{"title":"Sound in Film","authors":"P. Atencia-Linares","doi":"10.1007/978-3-030-19601-1_9","DOIUrl":"https://doi.org/10.1007/978-3-030-19601-1_9","url":null,"abstract":"","PeriodicalId":250780,"journal":{"name":"The Palgrave Handbook of the Philosophy of Film and Motion Pictures","volume":"31 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131721376","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Videogames and Film","authors":"J. Robson, Aaron Meskin","doi":"10.1007/978-3-030-19601-1_41","DOIUrl":"https://doi.org/10.1007/978-3-030-19601-1_41","url":null,"abstract":"","PeriodicalId":250780,"journal":{"name":"The Palgrave Handbook of the Philosophy of Film and Motion Pictures","volume":"25 10","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134499702","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Cognitive Theory of the Moving Image","authors":"C. Plantinga","doi":"10.1007/978-3-030-19601-1_17","DOIUrl":"https://doi.org/10.1007/978-3-030-19601-1_17","url":null,"abstract":"","PeriodicalId":250780,"journal":{"name":"The Palgrave Handbook of the Philosophy of Film and Motion Pictures","volume":"34 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133740099","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Stanley Cavell: What Becomes of People on Film?","authors":"P. Guyer","doi":"10.1007/978-3-030-19601-1_15","DOIUrl":"https://doi.org/10.1007/978-3-030-19601-1_15","url":null,"abstract":"","PeriodicalId":250780,"journal":{"name":"The Palgrave Handbook of the Philosophy of Film and Motion Pictures","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114109846","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Silly Questions and Arguments for the Implicit, Cinematic Narrator","authors":"Angela Curran","doi":"10.1007/978-3-030-19601-1_5","DOIUrl":"https://doi.org/10.1007/978-3-030-19601-1_5","url":null,"abstract":"","PeriodicalId":250780,"journal":{"name":"The Palgrave Handbook of the Philosophy of Film and Motion Pictures","volume":"51 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114708994","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Phenomenological Movement in Context of the Philosophy of Film and Motion Pictures","authors":"Shawn Loht","doi":"10.1007/978-3-030-19601-1_13","DOIUrl":"https://doi.org/10.1007/978-3-030-19601-1_13","url":null,"abstract":"","PeriodicalId":250780,"journal":{"name":"The Palgrave Handbook of the Philosophy of Film and Motion Pictures","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131118909","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Film Ontology: Extension, Criteria and Candidates","authors":"Frank Boardman","doi":"10.1007/978-3-030-19601-1_1","DOIUrl":"https://doi.org/10.1007/978-3-030-19601-1_1","url":null,"abstract":"","PeriodicalId":250780,"journal":{"name":"The Palgrave Handbook of the Philosophy of Film and Motion Pictures","volume":"102 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127195253","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Film Art from the Analytic Perspective","authors":"Deborah Knight","doi":"10.1007/978-3-030-19601-1_16","DOIUrl":"https://doi.org/10.1007/978-3-030-19601-1_16","url":null,"abstract":"","PeriodicalId":250780,"journal":{"name":"The Palgrave Handbook of the Philosophy of Film and Motion Pictures","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114104385","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Television Medium","authors":"Ted Nannicelli","doi":"10.1007/978-3-030-19601-1_40","DOIUrl":"https://doi.org/10.1007/978-3-030-19601-1_40","url":null,"abstract":"","PeriodicalId":250780,"journal":{"name":"The Palgrave Handbook of the Philosophy of Film and Motion Pictures","volume":"99 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126920625","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Medium Specificity","authors":"N. Carroll","doi":"10.1007/978-3-030-19601-1_2","DOIUrl":"https://doi.org/10.1007/978-3-030-19601-1_2","url":null,"abstract":"","PeriodicalId":250780,"journal":{"name":"The Palgrave Handbook of the Philosophy of Film and Motion Pictures","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122003354","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}