Journal of Urban Society's Arts最新文献

{"title":"The Meaning of Gendhing Kodhok Ngorek in the Panggih Procession of a Traditional Javanese Wedding Ceremony","authors":"S. Suyoto, Aris Setiawan","doi":"10.24821/jousa.v10i1.8472","DOIUrl":"https://doi.org/10.24821/jousa.v10i1.8472","url":null,"abstract":"This article aims to understand the meaning of Gending Kodok Ngorek, as the music that accompanies wedding rituals (Panggih) in Java. The data were collected through observation, a literature review, and interviews. The problem was addressed using Clifford Geertz’s cultural interpretive concept, which argues that cultural facts exist in the mind (as knowledge), are manifested in models, and determine behaviour and action in life, and Yasraf Amir Pilliang’s semiotics of culture, which describes how meaning is formed through media and signs. The research concludes that the panggih ceremony, a procession in which the bride and bridegroom come together, can be interpreted philosophically, socially, and symbolically. Based on the musical pitches used, philosophically understood as a marker of a husband and wife who are making love. Its masculine character is manifested in the panunggul alit pitch (1), which symbolizes a male frog, while its feminine character is manifested in pitch nem (6), which symbolizes a female frog. Etymologically, Kodhok Ngorek means singing frog, of course in the water. Water is understood as a symbol of fertility, as a sign of the hope that the husband and wife will soon be blessed with offspring. Makna Gendhing Kodhok Ngorek Dalam Prosesi Panggih Upacara Pernikahan Adat Jawa. Artikel ini bertujuan untuk memahami Gending Kodok Ngorek sebagai musik pengiring upacara pernikahan (Panggih) di Jawa. Pengumpulan data dilakukan melalui observasi, studi literatur, dan wawancara. Masalah tersebut dianalisis dengan menggunakan konsep interpretasi budaya Clifford Geertz, yang berpendapat bahwa fakta budaya ada dalam pikiran (sebagai pengetahuan), diwujudkan dalam model, dan menentukan perilaku dan tindakan dalam kehidupan, dan semiotika budaya Yasraf Amir Pilliang, yang menggambarkan bagaimana makna dibentuk melalui media dan tanda. Hasil penelitian menunjukkan bahwa upacara panggih, sebuah prosesi di mana kedua mempelai bertemu, dapat dimaknai secara filosofis, sosial, dan simbolis. Berdasarkan nada musik yang digunakan, secara filosofis dipahami sebagai penanda kedua sejoli yang sedang bercinta. Sifat maskulinnya diwujudkan dalam nada panunggul alit (1) yang melambangkan katak jantan, sedangkan sifat femininnya diwujudkan dalam nada nem (6) yang melambangkan katak betina. Secara etimologi Kodhok Ngorèk berarti katak bernyanyi, sudah barang tentu di dalam air. Air dipahami sebagai simbol kesuburan, sebagai penanda harapan agar pasangan sejoli segera dikaruniai keturunan.","PeriodicalId":238981,"journal":{"name":"Journal of Urban Society's Arts","volume":"36 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128643944","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Semiotics of “Top Gun: Maverick” Film as an Inspiration for Indonesia to Rise up from the Covid-19 Pandemic","authors":"Ririt Yuniar, Diah Fitria Ningrum, Imania Rahmah, Ainun N. S. I. P. Sy Saad","doi":"10.24821/jousa.v10i1.9070","DOIUrl":"https://doi.org/10.24821/jousa.v10i1.9070","url":null,"abstract":"Leadership, integrity, and dedication can be a foundation in teamwork. Even integrity is very much needed to achieve a bigger vision and mission to defeat a common enemy. It takes a corps spirit or a sharing the same fate so that the chemistry in a work team becomes more solid. Semiotic analysis of the film Top Gun: Maverick can be appointed as a communicative art study to convey filmmakers’ messages to audiences. Qualitative methods with a construction representation perspective emphasize semiotics and discourse approaches more. The film Top Gun: Maverick as the object material is analyzed in a structured manner from the characterizations, film scenario, or story content in the scene, soundtrack, and cinematography. Cinematography in the film has its definition as a layered meaning. This presents the relationship between the visual signs in the film so that it can create a multi-layer entity. The construction of leadership values and moral messages here illustrates the importance of the spirit of war against a common enemy, shown from various places that can inspire efforts to