{"title":"Research-creation as a Generative Approach to Sound Design","authors":"Prophecy Sun, Kristin Carlson, Kate Hennessy","doi":"10.4324/9780429356360-11","DOIUrl":"https://doi.org/10.4324/9780429356360-11","url":null,"abstract":"","PeriodicalId":257570,"journal":{"name":"Doing Research in Sound Design","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133389621","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Watching and Evaluating Simultaneously","authors":"Maximilian Kock","doi":"10.4324/9780429356360-6","DOIUrl":"https://doi.org/10.4324/9780429356360-6","url":null,"abstract":"","PeriodicalId":257570,"journal":{"name":"Doing Research in Sound Design","volume":"6 1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121964957","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Soundscape Approach","authors":"I. Thompson","doi":"10.4324/9780429356360-12","DOIUrl":"https://doi.org/10.4324/9780429356360-12","url":null,"abstract":"","PeriodicalId":257570,"journal":{"name":"Doing Research in Sound Design","volume":"107 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127478368","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Creating and Evaluating Aesthetics in Sonification","authors":"N. Bonet","doi":"10.4324/9780429356360-16","DOIUrl":"https://doi.org/10.4324/9780429356360-16","url":null,"abstract":"Sonification transmits information through sound. In order to render data understandable to the listener, the sonification designer must make aesthetic choices that support this transmission. The term aesthetics does not necessarily denote something “beautiful” or “pleasing.” Rather, aesthetics refers to what can be perceived by the senses. It describes a set of choices that inform a musical or sonic product; a sonification is necessarily aesthetic as it is perceived by our senses. Aesthetic design choices will determine how the sonification sounds, and what effect it produces. Aesthetics can have an enormous impact on the success of a sonification within a research context. Sonification with appropriate “aesthetics and good sound design” is more likely to be chosen and used (Supper 2012, 180). The acceptance of a sonification is linked with a number of aesthetic attributes including pleasantness, loudness, noticeability, clarity and integration. However, one of the big challenges facing the field is its interdisciplinary nature. Its difficulty lies in “integrating concepts from human perception, acoustics, design, the arts, and engineering” (Walker and Kramer 2004, 7). Calls for an increased collaboration between experts and researchers, as well as an increased focus on sound aesthetics have been commonplace in the field for decades (Blattner et al. 1989; Kramer 1994; Walker and Kramer 2004; Vickers and Hogg 2006; Barrass and Vickers 2011). Unfortunately, successful collaborations between researchers from scientific and musical disciplines remain too scarce; sonification researchers predominantly stem from the musical field (Neuhoff 2019, 328). Attention-grabbing projects such as the CERN’s Collide Program which chooses an Artist-in-Residence have been criticized for producing impressive aesthetic results but little transmission of knowledge. Rioji Ikeda’s 2015 Supersymmetry was described by a journalist as “a lot of sound and light, signifying nothing” (Jones, 2015). There is still much scope for researchers to investigate the 15","PeriodicalId":257570,"journal":{"name":"Doing Research in Sound Design","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130892084","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Qualitative, Pragmatic and Hermeneutic Inquiries in Electroacoustic Compositions","authors":"Maria Kallionpää","doi":"10.4324/9780429356360-19","DOIUrl":"https://doi.org/10.4324/9780429356360-19","url":null,"abstract":"","PeriodicalId":257570,"journal":{"name":"Doing Research in Sound Design","volume":"206 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123574625","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Sound Design in the Context of Sonification","authors":"Visda Goudarzi","doi":"10.4324/9780429356360-15","DOIUrl":"https://doi.org/10.4324/9780429356360-15","url":null,"abstract":"","PeriodicalId":257570,"journal":{"name":"Doing Research in Sound Design","volume":"29 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116082460","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Bold and the Beautiful Methods of Sound Experience Research","authors":"Hans-Peter Gasselseder","doi":"10.4324/9780429356360-20","DOIUrl":"https://doi.org/10.4324/9780429356360-20","url":null,"abstract":"","PeriodicalId":257570,"journal":{"name":"Doing Research in Sound Design","volume":"46 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115288665","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Mapping Space and Time in the Soundtrack","authors":"Adam Melvin, B. Bridges","doi":"10.4324/9780429356360-4","DOIUrl":"https://doi.org/10.4324/9780429356360-4","url":null,"abstract":"","PeriodicalId":257570,"journal":{"name":"Doing Research in Sound Design","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129061701","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Audi(o) Branding and Object Sounds in an Audio-Visual Setting","authors":"N. J. Graakjær","doi":"10.4324/9780429356360-8","DOIUrl":"https://doi.org/10.4324/9780429356360-8","url":null,"abstract":"","PeriodicalId":257570,"journal":{"name":"Doing Research in Sound Design","volume":"89 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127165805","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}