International Journal of Performing Arts (IJPA)最新文献

TARI RONGGENG BEKEN AS THE CULTURAL IDENTITY OF A MULTICULTURAL COMMUNITY IN PERFORMANCE STUDIES PERSPECTIVE 表演研究视角下多元文化社区的文化身份--塔里-荣庚-贝肯

International Journal of Performing Arts (IJPA) Pub Date : 2024-01-03 DOI: 10.56107/ijpa.v2i2.153

Anjani Ayu, Nursilah

引用次数: 0

DANCE FILM FOR THE NEEDS OF THE NATIONAL STUDENT ARTS COMPETITION FESTIVAL (FLS2N) AT SMP NEGERI 3 DEPOK 为满足全国学生艺术竞赛节（FLS2N）的需要，在SMP NEGERI 3 DEPOK拍摄舞蹈电影

International Journal of Performing Arts (IJPA) Pub Date : 2024-01-03 DOI: 10.56107/ijpa.v2i2.156

Amelia Febrina, Nursilah, Winiar Garnea, Anjani Ayu, Rizki Ramadhani

{"title":"DANCE FILM FOR THE NEEDS OF THE NATIONAL STUDENT ARTS COMPETITION FESTIVAL (FLS2N) AT SMP NEGERI 3 DEPOK","authors":"Amelia Febrina, Nursilah, Winiar Garnea, Anjani Ayu, Rizki Ramadhani","doi":"10.56107/ijpa.v2i2.156","DOIUrl":"https://doi.org/10.56107/ijpa.v2i2.156","url":null,"abstract":"FLS2N is a forum for students to develop interests and talents in the field of arts and culture and compete to reach the peak of achievement. Through this program, it is hoped that students will be able to develop ideas and creativity in the arts from an early age to create self-confidence in their abilities and explore various potential intelligence. The 2023 FLS2N dance competition will be held by recording dance material in the form of a dance film with various provisions in accordance with the guidelines for recording dance films. In this case, we will review the Leuwi Abyudaya Dance Film created by the PKM PM Team as a form of community service for SMP Negeri 3 Depok. The author uses the creation method according to Alma M Hawkins, where this method consists of the Sensing, Feeling, Imaging, Transforming, Forming process, and use the cinematography composition method by Kurt Lancaster that consist of shot sizes and lenses, camera height and angle, camera motion, focal depth of field, light and dark, line and linear perspective, layers, weight, color, dan texture shot sizes and lenses, camera height and angle, camera motion, focal depth of field, light and dark, line and linear perspective, layers, weight, color, dan texture.","PeriodicalId":260282,"journal":{"name":"International Journal of Performing Arts (IJPA)","volume":"5 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139451338","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

EXPLORATION IN BODY EXERCISE COURSE AS A SOURCE OF INSPIRATION FOR MOTION IN THE CREATION OF DANCE WORKS (CHOREOGRAPHY) 在舞蹈作品(编舞)创作中，身体锻炼过程中作为动作灵感来源的探索

International Journal of Performing Arts (IJPA) Pub Date : 2023-08-03 DOI: 10.56107/ijpa.v2i1.136

Romi Nursyam, Rahmida Setiawati

{"title":"EXPLORATION IN BODY EXERCISE COURSE AS A SOURCE OF INSPIRATION FOR MOTION IN THE CREATION OF DANCE WORKS (CHOREOGRAPHY)","authors":"Romi Nursyam, Rahmida Setiawati","doi":"10.56107/ijpa.v2i1.136","DOIUrl":"https://doi.org/10.56107/ijpa.v2i1.136","url":null,"abstract":"The aim of the research is to find out about the exploratory process in body sports courses to produce movement in creating dance works and to find out other factors that influence exploration, such as imagination, intuition, and creativity. The research method used is based on the problem to be solved, beginning with a study of the choreography development of Dance Program students using qualitative descriptive methods. The results of research conducted at Universitas Negeri Jakarta (UNJ) with the object of dance art education program students. The exploration process in body exercise courses can be a source of inspiration for movement through imagination, intuition, and creativity so that students are able to create dance works with varied movements. It is expected to support the research results. So that it can be used as an appreciation of motion and music as student choreography learning. A form of exploration of motion, through imagination, intuition, and creativity as a reflection of the student's body in expressing motion. students gain the discovery of personal movements so that during the choreography learning process students can feel the freedom of learning fun creative movements. Furthermore, students find movements that are appropriate to wiraga, wirama, wirasa, and beautiful movements.\u0000 ","PeriodicalId":260282,"journal":{"name":"International Journal of Performing Arts (IJPA)","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131611301","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

