Latin Jazz最新文献

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Epilogue 后记
Latin Jazz Pub Date : 2020-06-18 DOI: 10.1093/oso/9780195371628.003.0008
Christopher Washburne
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引用次数: 0
Caribbean and Latin American Reverberations and the First Birth of Latin Jazz 加勒比和拉丁美洲的回响和拉丁爵士乐的第一次诞生
Latin Jazz Pub Date : 2020-06-18 DOI: 10.1093/oso/9780195371628.003.0003
Christopher Washburne
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引用次数: 0
The “Othering” of Latin Jazz 拉丁爵士乐的“另类”
Latin Jazz Pub Date : 2020-06-18 DOI: 10.1093/oso/9780195371628.003.0006
Christopher Washburne
{"title":"The “Othering” of Latin Jazz","authors":"Christopher Washburne","doi":"10.1093/oso/9780195371628.003.0006","DOIUrl":"https://doi.org/10.1093/oso/9780195371628.003.0006","url":null,"abstract":"This chapter discusses various ways the Caribbean and Latin American music styles continued to share a common history with jazz from the 1940s to the 1960s, intersecting, cross-influencing, and at times seeming inseparable, as each has played seminal roles in the other’s development. Three case studies are discussed: the collaboration of Dizzy Gillespie and Chano Pozo, the Jazz Samba recording by Charlie Byrd and Stan Getz, and Mongo Santamaría’s “Watermelon Man” recording. In much of the jazz literature, these musicians and their seminal roles have been diminished or downright ignored. This chapter explores the reasons for these omissions and the systematic “othering” of Latin jazz. It examines the forces at play in their continued exclusion; explores how this omission is tied to the economic marginalization of jazz, racism, nationalism, tensions between art and popular music, and canon construction; and identifies what is at stake when Latin jazz is included.","PeriodicalId":265621,"journal":{"name":"Latin Jazz","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-06-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124220499","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Second Birth of Latin Jazz 拉丁爵士乐的第二次诞生
Latin Jazz Pub Date : 2020-06-18 DOI: 10.1093/oso/9780195371628.003.0004
Christopher Washburne
{"title":"The Second Birth of Latin Jazz","authors":"Christopher Washburne","doi":"10.1093/oso/9780195371628.003.0004","DOIUrl":"https://doi.org/10.1093/oso/9780195371628.003.0004","url":null,"abstract":"This chapter examines “The Peanut Vendor” as a case study and a lens into the New York City of the 1930s. The role of the popular music industry in promoting “exotica” and “otherness” and how these practices established Cuban music and musicians as the domineering influence in mid-century Latin and jazz mixings are documented. The role of interculturality in 1930s New York jazz is explored, challenging the traditional tropes found in historical narratives that posit jazz as a purely African American or North American music. A closer look at the contextual factors that led to these exchanges calls for a rethinking of jazz as a transnational and global music. This chapter exposes the interracial, interethnic, international, and intercultural complexities and processes that undergird jazz performance practice and that serve as the primary driving forces in the evolution of the music. What becomes clear is that Caribbean and Latin American music and musicians have played significant roles in ways yet to be fully documented and understood.","PeriodicalId":265621,"journal":{"name":"Latin Jazz","volume":"66 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-06-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115257881","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“El Tema del Apollo” “阿波罗主题”
Latin Jazz Pub Date : 2020-06-18 DOI: 10.1093/oso/9780195371628.003.0005
Christopher Washburne
