Nathaniel Hawthorne Review最新文献

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The Logic of Sentiment: Stowe, Hawthorne, and Melville 情感的逻辑:斯托、霍桑和梅尔维尔
Nathaniel Hawthorne Review Pub Date : 2020-12-01 DOI: 10.5325/nathhawtrevi.46.2.260
Marianne Noble
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引用次数: 0
Love and Depth in the American Novel: From Stowe to James 美国小说中的爱与深度:从斯托到詹姆斯
Nathaniel Hawthorne Review Pub Date : 2020-12-01 DOI: 10.5325/nathhawtrevi.46.2.258
Jillmarie Murphy
{"title":"Love and Depth in the American Novel: From Stowe to James","authors":"Jillmarie Murphy","doi":"10.5325/nathhawtrevi.46.2.258","DOIUrl":"https://doi.org/10.5325/nathhawtrevi.46.2.258","url":null,"abstract":"","PeriodicalId":261601,"journal":{"name":"Nathaniel Hawthorne Review","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122910477","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The First British Edition of Nathaniel Hawthorne's “Feathertop” in Home Circle (1852) 纳撒尼尔·霍桑的《家圈中的羽毛顶》英国第一版(1852年)
Nathaniel Hawthorne Review Pub Date : 2020-12-01 DOI: 10.5325/nathhawtrevi.46.2.207
S. Basdeo
{"title":"The First British Edition of Nathaniel Hawthorne's “Feathertop” in Home Circle (1852)","authors":"S. Basdeo","doi":"10.5325/nathhawtrevi.46.2.207","DOIUrl":"https://doi.org/10.5325/nathhawtrevi.46.2.207","url":null,"abstract":"\u0000 This article is an introduction to the publication of the first British edition of Nathaniel Hawthorne's “Feathertop” in Home Circle in 1852. Hawthorne scholars have previously been unaware of the appearance of “Feathertop” in this magazine. However, a commentary on the appearance of Hawthorne's work in this little-known periodical reveals, even though no correspondence survives, Hawthorne's hitherto-unknown connections to the world of nineteenth-century British popular fiction.","PeriodicalId":261601,"journal":{"name":"Nathaniel Hawthorne Review","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132337279","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Annual Hawthorne Bibliography 霍桑年度参考书目
Nathaniel Hawthorne Review Pub Date : 2020-12-01 DOI: 10.5325/nathhawtrevi.46.2.0271
Grainger
{"title":"Annual Hawthorne Bibliography","authors":"Grainger","doi":"10.5325/nathhawtrevi.46.2.0271","DOIUrl":"https://doi.org/10.5325/nathhawtrevi.46.2.0271","url":null,"abstract":"In the second Norton Critical Edition of The House of the Seven Gables, Levine publishes the original 1851 Ticknor, Reed, and Fields edition of Hawthorne’s romance, “the text that Hawthorne himself approved when the novel was published on April 9, 1851” (xvii). Levine’s introduction discusses Hawthorne’s role in the editing process as well as the contemporary responses to the novel. Levine also adds three primary materials and eight critical writings new to the Second Edition which provide rich historical context and contribute to the further historicization of Hawthorne’s gothic novel through considerations and analyses of “the most vexed political and cultural issues of the day, such as social class, property rights, race, and the impact of the new media” (xv–xvi).","PeriodicalId":261601,"journal":{"name":"Nathaniel Hawthorne Review","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133619115","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Lithic Corporeality: Elemental Philosophy in Nathaniel Hawthorne’s Short Stories 石质物质性:纳撒尼尔·霍桑短篇小说中的基本哲学
Nathaniel Hawthorne Review Pub Date : 2020-12-01 DOI: 10.5325/nathhawtrevi.46.2.0155
Blazan
{"title":"Lithic Corporeality: Elemental Philosophy in Nathaniel Hawthorne’s Short Stories","authors":"Blazan","doi":"10.5325/nathhawtrevi.46.2.0155","DOIUrl":"https://doi.org/10.5325/nathhawtrevi.46.2.0155","url":null,"abstract":"\u0000 While a focus on landscape and nature is typical of the Romantic period, the detailed attention that Hawthorne devotes to the corporal or material aspects of specific elements without engaging the perspective of his characters is rather unusual. Hawthorne's treatment of stones can be seen as corresponding to a certain degree with alchemical teachings of mystical natural philosophers. As such, it departs from the more common Romantic treatments of nature that imagine the human entanglement with their environment as a poetic mental capacity. Rather than a mental correspondence between characters and Nature, Hawthorne's tales repeatedly indicate a material transcorporeal relation, a point demonstrated by the careful situating of rocks in Hawthorne's short stories “Roger Malvin's Burial” (1831), “The Great Carbuncle” (1835), and “The Great Stone Face” (1850).","PeriodicalId":261601,"journal":{"name":"Nathaniel Hawthorne Review","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116741325","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
In a Foreign Land: Estrangement in “Rappaccini's Daughter” 异国他乡:《拉帕奇尼的女儿》中的隔阂
Nathaniel Hawthorne Review Pub Date : 2020-12-01 DOI: 10.5325/nathhawtrevi.46.2.139
L. Buonomo
