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Uncoupling the Archives: Fragments from a Memory Journal 解耦档案:来自记忆日志的片段
RACAR : Revue d'art canadienne Pub Date : 1900-01-01 DOI: 10.7202/1094911ar
Sylvia D. Hamilton
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引用次数: 0
UAAC/AAUC Recognition Award and Lifetime Achievement Award 2020 2020年UAAC/AAUC表彰奖和终身成就奖
RACAR : Revue d'art canadienne Pub Date : 1900-01-01 DOI: 10.7202/1078063ar
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引用次数: 0
Adad Hannah : reflets et réflexions de l’art « vivant » 阿达德·汉娜:对“生活”艺术的反思和反思
RACAR : Revue d'art canadienne Pub Date : 1900-01-01 DOI: 10.7202/1068325ar
Lynn Bannon
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引用次数: 0
Amanda Boetzkes, Plastic Capitalism: Contemporary Art and the Drive to Waste, Cambridge: MIT Press, 2019, 264 pp. 81 colour and 5 b/w illus. $ 34.95 (hardcover) ISBN 9780262039338 Amanda Boetzkes，《塑料资本主义:当代艺术和对浪费的追求》，剑桥:麻省理工学院出版社，2019年，264页，81彩色，5黑白插图。34.95美元(精装)ISBN 9780262039338
RACAR : Revue d'art canadienne Pub Date : 1900-01-01 DOI: 10.7202/1070588ar
Alan C. Braddock
{"title":"Amanda Boetzkes, Plastic Capitalism: Contemporary Art and the Drive to Waste, Cambridge: MIT Press, 2019, 264 pp. 81 colour and 5 b/w illus. $ 34.95 (hardcover) ISBN 9780262039338","authors":"Alan C. Braddock","doi":"10.7202/1070588ar","DOIUrl":"https://doi.org/10.7202/1070588ar","url":null,"abstract":"","PeriodicalId":234580,"journal":{"name":"RACAR : Revue d'art canadienne","volume":"38 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122653771","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
L’image faite corps. Dix figures sur la pratique du tableau vivant au Québec avant 1920 形象造就了身体。1920年以前魁北克绘画实践的十个人物
RACAR : Revue d'art canadienne Pub Date : 1900-01-01 DOI: 10.7202/1068316ar
L. Lacroix
{"title":"L’image faite corps. Dix figures sur la pratique du tableau vivant au Québec avant 1920","authors":"L. Lacroix","doi":"10.7202/1068316ar","DOIUrl":"https://doi.org/10.7202/1068316ar","url":null,"abstract":"A significant number of cultural practices in New France and Canada originate in the colonial situation and echo French and British art forms. This article focuses on the early use of the tableau vivant in Quebec, from its first reference in 1641 to the early twentieth century, in family and public entertainment, celebrations and pageants, educational and artistic manifestations. The tableau vivant thus presented itself as both popular and erudite art. In order for this art form to function, certain works needed to be present in the collective imaginary and shared culture; performers needed to master the content of the re-presented image and spectators needed to recognize it and to appreciate the efforts expended to embody it. This article briefly examines the history of the tableau vivant in Europe in order to identify the stages of its development in Quebec.","PeriodicalId":234580,"journal":{"name":"RACAR : Revue d'art canadienne","volume":"224 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124451583","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Annie Gérin, Devastation and Laughter: Satire, Power, and Culture in the Early Soviet State, 1920–1930s, Toronto; London; Buffalo: University of Toronto Press, 2018, 288 pp. 10 colour and 62 b/w illus. $ 82.00 (cloth) ISBN 9781487502430 《毁灭与欢笑:苏联早期的讽刺、权力与文化，1920 - 1930》，多伦多;伦敦;布法罗:多伦多大学出版社，2018年，288页，10色，62黑白。$ 82.00(布)ISBN 9781487502430
RACAR : Revue d'art canadienne Pub Date : 1900-01-01 DOI: 10.7202/1070586ar
Adam Ackerman