recover conditions who are also struggling to face a common enemy in the era of the Covid 19 pandemic. During the Covid 19 pandemic, the common enemy took the form of the Coronavirus. which is also a threat to the entire nation and society. This requires an effective and efficient handling strategy. This film continues to inspire the creation of further works to make films the frontline in changing mindsets as an effort to develop human resources as viewers. It is hoped that Indonesian cinema will be able to use leadership strategies as a fundamental factor in realizing the efforts of individuals who have integrity. Semiotika Film TOP GUN: Maverick sebagai Inspirasi Indonesia Bangkit dari Pandemi Covid-19. Kepemimpinan, integritas, dan dedikasi dapat menjadi landasan dalam kerja sama tim. Bahkan integritas sangat dibutuhkan untuk mencapai visi dan misi yang lebih besar untuk mengalahkan musuh bersama. Dibutuhkan corps spirit atau berbagi nasib yang sama agar chemistry dalam sebuah tim kerja semakin solid. Analisis semiotika film Top Gun: Maverick dapat diangkat sebagai kajian seni komunikatif untuk menyampaikan pesan pembuat film kepada penonton. Metode kualitatif dengan perspektif representasi konstruksi lebih menekankan pendekatan semiotika dan wacana. Film Top Gun: Maverick sebagai bahan objek dianalisis secara terstruktur mulai dari penokohan, skenario film, atau isi cerita dalam adegan, soundtrack, dan sinematografi. Sinematografi dalam film memiliki  pengertian  yang berlapis-lapis. Hal ini menghadirkan hubungan antara tanda-tanda visual dalam film sehingga dapat menciptakan entitas yang berlapis-lapis. Konstruksi nilai kepemimpinan dan pesan moral di sini menggambarkan pentingnya semangat perang melawan musuh bersama, terlihat dari berbagai tempat yang dapat menginspirasi upaya pemulihan kondisi yang juga sedang berjuang menghadapi musuh bersama  di era pandemi Covi","PeriodicalId":238981,"journal":{"name":"Journal of Urban Society's Arts","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130602239","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Analysis of Timbre in Melodic Arrangements of Popular Minang Songs Using a Spectrum Analyzer","authors":"Robby Ferdian, Ressy Fitria, Irdhan Epria Darma Putra","doi":"10.24821/jousa.v10i1.9357","DOIUrl":"https://doi.org/10.24821/jousa.v10i1.9357","url":null,"abstract":"Timbre is one of the main elements considered in musical arrangements, including contemporary Minang pop songs which have undergone significant development due to improvements in recording studio quality and increasingly qualified human resources. This study aims to describe the instrumentation and examine the characteristics of timbre in melodic instruments used in contemporary Minang pop song arrangements. Ableton Live 10 and Izotope Insight 2 software were used to analyze the audio spectrum produced by melodic instruments in recent Minang song arrangements. The results of audio processing using spectrum analyzer show that three main timbres of Minang songs are circulating and viral on social media: Acoustic Guitar, Bansi, and Overdrive Guitar. The first two instruments typically fill the melody line in the Intro, Interlude, and Coda, while the third instrument acts as a melody carrier in the transition part of the song. The instrumentation used in Minang song arrangements consists of acoustic instruments, specifically  Yamaha  guitars with Fishman Preamps, VST Instruments Sampletank2, and Real eight guitars. In this study, only two timbres were analyzed using the application: Acoustic Guitar and Bansi. The software analysis reveals that the two melodic timbres have unique characteristics formed by different overtone series formulas, with Acoustic Guitar having approximately 15 overtone pieces and Bansi having 8. Based on the results generated by the audio analysis application Izotope Insight 2, the timbre of guitar and bansi in contemporary Minang pop songs exhibit two unique characteristics. The guitar demonstrates a rich character with a significant number of overtone series at high frequencies. On the other hand, bansi tends to have a smooth and soft character due to its less dominant frequency points at each interval and lower amplitudes. Analisis Timbre pada Aransemen Melodik Lagu Minang Populer Menggunakan Spectrum Analyzer. Timbre merupakan salah satu elemen utama yang menjadi sorotan dalam menciptakan sebuah aransemen