Art and Interpretation最新文献

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Analysing Walter Benjamin’s View of Aura Concept and Collector by Examining the Film, “Ruben Brandt, Collector” 从电影《鲁本·勃兰特,收藏家》看本雅明的光环观和收藏家观
Art and Interpretation Pub Date : 2022-04-05 DOI: 10.54614/ai.2022.990782
Mahmut Ceran, Levend Kilic
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引用次数: 0
Evaluation of Turkish Musical Instruments and Instrument Tradition in Gypsy Culture on Postage Stamps 邮票上对土耳其乐器和吉普赛文化乐器传统的评价
Art and Interpretation Pub Date : 2022-04-05 DOI: 10.54614/ai.2022.982309
Serkan Ayci̇l, Gökçin Çubukcu
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引用次数: 0
Bringing War at Home: Home-Life, War-Dead, Art-Life 把战争带回家:家庭生活,战争死亡,艺术生活
Art and Interpretation Pub Date : 2022-04-05 DOI: 10.54614/ai.2022.992065
Gozde Mulla
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引用次数: 0
The Concept of Sexism in Terms of Performative Practices 表演实践中的性别歧视概念
Art and Interpretation Pub Date : 2022-04-05 DOI: 10.54614/ai.2022.979392
Onder Yagmur, Sevinc Kelebek
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引用次数: 0
Association of Process Theology with Artistic Practices on the Basis of Ecological Thought 基于生态思想的过程神学与艺术实践的关联
Art and Interpretation Pub Date : 2022-04-05 DOI: 10.54614/ai.2022.937997
N. Degirmenci, T. Feyzoglu
{"title":"Association of Process Theology with Artistic Practices on the Basis of Ecological Thought","authors":"N. Degirmenci, T. Feyzoglu","doi":"10.54614/ai.2022.937997","DOIUrl":"https://doi.org/10.54614/ai.2022.937997","url":null,"abstract":"In history, ecological thinking comes from the life of primitive commune communities that do not act directly with art but form its core, in harmony with nature. In this respect, ecology, which aims to reconcile human beings with nature, also took its place in the history of civilization before it was called a science, and it was seen when the basic principles of ecology were not yet determined. The under-standing of the process that evolves in nature has been gathered by Alfred North Whitehead under the headings of “Enjoyment,” “God-Relatedness,” “Incarnation,” “Creativity and Self-Determination,” “Creativity, Self-Expression,” and “Novelty.” When the thought of Whitehead, who explains the concept of the process with these doctrines, and ecological thought come together, the question of what are the artworks that propose an ecological approach through the process with the participation of other living things can be asked. Namely, the question of which artworks in the plastic arts can be adapted to both Whitehead’s theological process concept and ecological thought can be explored. In this context, the existence of a network of relations extending from ecological thought to Whitehead’s theological process thought and from there to works of art in the plastic arts can be examined. Structured Abstract This research is important in the context of combining three different disciplines: ecological thought, Whitehead’s process philosophy, and plastic arts. In this respect, this interdisciplinary study first investigated what ecological thought is and where its origins can be based. While “ecology” did not even exist as a concept in history, people made a number of applications in which they could live in harmony with nature and laid the foundations of ecological thought. For these applications, the Shamiram (Menua) Canal to transport water to Tushpa, the capital of the Urartu State, the drain pipes in Ur, one of the Sumerian city-states, and the Moray (Inca ruin) built in Peru to increase the productivity of the land were chosen as examples. These examples show that people lived in harmony with ecological thought even when they did not know a concept as ecology yet. According to Whitehead, at the most basic level, the concept of the process consists not of material substances that do not disappear but of instantaneous events that take the form of experience. The concept of process, which Whitehead shaped with this basic point of view, consists of actual existence and actual events. To illustrate this situation, the process is the experience situations that grasp each other like “water droplets, not like beads” strung on a straight rope and are in contact with each other. Thus, the interaction of these actual entities with actual actions creates the past, present, and future. Cobb and Griffin put forward a number of doctrines to explain Whitehead’s concept of the process: “Enjoyment,” “God-Relatedness,” “Incarnation,” “Creativity and Self-Determination,","PeriodicalId":265023,"journal":{"name":"Art and Interpretation","volume":"84 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-04-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126198771","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Cultural Politics of the Turkish Republic Within the Context of “Ataturk on the Excavation Site of Ahlatlibel” Painting “阿塔图尔克在阿赫拉特诽谤遗址”绘画的语境下的土耳其共和国文化政治
Art and Interpretation Pub Date : 2022-04-05 DOI: 10.54614/ai.2022.973137
Feyza Akder
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引用次数: 0
Photo Manipulation Applicatıons in Contemporary Sculpture 当代雕塑中的照片处理Applicatıons
Art and Interpretation Pub Date : 2022-04-05 DOI: 10.54614/ai.2022.976866
Seyma Muge Iba
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引用次数: 0
Formal Analysis of Frédéric François Chopin’s Polonaise “Militaire” in Op.40 No.1 肖邦波兰舞曲《Militaire》Op.40 No.1的形式分析
Art and Interpretation Pub Date : 2022-04-05 DOI: 10.54614/ai.2022.991577
Feyza Sonmezoz
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引用次数: 0
Candido Portinari’s “İmmigrants” and Lives Crumbling on the Way of Migration 坎迪多·波蒂纳里的“İmmigrants”与移民道路上的生活崩溃
Art and Interpretation Pub Date : 2022-04-05 DOI: 10.54614/ai.2022.995477
Fahrunnisa Kazan
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引用次数: 0
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