{"title":"Annie Gérin, Devastation and Laughter: Satire, Power, and Culture in the Early Soviet State, 1920–1930s, Toronto; London; Buffalo: University of Toronto Press, 2018, 288 pp. 10 colour and 62 b/w illus. $ 82.00 (cloth) ISBN 9781487502430","authors":"Adam Ackerman","doi":"10.7202/1070586ar","DOIUrl":"https://doi.org/10.7202/1070586ar","url":null,"abstract":"","PeriodicalId":234580,"journal":{"name":"RACAR : Revue d'art canadienne","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121175828","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Africa is the Future : un film de Nicolas Premier 非洲是未来:unfilm de Nicolas Premier
RACAR : Revue d'art canadienne Pub Date : 1900-01-01 DOI: 10.7202/1094906ar
Cécilia Bracmort
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引用次数: 0
Soyons réalistes, demandons l’impossible ! Courbet 68 让我们现实一点，要求不可能!库尔贝68
RACAR : Revue d'art canadienne Pub Date : 1900-01-01 DOI: 10.7202/1062150AR
F. Desbuissons
{"title":"Soyons réalistes, demandons l’impossible ! Courbet 68","authors":"F. Desbuissons","doi":"10.7202/1062150AR","DOIUrl":"https://doi.org/10.7202/1062150AR","url":null,"abstract":"Shot in 1967 and released in March 1968, by the young, engaged filmmaker Charles Belmont, Mood Indigo is a political interpretation of Boris Vian’s novel of 1947. The poetic world of Vian, mixing surrealism with jazz and symbolist literature, intersects in the film with references to 19th-century realist painting by Courbet and Millet. These appear as pictures on the walls, transformed into tableaux vivants, or as a personification of Courbet wandering in the landscape. Such paradoxical mobilization of realist painting, which professed to exclude the imagination, needs be considered as constituting a case of the reception of realism in the context of 1968. Over and beyond witnessing how “bourgeois” investments in the cultural heritage could be targeted on the part of militants of the extreme left, Mood Indigo contributes to the subversion of the traditional opposition between the real and the imaginary underlying the mythic graffiti “Be realistic, demand the impossible” that flourished on the walls of Paris that Spring.","PeriodicalId":234580,"journal":{"name":"RACAR : Revue d'art canadienne","volume":"98 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124191325","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Balenciaga: Master of Couture, McCord Museum, Montréal, June 15 to October 14, 2018, Organized by the Victoria & Albert Museum (V&A) of London. Curator: Cynthia Cooper, Head, Collections and Research, and Curator, Dress, Fashion and Textiles, McCord Museum 2018年6月15日至10月14日，巴黎世家:高级定制时装大师展，蒙特里萨蒙德麦考德博物馆，伦敦维多利亚与阿尔伯特博物馆(V&A)主办。策展人:辛西娅·库珀，麦考德博物馆收藏和研究主管，服装、时尚和纺织品策展人
RACAR : Revue d'art canadienne Pub Date : 1900-01-01 DOI: 10.7202/1062163ar
Stephanie Weber
{"title":"Balenciaga: Master of Couture, McCord Museum, Montréal, June 15 to October 14, 2018, Organized by the Victoria & Albert Museum (V&A) of London. Curator: Cynthia Cooper, Head, Collections and Research, and Curator, Dress, Fashion and Textiles, McCord Museum","authors":"Stephanie Weber","doi":"10.7202/1062163ar","DOIUrl":"https://doi.org/10.7202/1062163ar","url":null,"abstract":"","PeriodicalId":234580,"journal":{"name":"RACAR : Revue d'art canadienne","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128406585","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“She entered a room like a self-portrait”: Duration and Unfinish in Pegi Nicol MacLeod’s Self-Portraits “她像自画像一样走进房间”:佩吉·尼科尔·麦克劳德《自画像》中的持续与未完成
RACAR : Revue d'art canadienne Pub Date : 1900-01-01 DOI: 10.7202/1078067AR
Devon Smither
{"title":"“She entered a room like a self-portrait”: Duration and Unfinish in Pegi Nicol MacLeod’s Self-Portraits","authors":"Devon Smither","doi":"10.7202/1078067AR","DOIUrl":"https://doi.org/10.7202/1078067AR","url":null,"abstract":"","PeriodicalId":234580,"journal":{"name":"RACAR : Revue d'art canadienne","volume":"95 12","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"120970217","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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