musik, begitupun dalam lagu pop Minang kontemporer yang telah mengalami perkembangan signifikan karena adanya peningkatan kualitas studio rekaman dan sumber daya manusia yang semakin berkualitas. Penelitian ini bertujuan untuk menggambarkan instrumen dan mengeksplorasi karakteristik timbre pada instrumen melodi yang digunakan dalam aransemen lagu pop Minang kontemporer. Penelitian ini menggunakan perangkat lunak Ableton Live 10 dan Izotope Insight 2 untuk menganalisis spektrum audio yang dihasilkan oleh instrumen melodi dalam aransemen lagu Minang terbaru. Hasil penelitian menunjukkan bahwa terdapat tiga timbre utama yang menjadi populer dalam lagu-lagu Minang masa kini yaitu: Gitar Akustik, Bansi, dan Gitar Overdrive. Dua instrumen pertama biasanya mengisi garis melodi pada Intro, Interlude, dan Coda, sedangkan instrumen ketiga berfungsi sebagai pembawa melodi pada bagian transisi lagu atau fill in. Instrumen yang diguna","PeriodicalId":238981,"journal":{"name":"Journal of Urban Society's Arts","volume":"159 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123130664","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Human Soul as a Symbolic Message in Contemporary Arts in Malaysia: A Study of Daud Rahim’s Works","authors":"Issarezal Ismail, Ishak Ramli, Mohd Daud Abdul Rahim, Erry Arham Azmi","doi":"10.24821/jousa.v10i1.9493","DOIUrl":"https://doi.org/10.24821/jousa.v10i1.9493","url":null,"abstract":"The objectives of this study are to describe the structure of the message and to interpret the meaning of the use of symbols which are the core of a message in the context of the soul through Daud Rahim’s series of paintings entitled “Jiwa” (2013). This study was carried out to approach, understand, and at the same time explain the human soul as a symbolic message in contemporary art in Malaysia concerning aspects of the structure, content, and function of messages from a number of works produced by Daud Rahim. An art study methodology that focuses on an in-depth and comprehensive explanatory system has been used based on an analysis model that has been developed from a relevant conceptual framework which is Human Spirit as a Symbolic Message in Fine Art. The results of the analysis show that the signs and symbols of Daud Rahim’s works want to express the symbolic message of a human phenomenon involving modern humans who are unable to control their passions, so they become egocentric figures who are obsessed and greedy with the material world so that it is difficult to activate feelings of love and affection. affection and slowly erodes the social relations around him. In conclusion, visual artwork is a nonverbal communication tool or media created by artists to convey messages to others regarding issues or problems of humanity, society, and culture, which are repackaged through the use of certain signs and symbols. Jiwa Manusia sebagai Pesan Simbolik dalam Seni Rupa Kontemporer di Malaysia: Kajian terhadap Karya-karya Daud Rahim. Penelitian ini bertujuan untuk mendeskripsikan struktur pesan dan memaknai penggunaan simbol-simbol yang menjadi inti pesan dalam konteks jiwa melalui lukisan seri Daud Rahim berjudul “Jiwa” (2013). Penelitian ini dilaksanakan untuk mendekati, memahami, dan sekaligus menjelaskan jiwa manusia sebagai pesan simbolik dalam seni rupa kontemporer di Malaysia menyangkut aspek-aspek struktur, isi, dan fungsi pesan dari sejumlah karya yang dihasilkan oleh Daud Rahim. Metodologi kajian seni memfokuskan pada sistem penjelasan yang bersifat mendalam dan menyeluruh telah digunakan berdasarkan pada model analisis yang telah dibangun dari konsep-konsep yang relevan yaitu kerangka konseptual spiritual manusia sebagai pesan simbolik dalam seni rupa. Hasil analisis menunjukkan bahwa tanda dan simbol dari karya-karya Daud Rahim mengungkapkan pesan simbolik dari sebuah fenomena kemanusiaan yang melibatkan manusia modern yang tidak mampu mengawal hawa nafsu sehingga menjadi sosok-sosok egosentris yang obsesif dan rakus dengan dunia material sehingga sulit mengaktifkan perasaan kasih dan sayang sehingga secara perlahan-lahan mengikis hubungan sosial di sekelilingnya. Kesimpulannya, karya seni visual ialah alat atau media komunikasi non-lisan yang diciptakan oleh seniman untuk menyampaikan pesan kepada orang lain mengenai isu atau masalah kemanusiaan, masyarakat, dan budaya yang dibentuk semula melalui penggunaan tanda dan simbol tertentu.  ","PeriodicalId":238981,"journal":{"name":"Journal of Urban Society's Arts","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128351362","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Black Struggles in I Can’t Breathe by H.E.R.: A Multimodal Discourse Analysis","authors":"Zahara Almira Ramadhan, Marti Fauziah Ariastuti","doi":"10.24821/jousa.v10i1.8694","DOIUrl":"https://doi.org/10.24821/jousa.v10i1.8694","url":null,"abstract":"The death of George Floyd’s in May 2020 has raised the popularity of the phrase “I can’t breathe” as a statement against racism. This phrase inspired musician H.E.R., to write a song called I Can’t Breathe, which raises the issue of not only police brutality but also racism against black people in general. The objective of this study is to analyze the ideological structures and visual components in the song and examine how these aspects contribute to the Black Lives Matter movement. The lyrics and music video will be analyzed using multimodal discourse analysis. The findings of the lyrics and video analysis indicate that white superiority and violence towards black people are the root cause of the continuing protests against black racism. By using multimodal discourse analysis, this study establishes a strong connection between I Can’t Breathe and Black Lives Matter. The song serves as a protest aligning with the Black Lives Matter movement. The context behind the racial issues and the values of the movement in tackling the issues are conveyed clearly through the ideological structures and visual components of the song. Perjuangan Kulit Hitam dalam Lagu I Can’t Breathe karya H.E.R.: Analisis Wacana Multimodal. Kematian George Floyd pada bulan Mei 2020 menimbulkan popularitas atas frasa “I can’t breathe” sebagai pertentangan rasisme. Frasa ini menginspirasi H.E.R., seorang musisi, untuk menulis lagu berjudul I Can’t Breathe, yang tidak  hanya berbicara tentang isu kekerasan polisi, tetapi juga rasisme terhadap kulit hitam secara keseluruhan. Tujuan dari penilitian ini adalah untuk menganalisis struktur ideologi dan komponen visual dalam lagu tersebut, dan mengamati apakah gerakan Black Lives Matter didukung oleh aspek-aspek tersebut. Lirik dan video klip lagu  ini akan dianalisis menggunakan analisis wacana multimodal. Berdasarkan analisis lirik dan video, ditemukan adanya indikasi bahwa dominasi dan kekerasan yang dilakukan orang kulit putih terhadap kulit hitam adalah masalah utama dari protes sosial yang ada. Dengan menggunakan analisis wacana multimodal, penelitian ini mendefinisikan hubungan yang kuat antara lagu I Can’t Breathe dengan gerakan Black Lives Matter. Lagu ini berperan sebagai sebuah protes yang mendukung Black Lives Matter. Konteks dari isu rasisme dan juga nilai-nilai sosial dari gerakan Black Lives Matter disampaikan dengan jelas melalui struktur ideologi dan komponen visual lagu tersebut.","PeriodicalId":238981,"journal":{"name":"Journal of Urban Society's Arts","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125735330","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Legal Protection of the Exclusive Rights of Painting Works","authors":"Lindawati Putri Widharta, E. Pakpahan, Tommy Leonard, T. Prasetyo","doi":"10.24821/jousa.v10i1.8058","DOIUrl":"https://doi.org/10.24821/jousa.v10i1.8058","url":null,"abstract":"The purpose of this study is to examine how artists’ exclusive rights are protected by law. The empirical legal method was used for the research. The study found that if a law or regulation regulates the protection of a creation’s exclusive rights, it is certain that there will also be legal remedies for violations of the problem of using other people’s creations without permission. These legal remedies can be taken in either litigation or non-litigation. If the effort is made through litigation, namely by filing a lawsuit to the commercial court or can be prosecuted criminally, this is already included in the Copyright Law, or by a resolving. In light of the conversation above with respect to legitimate security of the select privileges of makers of compositions, the public authority ought to have the option to make sense of additional explicitly in the items in the Intellectual property Regulation in regards to canvases that poor person has been made sense of top to bottom, and there ought to be more effort to the public so that individuals are all the more endlessly figure out the presence