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El teatro clásico español en el cine最新文献

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«Don Juan, ¿español?». Sobre la españolidad en Don Juan de José Luis Sáenz de Heredia “唐璜，西班牙人?”《唐璜》中的西班牙人jose Luis saenz de Heredia
El teatro clásico español en el cine Pub Date : 2019-07-12 DOI: 10.30687/978-88-6969-330-4/008
Cayce Elder
{"title":"«Don Juan, ¿español?». Sobre la españolidad en Don Juan de José Luis Sáenz de Heredia","authors":"Cayce Elder","doi":"10.30687/978-88-6969-330-4/008","DOIUrl":"https://doi.org/10.30687/978-88-6969-330-4/008","url":null,"abstract":"Although Franco-era film adaptations of the Spanish comedia are often dismissed as propaganda due to the regime’s broader ideological use of the Golden Age to promote ‘traditional’ Spanish values, this essay suggests that these films merit closer scrutiny. Saenz de Heredia’s 1950 film Don Juan is both a response to Hollywood’s Adventures of Don Juan (Vincent Sherman, 1948) and a narrative film that, while reclaiming the Don Juan legend as Spanish cultural patrimony, reveals inherent contradictions and flaws in Franco’s idea of Spain and Spanishness. Superficially, it is ideologically orthodox, but closer examination reveals how the film is symptomatic of defects in Franco’s projected vision of Spain.","PeriodicalId":265162,"journal":{"name":"El teatro clásico español en el cine","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-07-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125678039","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
«Humano, demasiado humano»: reinterpretaciones cinematográficas y televisivas de La vida es sueño en el tardofranquismo “人类，太人类了”:电影和电视对后佛朗哥时代生活的重新诠释
El teatro clásico español en el cine Pub Date : 2019-07-12 DOI: 10.30687/978-88-6969-330-4/006
Eugenio Maggi
{"title":"«Humano, demasiado humano»: reinterpretaciones cinematográficas y televisivas de La vida es sueño en el tardofranquismo","authors":"Eugenio Maggi","doi":"10.30687/978-88-6969-330-4/006","DOIUrl":"https://doi.org/10.30687/978-88-6969-330-4/006","url":null,"abstract":"In the 1960s, Calderón’s Life is a Dream went through two popular audiovisual adaptations: Luis Lucia’s movie El príncipe encadenado (1960), a ‘free version’ with peplum influences, and Pedro Amalio López’s televised performance (1967). By analysing how these works trivialise or manipulate the playwright’s theological and political perspective, the article aims to question the notion of an orthodox Calderonian canon in the late Francoist period.","PeriodicalId":265162,"journal":{"name":"El teatro clásico español en el cine","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-07-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130162645","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
El teatro áureo en la gran pantalla:Menos es másde Pascal Jongen yEl desdén con el desdénde Moreto 大银幕上的黄金剧场:少即是多帕斯卡·琼根和蔑视莫雷托的蔑视
El teatro clásico español en el cine Pub Date : 2019-07-12 DOI: 10.30687/978-88-6969-330-4/011
D. Vaccari
{"title":"El teatro áureo en la gran pantalla:Menos es másde Pascal Jongen yEl desdén con el desdénde Moreto","authors":"D. Vaccari","doi":"10.30687/978-88-6969-330-4/011","DOIUrl":"https://doi.org/10.30687/978-88-6969-330-4/011","url":null,"abstract":"This article analises the relationship between the filmMenos es más(2000) andEl desdén con el desdén(1651-52), a comedia by Agustín Moreto. The film adaptation uses a theatrical text by making a series of changes in order to reach a new target, teenager viewers.","PeriodicalId":265162,"journal":{"name":"El teatro clásico español en el cine","volume":"144 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-07-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123252071","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
El alcalde de Zalamea: dos adaptaciones cinematográficas de Calderón 萨拉米亚市长:calderon的两部电影改编
El teatro clásico español en el cine Pub Date : 2019-07-12 DOI: 10.30687/978-88-6969-330-4/007
S. Kroll