THE CONCEPT OF DEVELOPING A THERAPEUTIC DANCE MODEL AS AN EFFORT TO INCREASE THE INTEREST OF SANGGAR SURYA KIRANA STUDENTS 发展治疗性舞蹈模式的概念是为了提高sanggar surya kirana学生的兴趣

International Journal of Performing Arts (IJPA) Pub Date : 2023-03-30 DOI: 10.56107/ijpa.v2i1.107

Nursilah, Michelle Marieta Sarajar, Putri Najla Ayu Rasyid, Monik Alvianisa, Lusia Dame Mariana Sihombing

引用次数: 0

THE MORAL VALUES IN GAMBIRANOM DANCE 甘比拉诺姆舞的道德价值

International Journal of Performing Arts (IJPA) Pub Date : 2023-03-30 DOI: 10.56107/ijpa.v2i1.110

Nadia Lista Salsabila, Nursilah, Kartika Mutiara Sari

{"title":"THE MORAL VALUES IN GAMBIRANOM DANCE","authors":"Nadia Lista Salsabila, Nursilah, Kartika Mutiara Sari","doi":"10.56107/ijpa.v2i1.110","DOIUrl":"https://doi.org/10.56107/ijpa.v2i1.110","url":null,"abstract":"Based on Immanuel Kant’s perspective about morality, this study aims to identify the moral values in Gambiranom dance that are worthy of being used as a guideline in reviving the disappearing moral values. The researcher used a discourse analysis method and a qualitative approach to understand the symbolic meaning of discourse. The discourse in this study was the Gambiranom dance. In collecting the data, the researcher conducted interviews, observations, literary reviews, and documentation studies. The researcher also used the Miles and Huberman model of analysis technique to analyze the data. This study resulted in two primary data, the Gambiranom dance Hasta Sawanda and the form of presentation. The data resulted in an interpretation of Hasta Sawanda in Gambiranom dance as good will and the presentation form of Gambiranom dance as act rightly, both from the perspective of moral values by Immanuel Kant. The two data produced praiseworthy values, bringing forth the highest or ultimate good (Summum Bonum). A dancer can achieve the highest good if they implement act rightly and good will by the rules of Surakarta’s style of classical Javanese dance. It is a condition where the dancer succeeds in wholly merging themselves into the character of Irawan, where the spectators or audience no longer see the dancer as a dancer but as the character of Raden Irawan, the Prabu Gambiranom.","PeriodicalId":260282,"journal":{"name":"International Journal of Performing Arts (IJPA)","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115235928","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

THE CREATION OF GUPAY PANGWANOH DANCE ACCORDING TO HOMI BHABHA’S THEORY OF HYBRIDITY 根据homi bhabha的杂交种理论创作的gupay pangwanoh舞蹈

International Journal of Performing Arts (IJPA) Pub Date : 2023-02-15 DOI: 10.56107/ijpa.v2i1.106

Ajeng Dyah Nuraini, Nursilah, Humaeroh, Anjani Ayu Rizki Ramadhani, Siera Zahratul, Jitera Jaya Putri

引用次数: 0

SANCTIONS FOR ANNULMENT OF MARRIAGE IN THE CUSTOMARY LAW OF THE PEKANBARU MALAY COMMUNITY 北干巴鲁马来人社区习惯法中对婚姻无效的制裁

International Journal of Performing Arts (IJPA) Pub Date : 2023-02-13 DOI: 10.56107/ijpa.v2i1.105

Juswandi, Akbarizan

{"title":"SANCTIONS FOR ANNULMENT OF MARRIAGE IN THE CUSTOMARY LAW OF THE PEKANBARU MALAY COMMUNITY","authors":"Juswandi, Akbarizan","doi":"10.56107/ijpa.v2i1.105","DOIUrl":"https://doi.org/10.56107/ijpa.v2i1.105","url":null,"abstract":"The betrothal is conducted before the traditional marriage ceremony is carried out. Betrothal is commonly called an engagement or application process carried out by the male party to the female side. This research was conducted to determine the sanctions in the customary law of the Malay community that apply if one of the bride and groom's parties cancels the betrothal agreement and how the law is carried out. The research uses qualitative methods that are descriptive analysis. This study uses Schleiermacher's romantic hermeneutics, which is a text analysis approach. Based on the results of the research discussion, it can be concluded that the Malays uphold the rules and laws of Islamic sharia in marriage. In this study, there are two versions of customary sanctions adopted by the Malay community. The customary sanction applied in Kuantan Singingi Regency, Kuantan Hilir Seberang District, regarding the annulment of marriage is the agreement of both parties to provide a number of materials to one of the aggrieved parties so that there is no misunderstanding. This sanction is carried out in order to have a deterrent effect on the party who breaks the promise or cancels the marriage.","PeriodicalId":260282,"journal":{"name":"International Journal of Performing Arts (IJPA)","volume":"65 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-02-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131959562","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