of lawful security for work or creation. Perlindungan Hukum Hak Eksklusif Karya Lukis. Tujuan dari penelitian ini adalah untuk mengkaji bagaimana hak eksklusif seniman dilindungi oleh hukum. Metode hukum empiris digunakan untuk penelitian ini. Kajian ini menemukan bahwa jika suatu peraturan perundang-undangan mengatur tentang perlindungan terhadap hak eksklusif suatu ciptaan, maka dapat dipastikan juga akan ada upaya hukum atas pelanggaran terhadap masalah penggunaan ciptaan orang lain tanpa izin. Upaya hukum ini dapat ditempuh baik secara litigasi maupun non litigasi. Apabila upaya tersebut dilakukan melalui litigasi, yaitu dengan mengajukan gugatan ke pengadilan niaga atau dapat dituntut secara pidana, hal tersebut sudah termasuk dalam Undang-Undang Hak Cipta, atau dengan cara penyelesaian. Sehubungan dengan percakapan di atas sehubungan dengan keamanan yang sah dari hak pilih pembuat komposisi, otoritas publik harus memiliki pilihan untuk menjelaskan secara lebih eksplisit dalam item dalam Peraturan Kekayaan Intelektual tentang kanvas yang dibuat oleh orang miskin. dimaklumi dari atas ke bawah, dan harus ada upaya yang lebih kepada masyarakat agar setiap individu semakin mengetahui adanya jaminan hukum atas suatu karya atau ciptaan. ","PeriodicalId":238981,"journal":{"name":"Journal of Urban Society's Arts","volume":"34 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121685322","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Fungi as an Art Medium: The Study of the Art Medium of Philip Ross and Syaiful Aulia Garibaldi","authors":"Satrio Hari Wicaksono, Budi Irawanto, Agung Hujatnika","doi":"10.24821/jousa.v10i1.6793","DOIUrl":"https://doi.org/10.24821/jousa.v10i1.6793","url":null,"abstract":"This research aims to read the creative process carried out by bio-art artists who use fungi as a medium of character, namely Phillip Ross and Syaiful ‘Tepu’ Garibaldi and explore the potential values in their nature. New media art became an essential umbrella for non-conventional art genres related to other disciplines, such as ecology- based art, kinetic art, video art, bio-art, etc. An interdisciplinary approach that is   no longer related to a single system but a synergy between fields of science to solve increasingly complex social and environmental problems. As a new genre, bio-art synergy art and science involving organic creation components. The use of animals, viruses, fungi, and plants is the differentiator that marks the formation of bio-art works. Research methods will be conducted with methodological approaches to art history, anthropology, and semiotics. The unusual process of fungi formation used as a medium of art and ecological issues became a powerful narrative that both artists generally raised. The synergy between art, science, and technology in the creation process is a new reference in the method of art creation, especially bio-art so that  the process of fungi formation that is not commonly used as a medium of art and ecological issues related to it as a powerful narrative that the two artists generally raise becomes the main subject of study. Jamur sebagai Media Seni: Kajian Media Seni Philip Ross dan Syaiful Aulia Garibaldi. Penelitian ini bertujuan untuk membaca proses kreatif yang dilakukan oleh seniman bio-art yang memanfaatkan fungi sebagai media kekaryaannya, yaitu Phillip Ross dan Syaiful ‘Tepu’ Garibaldi serta menggali potensi nilai-nilai yang ada dalam kekaryaannya.Seni media baru menjadi payung penting untuk genre seni non- konvensional yang terkait dengan disiplin ilmu lain, seperti seni berbasis ekologi, seni kinetik, seni video, bio-art, dll. Pendekatan interdisipliner yang tidak lagi terkait dengan pendekatan tunggal tetapi sinergi antara bidang sains untuk memecahkan masalah sosial dan lingkungan yang semakin kompleks. Sebagai genre baru, bio-art adalah sinergi antara seni dan sains yang melibatkan komponen penciptaan organik. Penggunaan hewan, virus, jamur, dan tumbuhan adalah pembeda yang menandai pembentukan karya bio-seni. Metode penelitian akan dilakukan dengan pendekatan metodologi sejarah seni, antropologi, dan semiotika. Proses pembentukan fungi yang tak lazim digunakan sebagai media seni dan isu-isu ekologi yang berkaitan dengannya, menjadi narasi besar yang secara umum diangkat oleh kedua seniman tersebut. Sinergi antara seni, ilmu pengetahuan, dan teknologi dalam proses penciptaan adalah referensi baru