{"title":"El alcalde de Zalamea: dos adaptaciones cinematográficas de Calderón","authors":"S. Kroll","doi":"10.30687/978-88-6969-330-4/007","DOIUrl":"https://doi.org/10.30687/978-88-6969-330-4/007","url":null,"abstract":"The purpose of this paper is to present in a first step two almost forgotten films, based on Calderón’s play El alcalde de Zalamea: Der große Schatten (Tobis, 1942) by Paul Verhoeven and Der Richter von Zalamea (DEFA, 1955) by Martin Hellberg. These two feature films are actually closer related than their different political framework seems to indicate. After the presentation of the fundamental data, the article analyses the political readings both feature films give to the character of the honourable peasant Pedro Crespo, who turns out to by the touchstone of the political implications: in Verhoeven's film he represents the Blut und Boden-ideology and in Hellberg's he is seen as an early hero of the class conflict.","PeriodicalId":265162,"journal":{"name":"El teatro clásico español en el cine","volume":"447 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-07-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131735558","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
La dialéctica alto vs bajo en El perro del hortelano 薄荷狗的高与低辩证法
El teatro clásico español en el cine Pub Date : 2019-07-12 DOI: 10.30687/978-88-6969-330-4/010
Marcella Trambaioli
{"title":"La dialéctica alto vs bajo en El perro del hortelano","authors":"Marcella Trambaioli","doi":"10.30687/978-88-6969-330-4/010","DOIUrl":"https://doi.org/10.30687/978-88-6969-330-4/010","url":null,"abstract":"Pilar Miró shows a great ability in translating into cinematographic terms the linguistic, social and metaphorical elaboration that Lope de Vega realises in his play The Gardener’s Dog opposing high vs low. If the dramatist hardly alludes to specific places where the characters act, Miró adopts a number of effective solutions, both spatial and symbolic, some of them really original (such as the introduction of a dwarf who always accompanies the Countess being her monstrous double). Many sequences reflect perfectly in spatial terms the distance that separates Teodoro and Diana up until Tristán, with his tricks, finds the way they can consider themselves equal at the end of the play.","PeriodicalId":265162,"journal":{"name":"El teatro clásico español en el cine","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-07-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124379305","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
El perro del hortelano: de espacio escénico a espacio cinematográfico 薄荷狗:从风景空间到电影空间
El teatro clásico español en el cine Pub Date : 2019-07-12 DOI: 10.30687/978-88-6969-330-4/009
Juan Carlos Garrot Zambrana
{"title":"El perro del hortelano: de espacio escénico a espacio cinematográfico","authors":"Juan Carlos Garrot Zambrana","doi":"10.30687/978-88-6969-330-4/009","DOIUrl":"https://doi.org/10.30687/978-88-6969-330-4/009","url":null,"abstract":"In 1996, the movie El perro del hortelano, a film version of the homonymous comedy by Lope de Vega due to Pilar Miró, premiered in Spain. This essay aims to study how the rather vague and reduced space of the piece becomes a filmic space characterised by realism, as well as abundance. Attention is also paid to some omission of dialogue, very important to understand the character of Teodoro; they can be compensated by the silent image. Finally, the consequences of having shot the film in different parts of Portugal, easily recognisable to the Spanish spectator, are analysed.","PeriodicalId":265162,"journal":{"name":"El teatro clásico español en el cine","volume":"44 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-07-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133014458","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Las reescrituras fílmicas de la comedia nueva 新喜剧的电影改写
El teatro clásico español en el cine Pub Date : 2019-07-12 DOI: 10.30687/978-88-6969-330-4/001
A. Carmona