{"title":"In a Foreign Land: Estrangement in “Rappaccini's Daughter”","authors":"L. Buonomo","doi":"10.5325/nathhawtrevi.46.2.139","DOIUrl":"https://doi.org/10.5325/nathhawtrevi.46.2.139","url":null,"abstract":"\u0000 When Hawthorne set “Rappaccini's Daughter” in Italy, he recreated a country he had known, at that stage of his life, only through his reading and his perusal of prints. Unable to leave his native country, he had traveled to Italy imaginatively, and he had further emphasized the distance between the Italian tale and his American productions by attributing it to his French alter ego M. de l’Aubépine. Although “Rappaccini's Daughter” is one of Hawthorne's most widely discussed tales, the provenance of its male protagonist, Giovanni Guasconti, has received but scant attention. This essay will concentrate on the precise identification of Giovanni as a Neapolitan student who has left his home and has traveled a great distance to study at the University of Padua, in the north. Given the story's setting, namely, Renaissance Italy, Giovanni has traveled from what was then the Kingdom of Naples to the territory of the Republic of Venice. To all intents and purposes, Giovanni is a foreigner in a city where everything is unfamiliar and mysterious. The estrangement he experiences inevitably colors his perception of places, people, and events. Giovanni feels ill at ease in the stony urban center of Padua and longs for the sunny vistas of seaside Naples. It is precisely his longing that renders him particularly vulnerable to the lure of Dr. Rappaccini's luxuriant garden (a sort of microclimate, a southern oasis in the north), which he can see from his window. He hungers, one might say, for greenery, and that need exposes him to danger.","PeriodicalId":261601,"journal":{"name":"Nathaniel Hawthorne Review","volume":"29 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127604292","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Rethinking Nathaniel Hawthorne and Nature: Pastoral Experiments and Environmentality 重新思考纳撒尼尔·霍桑与自然:田园实验与环境
Nathaniel Hawthorne Review Pub Date : 2020-12-01 DOI: 10.5325/nathhawtrevi.46.2.247
S. Crosby
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引用次数: 1
The Ekphrastic Moment: Art, Image, and Identity in Hawthorne’s Twice-Told Tales (1837, 1842) 瞬息的瞬间:霍桑《双传》中的艺术、形象与身份(1837、1842)
Nathaniel Hawthorne Review Pub Date : 2020-12-01 DOI: 10.5325/nathhawtrevi.46.2.0174
Soler
{"title":"The Ekphrastic Moment: Art, Image, and Identity in Hawthorne’s Twice-Told Tales (1837, 1842)","authors":"Soler","doi":"10.5325/nathhawtrevi.46.2.0174","DOIUrl":"https://doi.org/10.5325/nathhawtrevi.46.2.0174","url":null,"abstract":"\u0000 As Theodor W. Adorno once stated, “The unsolved antagonisms of reality return in artworks, as immanent problems of form …. This, and not the insertion of objective elements, is what defines the relation of art to society” (Adorno, Aesthetic Theory, ed. by G. Adorno, 1997, p. 6). Some of the artistic tensions that were explored by Nathaniel Hawthorne during his first period of literary production can be fruitfully approached via this theoretical assumption. Many of the tales and short stories that ended up in the two volumes of Twice-Told Tales (1837) are characterized by a constant movement between the visual and the verbal, the present and the past, the internal and the external. One recurrent way in which these dialectics are addressed is through the repeated use of ekphrasis, the literary description of a work of art, whether painted or sculpted. The young Nathaniel Hawthorne, who was especially preoccupied with the difficult relationship between the creative function of the artist and the weight of the historical past, very often returns to the consideration of artistic objects as embodying not only that specific tension but also several interrelated ones.","PeriodicalId":261601,"journal":{"name":"Nathaniel Hawthorne Review","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133165244","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Fraternelle mélancolie: Melville et Hawthorne, une passion 梅尔维尔和霍桑,一种激情
Nathaniel Hawthorne Review Pub Date : 2020-12-01 DOI: 10.5325/nathhawtrevi.46.2.267
Pierre A. Walker
{"title":"Fraternelle mélancolie: Melville et Hawthorne, une passion","authors":"Pierre A. Walker","doi":"10.5325/nathhawtrevi.46.2.267","DOIUrl":"https://doi.org/10.5325/nathhawtrevi.46.2.267","url":null,"abstract":"","PeriodicalId":261601,"journal":{"name":"Nathaniel Hawthorne Review","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132600747","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Portrait's Subject: Inventing Inner Life in the Nineteenth-Century United StatesRethinking Sympathy and Human Contact in Nineteenth-Century American Literature: Hawthorne, Douglass, Stowe, Dickinson 重新思考19世纪美国文学中的同情与人际交往:霍桑、道格拉斯、斯托、狄金森
Nathaniel Hawthorne Review Pub Date : 2020-12-01 DOI: 10.5325/nathhawtrevi.46.2.251
David Greven
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引用次数: 0
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