dalam metode penciptaan seni, terutama bio-art, sehingga proses pembentukan fungi yang tak lazim digunakan sebagai media seni dan isu-isu ekologi yang berkaitan dengannya sebagai narasi besar yang secara umum diangkat oleh kedua seniman tersebut, menjadi pokok kajian utamanya.","PeriodicalId":238981,"journal":{"name":"Journal of Urban Society's Arts","volume":"37 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122429772","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Social-Engaged Art in Indonesia: Many in One, Nurturing Diversity & Inclusion","authors":"I. Yuliana, Dominique Lämmli","doi":"10.24821/jousa.v9i2.8106","DOIUrl":"https://doi.org/10.24821/jousa.v9i2.8106","url":null,"abstract":"This research describes three socially engaged art practices of three collectives, Gubuak Kopi (Solok, West Sumatera), Festival Film Bahari (Cirebon, West Java) and Forum Sudut Pandang (Palu, Central Sulawesi), which were located in rural-urban area in Indonesia. The practices of these collectives that are established after 2010 were then read along the concept of Bhinneka Tunggal Ika. This research method is guided by the question: How did “many, but one” emerge in the practice of social arts and who benefits from it? The narratives were built by centralizing the perspectives of art practitioners on their motivations and aims, instead of analyzing certain case studies. The method of this paper is interview and desk review. Based on the research observations, the researchers  try to provide a perspective on how cultural promotion programs have an impact on community movements outside the big cities. Seni Berpenampilan Sosial di Indonesia: Ragam dalam Satu, Memelihara Kebhinekaan & Inklusi. Penelitian ini mendeskripsikan tiga praktik seni yang terlibat secara sosial dari tiga kolektif yakni Gubuak Kopi (Solok, Sumatera Barat), Festival Film Bahari (Cirebon, Jawa Barat) and Forum Sudut Pandang (Palu, Sulawesi Tengah) yang berada di daerah rural-urban di Indonesia. Tiga praktik dari kolektif yang muncul setelah 2010 ini kemudian dibaca dalam kaitannya dengan konsep Bhinneka Tunggal Ika. Penelitian ini dipandu dengan pertanyaan: bagaimana “banyak namun satu” muncul dalam praktik seni yang terlibat secara sosial di Indonesia, dan siapa yang diuntungkan oleh praktik ini? Narasi dibangun dengan memusatkan perhatian pada perspektif praktisi seni atas motivasi dan tujuan berkaryanya, alih-alih menganalisis studi kasus tertentu. Metode penelitian yang diterapkan adalah wawancara dan studi pustaka. Berdasarkan hasil observasi, peneliti menawarkan pandangan akan bagaimana program pemajuan kebudayaan memberikan pengaruh pada pergerakan komunitas di luar kota-kota besar.","PeriodicalId":238981,"journal":{"name":"Journal of Urban Society's Arts","volume":"65 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132456322","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Exploring the Philosophy and Forms of Traditional Balinese Architecture at Badung Market","authors":"I. K. Pranajaya, I. N. Artayasa","doi":"10.24821/jousa.v9i2.6118","DOIUrl":"https://doi.org/10.24821/jousa.v9i2.6118","url":null,"abstract":"After the fire disaster, Badung market was rebuilt by applying the values of Balinese  local wisdom. It was designed through an integrated synergy of regional arrangement within the Badung market, Kumbasari market, and the arrangement of the Tukad Badung to support the concept of a heritage city tour in Denpasar City. The philosophical concept used is tapak dara and padu raksa. The concept of values and architectural forms uses the Triangga, the Trimandala, the Sanga Mandala, and the Tri Hita Karana concepts. The forms of the entrance uses the bintang aring concept. It is combined with the kayon form as a symbol of balance, horizontal and vertical for human life. The concept of Balinese traditional architectural decoration uses bebadungan decorations. This research was with a qualitative exploratory method Researchers also found modernization towards more advanced changes with rational, effective, efficient, and economic principles. This is evidenced in the use ornaments made of Glass Reinforced Concrete, elevator facilities, and escalators. In addition, Badung market was designed to be more modern and universal with a children's play room, lactation room, emergency stairs, accessible toilets, and other facilities.Menjelajahi Filosofi dan Bentuk Arsitektur Tradisional Bali di Pasar Badung.  