{"title":"Las reescrituras fílmicas de la comedia nueva","authors":"A. Carmona","doi":"10.30687/978-88-6969-330-4/001","DOIUrl":"https://doi.org/10.30687/978-88-6969-330-4/001","url":null,"abstract":"Broadly speaking, the cinematographic adaptations of the comedia nueva have not drawn the Hispanists’ attention. Why? Have there been any changes to that trend lately? This essay aims at tackling these issues. It suggests that the underdevelopment of this field of study is due to a strong philological orientation of most Spanish departments and the scattering of film materials. It also proposes that the increasing academic interest inSiglo de Oro’s presence on screen is linked to the recent release of TV series such asEl Ministerio del Tiempo, which has brought Lope and Cervantes close to a broader public. This essay concludes by suggesting some relevant research threads that are still to be explored, such as studying unfinished cinematographic adaptations and the analysis ofcomedia’s diffusion through TV.","PeriodicalId":265162,"journal":{"name":"El teatro clásico español en el cine","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-07-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130698034","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Del teatro al cine: sobre el concepto de adaptación y sus transformaciones 从戏剧到电影:关于适应的概念及其转变
El teatro clásico español en el cine Pub Date : 2019-07-12 DOI: 10.30687/978-88-6969-330-4/002
I. G. García
{"title":"Del teatro al cine: sobre el concepto de adaptación y sus transformaciones","authors":"I. G. García","doi":"10.30687/978-88-6969-330-4/002","DOIUrl":"https://doi.org/10.30687/978-88-6969-330-4/002","url":null,"abstract":"From the origins of cinema, the relationship between theater and the moving image has been persistent. It has also been problematic in several ways. Theatre seemed a particularly suitable medium to provide film with plots, as well as actors and a sense of staging. The two media proximity has caused many misunderstandings and not a few headaches to writers, producers and film directors. The aim of this article is to trace different options for film adaptations of theatrical texts and also to understand the problems posed in several films by Orson Welles, Roman Polanski, Louis Malle, Peter Brook, and Ingmar Bergman.","PeriodicalId":265162,"journal":{"name":"El teatro clásico español en el cine","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-07-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128524957","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Más allá de la adaptación 超越适应
El teatro clásico español en el cine Pub Date : 2019-07-12 DOI: 10.30687/978-88-6969-330-4/003
José Antonio Pérez Bowie
{"title":"Más allá de la adaptación","authors":"José Antonio Pérez Bowie","doi":"10.30687/978-88-6969-330-4/003","DOIUrl":"https://doi.org/10.30687/978-88-6969-330-4/003","url":null,"abstract":"The relationship between cinema and literature is not limited to the phenomenon of adaptation: literary texts can be present on the screen through other channels that do not involve the complete transfer of textual contents but are limited to citing it, to take advantage of some of its thematic materials, to proceed to a thorough reordering of its elements, etc. This paper tries to classify and describe some of those ways through the analysis of some plays of the Spanish Golden Age that have served as basis for very different films but that cannot be qualified stricto sensu as adaptations due to interventions made on the original texts or the irrelevant presence of them in the final result.","PeriodicalId":265162,"journal":{"name":"El teatro clásico español en el cine","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-07-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123737136","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
La dama duende prohibida: la censura de la película argentina en la España franquista La dama duende prohibida:佛朗哥统治下的西班牙对阿根廷电影的审查
El teatro clásico español en el cine Pub Date : 2019-07-12 DOI: 10.30687/978-88-6969-330-4/005
Tiziana Pucciarelli
{"title":"La dama duende prohibida: la censura de la película argentina en la España franquista","authors":"Tiziana Pucciarelli","doi":"10.30687/978-88-6969-330-4/005","DOIUrl":"https://doi.org/10.30687/978-88-6969-330-4/005","url":null,"abstract":"This article brings to light censorship documents about Argentinian film La dama duende (1945) that is preserved in the Archivo General de la Administración of Alcalá de Henares, files number 9425 and 9426. Censors opinions clarify the reasons for its prohibition and provide new information about the film.","PeriodicalId":265162,"journal":{"name":"El teatro clásico español en el cine","volume":"29 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-07-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124674579","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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