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The Play of Law in Modern British Theatre最新文献

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Thinking the Unthinkable 思考不可思议的事情
The Play of Law in Modern British Theatre Pub Date : 2021-01-19 DOI: 10.3366/edinburgh/9781474450140.003.0003
I. Ward
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引用次数: 0
The Haunting of King Charles III 查理三世的鬼魂
The Play of Law in Modern British Theatre Pub Date : 2021-01-19 DOI: 10.3366/edinburgh/9781474450140.003.0006
I. Ward
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引用次数: 0
Feasts of Filth 污秽的盛宴
The Play of Law in Modern British Theatre Pub Date : 2021-01-19 DOI: 10.3366/edinburgh/9781474450140.003.0007
I. Ward
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引用次数: 0
Tears in the Fabric 织物上的眼泪
The Play of Law in Modern British Theatre Pub Date : 2021-01-19 DOI: 10.3366/edinburgh/9781474450140.003.0008
I. Ward
{"title":"Tears in the Fabric","authors":"I. Ward","doi":"10.3366/edinburgh/9781474450140.003.0008","DOIUrl":"https://doi.org/10.3366/edinburgh/9781474450140.003.0008","url":null,"abstract":"This chapter focusses its attention on the associated crimes of child-abuse and child-murder. Crimes which, as a consequence of the public interest they stimulate, must be comprehended within an often febrile cultural context. The chapter looks at a number of modern plays which address these crimes, including various contributions to the ‘in-yer-face’ genre. Its closer focus, however, is on on Bryony Lavery’s Frozen, a play which can be more squarely categorised as ‘realist’. In so doing, the chapter further considers the merits and demerits of strategies of ‘restorative’ justice. It is argued that the rooting of restorative justice, in associated ideas of compassion and empathy, makes it a peculiarly literate jurisprudence.","PeriodicalId":271240,"journal":{"name":"The Play of Law in Modern British Theatre","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-01-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116120080","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Churchill’s Wars 丘吉尔是星球大战
The Play of Law in Modern British Theatre Pub Date : 2021-01-19 DOI: 10.3366/edinburgh/9781474450140.003.0004
I. Ward
{"title":"Churchill’s Wars","authors":"I. Ward","doi":"10.3366/edinburgh/9781474450140.003.0004","DOIUrl":"https://doi.org/10.3366/edinburgh/9781474450140.003.0004","url":null,"abstract":"This is the first of three chapters which focus, in their different ways, on the writing of history in contemporary theatre. This chapter concentrates on two ‘history’ plays written by Caryl Churchill during the 1970s; Light Shining in Buckinghamshire and Vinegar Tom. Churchill emerged as one of the most influential voices in radical British theatre during the closing decades of the last century. Both plays were set in the mid-seventeenth-century, but were written to resonate with themes familiar in modern legal and political thought. The title of the first play is taken from a Leveller tract published in the second part of the 1640s. Churchill uses it to explore the state of radical politics in later twentieth-century Britain. The second play, Vinegar Tom, is a contribution to a distinctive sub-genre of ‘witchcraft’ plays, which use the ‘crime’ of witchcraft as a vehicle for revisiting the relation of law and gender in modern society.","PeriodicalId":271240,"journal":{"name":"The Play of Law in Modern British Theatre","volume":"90 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-01-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116255739","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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