{"title":"Le temps d’Anne Hébert au cinéma","authors":"Thomas Carrier-Lafleur","doi":"10.7202/1069297ar","DOIUrl":"https://doi.org/10.7202/1069297ar","url":null,"abstract":"","PeriodicalId":244154,"journal":{"name":"Nouvelles vues: Revue sur les pratiques, les théories et l'histoire du cinéma au Québec","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123422214","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Autour des « Mauvais genres » : une table ronde en compagnie de Simon Chénier, David Fortin, Eva Létourneau, Mathieu Li-Goyette et Francis Ouellette, animée par Louis Pelletier et Julie Ravary-Pilon","authors":"Louis-Raphaël Pelletier, Julie Ravary-Pilon","doi":"10.7202/1090094ar","DOIUrl":"https://doi.org/10.7202/1090094ar","url":null,"abstract":"","PeriodicalId":244154,"journal":{"name":"Nouvelles vues: Revue sur les pratiques, les théories et l'histoire du cinéma au Québec","volume":"123 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116092655","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Entretien : le monde intérieur de Sophie Goyette","authors":"Sarah Gauthier, Mélina Verrier","doi":"10.7202/1069296ar","DOIUrl":"https://doi.org/10.7202/1069296ar","url":null,"abstract":"","PeriodicalId":244154,"journal":{"name":"Nouvelles vues: Revue sur les pratiques, les théories et l'histoire du cinéma au Québec","volume":"38 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131088659","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Herménégilde Lavoie ou l’embellissement du cinéma documentaire québécois","authors":"Marie Fallon","doi":"10.7202/1090091ar","DOIUrl":"https://doi.org/10.7202/1090091ar","url":null,"abstract":"Résumé Fonctionnaire à l’Office du tourisme et de la publicité du Québec (1928-1948) pour lequel il travaille notamment comme guide touristique, Herménégilde Lavoie tourne et présente ses premiers films en amateur et comme conférencier invité avant de fonder sa compagnie de films, Les Documentaires Lavoie (19481962). Dans cette contribution, je montre qu’Herménégilde Lavoie est un amoureux de la province québécoise, dont il tente de mettre en valeur les nombreux atouts et attraits (patrimoine architectural, paysages, modes de vie, industries, artisanat, histoire, etc.) à partir d’un ensemble de médias (films de commande ou films personnels, conférences, revue, photographies). Pour ce faire, j’ai travaillé à partir des archives du cinéaste conservées au Centre d’archives de Québec de Bibliothèque et Archives nationales du Québec (BAnQ).","PeriodicalId":244154,"journal":{"name":"Nouvelles vues: Revue sur les pratiques, les théories et l'histoire du cinéma au Québec","volume":"40 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116065950","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Cinéma d’animation québécois et agentivité féminine","authors":"Marie-Josée Saint-Pierre","doi":"10.7202/1069291ar","DOIUrl":"https://doi.org/10.7202/1069291ar","url":null,"abstract":"","PeriodicalId":244154,"journal":{"name":"Nouvelles vues: Revue sur les pratiques, les théories et l'histoire du cinéma au Québec","volume":"82 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134230315","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Mondes et temps suspendus","authors":"Alice Michaud-Lapointe","doi":"10.7202/1069295ar","DOIUrl":"https://doi.org/10.7202/1069295ar","url":null,"abstract":"","PeriodicalId":244154,"journal":{"name":"Nouvelles vues: Revue sur les pratiques, les théories et l'histoire du cinéma au Québec","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131873619","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Maternité et mythes fondateurs","authors":"Louis-Paul Willis","doi":"10.7202/1069292ar","DOIUrl":"https://doi.org/10.7202/1069292ar","url":null,"abstract":"","PeriodicalId":244154,"journal":{"name":"Nouvelles vues: Revue sur les pratiques, les théories et l'histoire du cinéma au Québec","volume":"46 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121653134","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Enquête sur les films retrouvés de l’entourage d’Ernest Cormier. Relations intermédiatiques entre cinéma, photographie et beaux-arts","authors":"Sébastien Hudon","doi":"10.7202/1090090ar","DOIUrl":"https://doi.org/10.7202/1090090ar","url":null,"abstract":"Nouvelles Vues , numéro 21, automne 2021.","PeriodicalId":244154,"journal":{"name":"Nouvelles vues: Revue sur les pratiques, les théories et l'histoire du cinéma au Québec","volume":"2010 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125626940","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Art du temps et sérendipité. Compte-rendu de lecture de Robert Daudelin, Jacques Leduc. Trois pommes à côté du cinéma (Montréal : Les Herbes rouges, 2020)","authors":"Pierre-Alexandre Fradet","doi":"10.7202/1090098ar","DOIUrl":"https://doi.org/10.7202/1090098ar","url":null,"abstract":"","PeriodicalId":244154,"journal":{"name":"Nouvelles vues: Revue sur les pratiques, les théories et l'histoire du cinéma au Québec","volume":"71 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126252973","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Le régiment indocile. Compte-rendu de lecture de XPQ. Traversée du cinéma expérimental québécois, sous la direction de Ralph Elawani et Guillaume Lafleur (Montréal : Cinémathèque québécoise / Éditions Somme toute, 2020)","authors":"Éric Thouvenel","doi":"10.7202/1090097ar","DOIUrl":"https://doi.org/10.7202/1090097ar","url":null,"abstract":"","PeriodicalId":244154,"journal":{"name":"Nouvelles vues: Revue sur les pratiques, les théories et l'histoire du cinéma au Québec","volume":"55 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125047507","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}