GEMBYUNG BUHUN ART PACKAGING IN A PERFORMANCE AT THE EDUCATIONAL TOURISM VILLAGE CISAAT-CIATER SUBANG REGENCY 在教育旅游村“斋山水水水水水”的演出中，正在表演的金炳富勋艺术包装

International Journal of Performing Arts (IJPA) Pub Date : 2023-02-06 DOI: 10.56107/ijpa.v2i1.90

Ojang Cahyadi, Tuteng Suwandi, Deden Haerudin

{"title":"GEMBYUNG BUHUN ART PACKAGING IN A PERFORMANCE AT THE EDUCATIONAL TOURISM VILLAGE CISAAT-CIATER SUBANG REGENCY","authors":"Ojang Cahyadi, Tuteng Suwandi, Deden Haerudin","doi":"10.56107/ijpa.v2i1.90","DOIUrl":"https://doi.org/10.56107/ijpa.v2i1.90","url":null,"abstract":"Gembyung is a traditional art that uses large drums/tambourines as the main tool. Gembyung at the time of the performance displays traditional music and the music that is sung also contains sacred and solemn elements. This is firmly held by the Gembyung players to maintain the authenticity of the traditional arts passed down by their ancestors. Gembyung is a percussion instrument made of leather and wood. Based on the onomatopoeia (word follows sound), the word Gembyung comes from the sound of the percussion pattern gem (beat and hold) and byung (beat and release). At first the Gembyung Subang art developed in the pesantren environment. This Gembyung is usually performed at ceremonies of Islamic religious activities such as the commemoration of the Prophet's Birthday, Rajaban and Activities 1 Syuro which are held around places of worship. In the development of Gembyung, there has also been a change in the form of packaging in the presentation of performances as the goal of research on works of art. The research methodology is qualitative which is oriented towards works of art as a result of packaging products and innovative works, to be applied to performances in general in society.","PeriodicalId":260282,"journal":{"name":"International Journal of Performing Arts (IJPA)","volume":"43 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-02-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115872335","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

THE PUPPETEER’S BODY DISCIPLINARY POWER IN MALANG’S MASK PUPPET PERFORMANCE 马郎假面木偶表演中木偶人的身体惩戒力

International Journal of Performing Arts (IJPA) Pub Date : 2022-12-31 DOI: 10.56107/ijpa.v1i2.60

Tri Wahyuningtyas

引用次数: 0

THE DIRECT LEARNING MODEL (EXPLICIT INSTRUCTION) OF NANDAK GANJEN DANCE AT SANGGAR TARI ANYELIR SOUTH JAKARTA 南雅加达sanggar tari anyelir nandak ganjen舞蹈的直接学习模式(显性教学)

International Journal of Performing Arts (IJPA) Pub Date : 2022-12-31 DOI: 10.56107/ijpa.v1i2.64

Rahmida Setiawati, Ikrimah Rahmadini

{"title":"THE DIRECT LEARNING MODEL (EXPLICIT INSTRUCTION) OF NANDAK GANJEN DANCE AT SANGGAR TARI ANYELIR SOUTH JAKARTA","authors":"Rahmida Setiawati, Ikrimah Rahmadini","doi":"10.56107/ijpa.v1i2.64","DOIUrl":"https://doi.org/10.56107/ijpa.v1i2.64","url":null,"abstract":"The direct learning model or Explicit Instruction is a learning model that is carried out directly with the teacher as the giver of the material and the implementer of the learning. This learning model was adopted by Sanggar Anyelir in the Nandak Ganjen Dance training activity. This study aims to obtain data on the process of applying the direct learning model (Explicit Instruction) in the Nandak Ganjen Dance training at Sanggar Anyelir. This research uses descriptive qualitative methods to obtain empirical, clear and in-depth data on the portrait of Nandak Ganjen Dance training at Sanggar Anyelir. This research was conducted from July to September 2020 during the transition period from large-scale restrictions to normal conditions amid the Covid-19 pandemic. The results showed that Nandak Ganjen Dance training through a direct learning model (Explicit Instruction) at Sanggar Anyelir consists of five stages of learning, namely orientation, presentation, structured exercises, guided exercises and independent exercises. In addition, the provision of auditive stimulus in the form of games and motivational provision through dance videos that can encourage students to improve their dancing skills.T","PeriodicalId":260282,"journal":{"name":"International Journal of Performing Arts (IJPA)","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131032241","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1