Caribbean and Latin American Reverberations and the First Birth of Latin Jazz

Christopher Washburne
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Abstract

This chapter documents the strong ties of the Caribbean and Latin America to the formative period of jazz and how that influence reverberated throughout the twentieth century. It argues that the strong foundational influence of Caribbean and Latin American music on pre-jazz styles makes the birth of jazz synchronous with the birth of Latin jazz. By building on the work of a number of scholars who have recently begun to tackle this complexity through historical studies of immigration patterns and the social and political development of New Orleans throughout the 1700s and 1800s and by conducting a “sonic archeology” of jazz styles throughout the twentieth century, reverberations of jazz’s pre-history are uncovered and shown to resound loudly. Along with a discussion of the social history of New Orleans, the focus is on the function of certain rhythmic cells in the jazz repertoire that are most typically associated with Caribbean and Latin American styles.
加勒比和拉丁美洲的回响和拉丁爵士乐的第一次诞生
本章记录了加勒比和拉丁美洲与爵士乐形成时期的紧密联系,以及这种影响如何在整个二十世纪回响。它认为加勒比海和拉丁美洲音乐对前爵士风格的强大基础影响使得爵士乐的诞生与拉丁爵士乐的诞生同步。一些学者最近开始通过对18世纪和19世纪新奥尔良的移民模式和社会政治发展的历史研究,以及对整个20世纪的爵士乐风格进行“声音考古学”,来解决这一复杂性,通过这些学者的工作,爵士乐史前的回响被揭示出来,并显示出响亮的回响。随着对新奥尔良社会历史的讨论,重点是爵士乐曲目中某些节奏细胞的功能,这些曲目最典型地与加勒比和拉丁美洲风格有关。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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