{"title":"“El Tema del Apollo”","authors":"Christopher Washburne","doi":"10.1093/oso/9780195371628.003.0005","DOIUrl":"https://doi.org/10.1093/oso/9780195371628.003.0005","url":null,"abstract":"This chapter examines the relationship between African America, Latin America, and the Caribbean through the music and its associated performance practices realized on the stage of the Apollo Theater in Harlem from 1934 to the early 2000s. Through the lens of race, nation, and ethnicity, the complex and often tenuous relations among the diverse peoples who colluded and collided on the stage of the Apollo to produce some of the most significant and influential contributions to popular cultural expression in the United States throughout the twentieth century are explored. Though the Apollo is considered one of the most significant and influential venues in the twentieth century for African American music, studying the discourse and historical narratives concerning the theater’s history and traditions reveals that the venue was also one of the most important Caribbean and Latin American stages in the United States during that time. Situated just blocks from one of the most vibrant Caribbean and Latin American neighborhoods in North America, Spanish Harlem or El Barrio, the Apollo Theater was and continues to be a nexus for intercultural exchange between African American, Latin American, and Caribbean musics.","PeriodicalId":265621,"journal":{"name":"Latin Jazz","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-06-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127614247","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Why Call It Latin Jazz? Afro-Latin Jazz, Afro-Cuban Jazz, Cubop, Caribbean Jazz, Jazz Latin, or Just . . . Jazz 为什么叫拉丁爵士乐?非洲-拉丁爵士,非洲-古巴爵士,古巴爵士乐,加勒比爵士,爵士拉丁,或只是…爵士乐
Latin Jazz Pub Date : 2020-06-18 DOI: 10.1093/oso/9780195371628.003.0002
Christopher Washburne
{"title":"Why Call It Latin Jazz? Afro-Latin Jazz, Afro-Cuban Jazz, Cubop, Caribbean Jazz, Jazz Latin, or Just . . . Jazz","authors":"Christopher Washburne","doi":"10.1093/oso/9780195371628.003.0002","DOIUrl":"https://doi.org/10.1093/oso/9780195371628.003.0002","url":null,"abstract":"This chapter explores how Latin jazz is positioned and named and the primary discursive contestations associated with the genre. What is focused on in particular is how musicians exert agency by manipulating generic boundaries as a negotiative tool. With a focus on two prominent bandleaders as case studies, Arturo O’Farrill and Ray Barretto, discursive strategies embodying a complex of subjectivities are explored and serve as a lens into the fundamental political undergirding of intercultural production. What becomes apparent is that self-conceived notions held by musicians concerning how to label and perform this music prove to be neither static nor terminal in nature but rather must be imagined as mobile, fluid, and changeable, always strategic, and at times even seeming fickle. What is revealed is the pendular, self-positioning discourse that makers of this music engage in, in order to navigate through and strategically position themselves within this at times adversarial milieu. The politics of place, nation, class, economics, and race as well as the complex historical relationships inform their fluid dance of genre imaginings.","PeriodicalId":265621,"journal":{"name":"Latin Jazz","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-06-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133124834","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“More Cowbell” “更多的”
Latin Jazz Pub Date : 2020-06-18 DOI: 10.1093/oso/9780195371628.003.0007
Christopher Washburne
{"title":"“More Cowbell”","authors":"Christopher Washburne","doi":"10.1093/oso/9780195371628.003.0007","DOIUrl":"https://doi.org/10.1093/oso/9780195371628.003.0007","url":null,"abstract":"This chapter is an ethnographic study of New York–based Latin jazz in the twenty-first century. It uses five prominent bandleaders actively shaping the future of Latin jazz as case studies—Eddie Palmieri, Michele Rosewoman, Carlos Henríquez, Miguel Zenón, and Bobby Sanabria—demonstrating how the historical specificities and developments discussed in the preceding chapters continue to reverberate and inform the music made in the present. Their voices and perspectives demonstrate how each of these musicians adopts unique strategies to navigate the terrain of inequity and adversity. They represent significant trends that will assert much influence on generations of musicians to come. Their combined perspectives suggest that Latin jazz is not, nor ever should it have been, an “other jazz.” Its presence can no longer be silenced or erased. All of the music and musicians associated with jazz deserve to be fully embraced and recognized.","PeriodicalId":265621,"journal":{"name":"Latin Jazz","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-06-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125098778","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
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