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Soft Machine, la « Scène de Canterbury » et le rock progressif italien 软机器，“坎特伯雷场景”和意大利前卫摇滚
Volume! Pub Date : 2022-06-01 DOI: 10.4000/volume.9949
Ruben Marzà, Nicolò Palazzetti
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引用次数: 0
Ross Hagen,
Volume! Pub Date : 2022-06-01 DOI: 10.4000/volume.10299
Baptiste Pilo
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引用次数: 0
“Les Feuilles mortes” de Prévert et Kosma. À propos de l’expérience du temps et de l’amour dans la chanson française prevert和Kosma的《枯叶》。关于法国歌曲中时间和爱情的体验
Volume! Pub Date : 2022-06-01 DOI: 10.4000/volume.10367
Alice Henschel
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引用次数: 0
Marc Perrenoud & Pierre B
Volume! Pub Date : 2022-06-01 DOI: 10.4000/volume.10465
Loïc Riom
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引用次数: 0
Les jeux de timbre : l’alto de Geoffrey Richardson dans For Girls Who Grow Plump in the Night de Caravan 音色之日:杰弗里·理查森的女高音《在大篷车之夜变胖的女孩》
Volume! Pub Date : 2022-06-01 DOI: 10.4000/volume.9924
Karam Al Zouhir
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引用次数: 0
Questions esthétiques et pratiques constructives dans la musique de Soft Machine entre les années 1960 et 1970 20世纪60年代至70年代软机器音乐中的美学问题与建设性实践
Volume! Pub Date : 2022-06-01 DOI: 10.4000/volume.10145
Vincenzo Caporaletti
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引用次数: 0
Canterbury : école, scène ou “invention journalistique” ? 坎特伯雷:学校、舞台还是“新闻发明”?
Volume! Pub Date : 2022-06-01 DOI: 10.4000/volume.10050
Aymeric Leroy
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引用次数: 0
The Different us. Une représentation de Robert Wyatt 不同的我们。罗伯特·怀亚特的一份报复性报告
Volume! Pub Date : 2022-06-01 DOI: 10.4000/volume.10224
Jacopo Costa
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引用次数: 0
Richard Osborne & Dave Lain 理查德·奥斯本和戴夫·莱恩
Volume! Pub Date : 2022-06-01 DOI: 10.4000/volume.10305
Guillaume Heuguet
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引用次数: 0
La logique dialectique de la musique audiotactile 听觉音乐的辩证逻辑
Volume! Pub Date : 2022-06-01 DOI: 10.4000/volume.10327
Vincenzo Caporaletti
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引用次数: 0
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