{"title":"Faire voir, faire écouter : l’instrument déchiffré","authors":"Nathalie Vincent-Arnaud","doi":"10.58282/acta.9443","DOIUrl":"https://doi.org/10.58282/acta.9443","url":null,"abstract":"Cet article est un compte-rendu du livre : Bernard Sève, L’Instrument de musique. Une étude philosophique, Paris : Les Éditions du Seuil, coll. « L’ordre philosophique », 2013, 367 p., EAN 9782021011845.","PeriodicalId":249302,"journal":{"name":"Acta Mai-juin-juillet 2015","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2015-09-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130399872","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Penser le bruit, du Moyen Âge à Valère Novarina","authors":"Mathias Sieffert","doi":"10.58282/acta.9394","DOIUrl":"https://doi.org/10.58282/acta.9394","url":null,"abstract":"Cet article est un compte-rendu du livre : Du bruit à l’œuvre, vers une esthétique du désordre, sous la direction de Christopher Lucken et Juan Rigoli, Genève : MétisPress, coll. « Voltiges », 2013, 252 p., EAN 9782940406234.","PeriodicalId":249302,"journal":{"name":"Acta Mai-juin-juillet 2015","volume":"75 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2015-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122779040","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Entre poésie & musique : les Madrigaux de Monteverdi","authors":"Nahéma Khattabi","doi":"10.58282/acta.9384","DOIUrl":"https://doi.org/10.58282/acta.9384","url":null,"abstract":"Cet article est un compte-rendu du livre : Christophe Georis, Claudio Monteverdi letterato ou les métamorphoses du texte, Paris : Honoré Champion, coll. « Bibliothèque de littérature générale et comparée », 2013, 744 p., EAN 9782745325372.","PeriodicalId":249302,"journal":{"name":"Acta Mai-juin-juillet 2015","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2015-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129397883","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Musique & littérature : quels rapports, quels statuts dans la création ?","authors":"Bettina Ghio","doi":"10.58282/acta.9382","DOIUrl":"https://doi.org/10.58282/acta.9382","url":null,"abstract":"Cet article est un compte-rendu du livre : Les Voies de la création. Musique et littérature à l’épreuve de l’histoire, sous la direction de Laure Lévêque, Paris : L’Harmattan, coll. « Histoire, Textes et Sociétés », 2013, 369 p., EAN 9782343012926.","PeriodicalId":249302,"journal":{"name":"Acta Mai-juin-juillet 2015","volume":"72 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2015-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115844296","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Shakespeare, les femmes & la musique","authors":"Élisabeth Rallo Ditche","doi":"10.58282/acta.9388","DOIUrl":"https://doi.org/10.58282/acta.9388","url":null,"abstract":"Cet article est un compte-rendu du livre : Nathalie Roulon, Les Femmes et la musique dans l’œuvre de Shakespeare, Paris : Honoré Champion, coll. « Bibliothèque de littérature générale et comparée », 2011, 344 p., EAN 9782745321534.","PeriodicalId":249302,"journal":{"name":"Acta Mai-juin-juillet 2015","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2015-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122828456","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Pour une définition de la musique romantique","authors":"M. Moreau","doi":"10.58282/acta.9401","DOIUrl":"https://doi.org/10.58282/acta.9401","url":null,"abstract":"Cet article est un compte-rendu du livre : Emmanuel Reibel, Comment la musique est devenue « romantique ». De Rousseau à Berlioz, Paris: Librairie Arthème Fayard, coll. « Les chemins de la musique »,2013, 464 p., EAN 9782213678498.","PeriodicalId":249302,"journal":{"name":"Acta Mai-juin-juillet 2015","volume":"43 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2015-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127709268","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Faire entendre le Moyen Âge","authors":"L. Guay","doi":"10.58282/acta.9386","DOIUrl":"https://doi.org/10.58282/acta.9386","url":null,"abstract":"Cet article est un compte-rendu du livre : Le Moyen Âge en musique. Interprétations, transpositions, inventions, sous la direction d’Elisabeth Gaucher‑Rémond, Rennes, Presses Universitaires de Rennes, coll. « Interférences », 2013, 157 p., EAN 978275352860.","PeriodicalId":249302,"journal":{"name":"Acta Mai-juin-juillet 2015","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2015-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130025508","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Musiques beckettiennes","authors":"C. Taban","doi":"10.58282/acta.9398","DOIUrl":"https://doi.org/10.58282/acta.9398","url":null,"abstract":"Cet article est un compte-rendu du livre : Catherine Laws, Headaches among the Overtones. Music in Beckett / Beckett in Music, Amsterdam : Rodopi, coll. « Faux Titre », 2013, 508 p., EAN 9789042037786.","PeriodicalId":249302,"journal":{"name":"Acta Mai-juin-juillet 2015","volume":"120 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2015-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127645515","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Le nombre en musique & en rhétorique, un même concept ?","authors":"Sandrine Bédouret-Larraburu","doi":"10.58282/acta.9377","DOIUrl":"https://doi.org/10.58282/acta.9377","url":null,"abstract":"Cet article est un compte-rendu du livre : Agathe Sueur, Le Frein et l’Aiguillon. Éloquence musicale et nombre oratoire (XVIe-XVIIIe siècle), Paris : Classiques Garnier, coll. « Renaissance latine », 2013, 424 p., EAN 9782812421099.","PeriodicalId":249302,"journal":{"name":"Acta Mai-juin-juillet 2015","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2015-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127762376","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}