Pascabencana kebakaran, Pasar Badung dibangun dengan menerapkan nilai kearifan lokal Bali. Didesain melalui sinergitas penataan kawasan secara terpadu antara Pasar Badung, Pasar Kumbasari, dan penataan tukad Badung untuk menunjang konsep tur kota pusaka (heritage city tour) Kota Denpasar. Konsep filosofis yang digunakan adalah tapak dara sebagai simbol keseimbangan dan padu raksa sebagai makna stabilitas perputaran ekonomi masyarakat untuk peningkatan kesejahteraan. Konsep tata nilai dan bentuk bangunan menggunakan konsep triangga, trimandala, sanga mandala, dan tri hita karana. Bentuk pintu masuk pada bangunan utama menggunakan konsep bintang aring dengan bebatelan di kiri dan kanan. Bintang aring difilosofikan sebagai pintu yang bercahaya bagai bintang sehingga terlihat monumental, berestetika, dan menambah kesan oriental. Bintang aring dikombinasikan dengan bentuk kayon sebagai lambang keseimbangan, horisontal dan vertikal bagi kehidupan manusia. Konsep ragam hias arsitektur tradisional Bali menggunakan ragam hias bebadungan. Ragam hias ini didesain untuk menciptakan identitas jati diri Kota Denpasar. Peneliti juga menemukan kehidupan modernisasi dengan prinsip rasional, efektif, efisien, dan ekonomis. Hal ini dibuktikan pada penggunaan ornamen dari bahan Glass Reinforced Concrete (GRC), fasilitas elevator, dan eskalator. Selain itu Pasar Badung didesain lebih modern dan universal dengan adanya ruang bermain anak, ruang laktasi, tangga darurat, toilet aksesibel, dan fasilitas lainnya.","PeriodicalId":238981,"journal":{"name":"Journal of Urban Society's Arts","volume":"156 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122418650","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Education Park Concept on Green Open Space Planning through Historical and Cultural Approach","authors":"Sri Maqfirah Asyuni, Ahmad Syarief Iskandar, N. Nuryani, E. Rustan","doi":"10.24821/jousa.v9i2.8088","DOIUrl":"https://doi.org/10.24821/jousa.v9i2.8088","url":null,"abstract":"Green Open Space Planning (RTH) for urban areas needs to support ecological functions, education facilities, and social interaction facilities for urban communities and regional identity. As green open spaces, Complex Elementary Park and Reading Park in Palopo, South Sulawesi have not yet fulfilled their functions and benefits optimally. The two parks that are located in the heritage area become a unique/distinctive potential to show the historical connotation of the location in its design. This study aims to provide landscape design recommendations by exploring the potential of the location through the historical and cultural approach of the Luwu Kingdom. The research was conducted using a descriptive qualitative method that refers to the landscape planning of Seymour M. Gold through the stages of preparation, inventory, analysis, synthesis, and planning. The results of this study resulted in an Education Park site plan that elaborated the physical and philosophical characteristic of three cultural heritages, namely the Datu Luwu Palace Complex, the Jami' Mosque, and the Post and Giro Office. Konsep Taman Edukasi pada Perencanaan Ruang Terbuka Hijau melalui Pendekatan Sejarah dan Budaya. Perencanaan Ruang Terbuka Hijau (RTH) Kawasan Perkotaan perlu menunjang fungsi ekologis, wadah pendidikan, sarana interaksi sosial masyarakat urban dan identitas daerah. Sebagai RTH, Taman SD Kompleks dan Taman Baca di kota Palopo, Sulawesi Selatan belum menunjukkan terpenuhinya fungsi dan manfaatnya secara optimal. Kedua taman yang berada dalam kawasan heritage menjadi potensi khas/unik untuk menunjukkan historical connotation lokasi dalam desainnya. Penelitian ini bertujuan membuat rekomendasi desain lanskap dengan mengeksplorasi potensi lokasi melalui pendekatan sejarah dan budaya Kerajaan Luwu. Penelitian dilakukan menggunakan metode kualitatif deskriptif yang mengacu pada perencanaan lanskap Seymour M. Gold melalui tahapan persiapan, inventarisasi, analisis, sintesis dan perencanaan. Hasil penelitian ini menghasilkan siteplan Taman Edukasi yang mengelaborasi karakter fisik dan filosofis tiga cagar budaya yaitu Kompleks Istana Datu Luwu, Masjid Jami’ dan Kantor Pos dan Giro.","PeriodicalId":238981,"journal":{"name":"Journal of Urban Society's Arts","volume":"42 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121371165","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}