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Mother tongue: Uncanny sound, migrant voice and the home movie 母语:诡异的声音，移民的声音和家庭电影
The Soundtrack Pub Date : 2019-08-01 DOI: 10.1386/TS.10.2.87_1
Tessa Dwyer
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引用次数: 0
Calls of the wild? ‘Fake’ sound effects and cinematic realism in BBC David Attenborough nature documentaries 野性的呼唤?BBC大卫·阿滕伯勒自然纪录片中的“假”音效和电影现实主义
The Soundtrack Pub Date : 2017-04-01 DOI: 10.1386/TS.10.1.59_1
Karen E. Collins
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引用次数: 4
Samba and the descent into violence in City of God 《上帝之城》中的桑巴和暴力
The Soundtrack Pub Date : 2017-04-01 DOI: 10.1386/TS.10.1.5_1
H. Hess
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引用次数: 0
Investigating sound: Visual and aural style from Broadchurch to Gracepoint 调查声音:从Broadchurch到Gracepoint的视觉和听觉风格
The Soundtrack Pub Date : 2017-04-01 DOI: 10.1386/TS.10.1.43_1
Amanda Keeler
{"title":"Investigating sound: Visual and aural style from Broadchurch to Gracepoint","authors":"Amanda Keeler","doi":"10.1386/TS.10.1.43_1","DOIUrl":"https://doi.org/10.1386/TS.10.1.43_1","url":null,"abstract":"Using Broadchurch and its American version Gracepoint as a case study, this article explores the aesthetic relationship between these two television programmes through an analysis of their visual and aural styles. The increasing proliferation of television-to-television adaptations and remakes necessitates revisiting the terminology to assess how it accommodates methodological approaches that extend beyond cross-cultural analyses. As narrative content and style are inextricably connected, this article attends to the complexity of employing existing terms to analyse the new version of a programme that simultaneously replicates and departs from the style and tone of its predecessor.","PeriodicalId":253130,"journal":{"name":"The Soundtrack","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122999385","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Experimental phenomenology in the development of a colocative audio-visual display 实验现象学发展中的一种共置视听显示
The Soundtrack Pub Date : 2017-04-01 DOI: 10.1386/TS.10.1.19_1
Michael Filimowicz
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引用次数: 0
What you hear is what you (don’t) see. Mario Wienerroither’s Foley art in Musicless Musicvideos 你所听到的就是你所看到的。Mario Wienerroither在Musicless Musicvideos中的Foley艺术
The Soundtrack Pub Date : 2016-12-01 DOI: 10.1386/TS.9.1-2.25_1
Simone Dotto
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引用次数: 0
High-octave soprano to auto-tuned rapper: Item numbers and technologies of sonic eroticism 高八度女高音到自动调音说唱歌手:项目数量和技术的声音色情
The Soundtrack Pub Date : 2016-12-01 DOI: 10.1386/TS.9.1-2.59_1
S. Mukherjee
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引用次数: 0
‘Formation’ of the female author in the hip hop visual album: Beyoncé and FKA twigs 嘻哈视觉专辑《beyonc<e:1>》和《FKA twigs》中女作家的“形成”
The Soundtrack Pub Date : 2016-12-01 DOI: 10.1386/TS.9.1-2.41_1
C. Barrett
{"title":"‘Formation’ of the female author in the hip hop visual album: Beyoncé and FKA twigs","authors":"C. Barrett","doi":"10.1386/TS.9.1-2.41_1","DOIUrl":"https://doi.org/10.1386/TS.9.1-2.41_1","url":null,"abstract":"","PeriodicalId":253130,"journal":{"name":"The Soundtrack","volume":"37 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124328586","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 4
‘Unmute This’: Captioning an (audio)visual microgenre “Unmute This”:字幕(音频)视觉微类型
The Soundtrack Pub Date : 2016-12-01 DOI: 10.1386/TS.9.1-2.7_1
Paula Harper
{"title":"‘Unmute This’: Captioning an (audio)visual microgenre","authors":"Paula Harper","doi":"10.1386/TS.9.1-2.7_1","DOIUrl":"https://doi.org/10.1386/TS.9.1-2.7_1","url":null,"abstract":"","PeriodicalId":253130,"journal":{"name":"The Soundtrack","volume":"106 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122622897","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 4
Figure and ground, image and sound: The digital medium in Brian Eno’s Thursday Afternoon 图形与背景，图像与声音:布莱恩·伊诺的《星期四下午》中的数字媒介
The Soundtrack Pub Date : 2016-12-01 DOI: 10.1386/TS.9.1-2.91_1
Godfre Leung
{"title":"Figure and ground, image and sound: The digital medium in Brian Eno’s Thursday Afternoon","authors":"Godfre Leung","doi":"10.1386/TS.9.1-2.91_1","DOIUrl":"https://doi.org/10.1386/TS.9.1-2.91_1","url":null,"abstract":"","PeriodicalId":253130,"journal":{"name":"The Soundtrack","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122188496","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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