织物上的眼泪

I. Ward
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引用次数: 0

摘要

本章重点讨论与之相关的虐待儿童和谋杀儿童的罪行。犯罪,作为他们刺激公众利益的结果,必须在一个经常狂热的文化背景下理解。这一章着眼于一些处理这些罪行的现代戏剧,包括对“年夜脸”类型的各种贡献。然而,它更关注的是Bryony Lavery的《冰雪奇缘》,这是一部可以更直接地归类为“现实主义”的戏剧。在此过程中,本章进一步考虑了“恢复性”司法策略的优点和缺点。有人认为,恢复性司法植根于同情和移情的相关思想,使其成为一种独特的文学法学。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Tears in the Fabric
This chapter focusses its attention on the associated crimes of child-abuse and child-murder. Crimes which, as a consequence of the public interest they stimulate, must be comprehended within an often febrile cultural context. The chapter looks at a number of modern plays which address these crimes, including various contributions to the ‘in-yer-face’ genre. Its closer focus, however, is on on Bryony Lavery’s Frozen, a play which can be more squarely categorised as ‘realist’. In so doing, the chapter further considers the merits and demerits of strategies of ‘restorative’ justice. It is argued that the rooting of restorative justice, in associated ideas of compassion and empathy, makes it a peculiarly literate jurisprudence.
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