisation of Animated Documentaries","authors":"P. Lefèvre","doi":"10.3366/edinburgh/9780748694112.003.0002","DOIUrl":"https://doi.org/10.3366/edinburgh/9780748694112.003.0002","url":null,"abstract":"This chapter provides a wide-ranging account of animated documentary cinema’s evolution, one which relates that ongoing history to analogous developments in related fields including live-action documentary, painting, photography and New Journalism. By their overt artificial nature animated documentaries seem to challenge the traditional documentary epistemology. Lefèvre considers the extent to which established Film Studies conceptual and analytical paradigms offer pre-existing tools that contemporary scholars can readily transpose to the study of animated documentary. This essay questions if the animated documentaries still fit in the six categories or modes of documentary film production that Bill Nichols defined: the poetic, the expository, the observational, the participatory, the reflexive, and the performative mode. This chapter highlights many of the critical and conceptual questions which that partially obscured history raises, laying out ten distinct sets of logistical, aesthetic and ideological issues that repeatedly manifest themselves across the history of animated documentary filmmaking.","PeriodicalId":272749,"journal":{"name":"Drawn from Life","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121053414","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Creative Challenges in the Production of Documentary Animation 纪录片动画制作中的创意挑战
Drawn from Life Pub Date : 2018-12-01 DOI: 10.3366/edinburgh/9780748694112.003.0014
Sheila M. Sofian
{"title":"Creative Challenges in the Production of Documentary Animation","authors":"Sheila M. Sofian","doi":"10.3366/edinburgh/9780748694112.003.0014","DOIUrl":"https://doi.org/10.3366/edinburgh/9780748694112.003.0014","url":null,"abstract":"In this chapter, Sheila M. Sofian examines animated documentary from a filmmaker’s perspective. This chapter explores the appropriateness of animation’s use within nonfiction film. This chapter also asks how and when animation’s use might enhance audience understanding of a given documentary topic, and how and when it might distract from the same. The chapter also examines whether animation’s use in documentary reveals the filmmaking process in a more overt fashion than witnessed within live action documentary, and what controversies arise as a result. This chapter discusses these and other issues through reflective accounts of the production and exhibition of Sofian’s own animated documentary films. In discussing these works, this chapter examines the creative process of animated documentary production and the unique challenges faced when producing non-fiction animated films. The relationship between sound and image, choice of animation technique, and the effectiveness of literal versus abstract imagery are all topics explored.","PeriodicalId":272749,"journal":{"name":"Drawn from Life","volume":"71 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127344695","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Reasons for Animating Reality: Animated Documentary and Re-enactment in the Work of Jonas Odell 动画化现实的原因:乔纳斯·奥德尔作品中的动画纪录片和重演
Drawn from Life Pub Date : 2018-12-01 DOI: 10.3366/edinburgh/9780748694112.003.0010
L. Martinelli
{"title":"The Reasons for Animating Reality: Animated Documentary and Re-enactment in the Work of Jonas Odell","authors":"L. Martinelli","doi":"10.3366/edinburgh/9780748694112.003.0010","DOIUrl":"https://doi.org/10.3366/edinburgh/9780748694112.003.0010","url":null,"abstract":"This chapter discusses three animated documentaries by filmmaker Jonas Odell: Never Like the First Time! (2006), Lies (2008), and Tussilago (2010). Comparative analysis establishes many of the criteria against which these films are generally considered to be examples of animated documentary practice. In all three works, documentary audio interviews are integrated as voiceover and form the foundations on which Odell as animator-filmmaker visually “packages” interviewees’ stories in ways that render them more interesting and attractive to audiences. As with many other animated documentaries, Odell’s stylistic and technical choices strike a balance between aesthetic aspiration and documentary responsibility to the sense and meaning of his interviewees’ stories. Odell’s filmmaking choices exemplify animated documentary’s distinctive capacity to translate complex communicational codes and data – for example, interviewees’ experiences of memory, the varied styles of their spoken narrations, and the subjective quality of Odell’s interpretations of their testimonies – into concrete, highly distinctive audio-visual forms.","PeriodicalId":272749,"journal":{"name":"Drawn from Life","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122619595","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Never Mind the Bollackers: Here’s the Repositories, Sites and Archives in Nonfiction Animation 别管那些闹鬼:这里是非虚构动画的仓库、网站和档案
Drawn from Life Pub Date : 2018-12-01 DOI: 10.3366/edinburgh/9780748694112.003.0007
P. Wells
{"title":"Never Mind the Bollackers: Here’s the Repositories, Sites and Archives in Nonfiction Animation","authors":"P. Wells","doi":"10.3366/edinburgh/9780748694112.003.0007","DOIUrl":"https://doi.org/10.3366/edinburgh/9780748694112.003.0007","url":null,"abstract":"Paul Wells offers a critical-autobiographical account, augmented by a consistently surprising and thought-provoking range of cross-disciplinary case study examples, of his active and path-breaking engagement in animated documentary theory and production since the early 1990s. Wells engages with the critical literature surrounding the concept and practice of animated documentary but focuses more on the ways in which animation can act as an enabling conduit for a range of visual and/or narrative arts, offering a creative toolbox that supports practitioners engaged in documentary work across a range of disciplines. This chapter advances three central insights: the increasingly multi-disciplinary nature of contemporary visual, literary and popular cultures; the notable aesthetic and ideological potentialities possessed by polyvocal, multi-disciplinary and multi-register creative practices and strategies; and animated documentary’s privileged position at the forefront of present-day re-theorisations of a range of foundational documentary concepts, such as the repository, the record and the archive.","PeriodicalId":272749,"journal":{"name":"Drawn from Life","volume":"176 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134322797","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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