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Études Épistémè最新文献

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La comédienne dell’arte et son public au XVIIe siècle : un modèle dramaturgique et sa réception 17世纪的女演员戴尔·阿尔特和她的观众:戏剧的典范和她的接受
Études Épistémè Pub Date : 2022-12-15 DOI: 10.4000/episteme.15924
Cécile Berger
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引用次数: 0
Experimental Plays, Conventional Endings: Gender Normativity and the Female Spectator of Shirley’s The Doubtful Heir 实验戏剧、传统结局:雪莉《可疑继承人》的性别规范与女性观众
Études Épistémè Pub Date : 2022-12-15 DOI: 10.4000/episteme.15645
Rebecca Yearling
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引用次数: 0
Corneille, 1663 : une Sophonisbe « pour les dames1 » 哥尼流，1663年:一首“献给女士的歌”
Études Épistémè Pub Date : 2022-12-15 DOI: 10.4000/episteme.15888
Claude Bourqui
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引用次数: 0
Le signore della festa a veglia e a corte 守夜和宫廷的女士们
Études Épistémè Pub Date : 2022-12-15 DOI: 10.4000/episteme.15290
M. Pieri
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引用次数: 0
La pastorale dramatique est-elle un genre « féminin » en Angleterre au XVIIe siècle ? Le cas de The Shepherds’ Paradise (1633) de Walter Montagu 田园戏剧是17世纪英国的“女性”体裁吗?沃尔特·蒙塔古的《牧羊人的天堂》(1633)
Études Épistémè Pub Date : 2022-12-15 DOI: 10.4000/episteme.15813
L. Cottegnies
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引用次数: 0
El clamor de la cazuela: connivencia y creación lopesca El clamor de la cazuela:纵容和创造洛佩斯卡
Études Épistémè Pub Date : 2022-12-15 DOI: 10.4000/episteme.15980
M. Torres
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引用次数: 0
La ville, la salle, la scène : les Siennoises et le théâtre 城市，房间，舞台:锡耶纳和剧院
Études Épistémè Pub Date : 2022-12-15 DOI: 10.4000/episteme.16024
Marie-Françoise Piéjus
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引用次数: 0
Une scène pour tous les genres : le théâtre de Luigi Groto 适合所有类型的舞台:路易吉·格罗托剧院
Études Épistémè Pub Date : 2022-12-15 DOI: 10.4000/episteme.15682
Sandra Clerc
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引用次数: 0
Algunas calas en la comedia de ambientación urbana de Lope de Vega y su relación con el público femenino noble 洛普·德·维加的城市喜剧中的一些海湾及其与高贵女性观众的关系
Études Épistémè Pub Date : 2022-12-15 DOI: 10.4000/episteme.15746
Marcella Trambaioli
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引用次数: 0
La Palatine, une spectatrice paradigmatique ? De l’intérêt du théâtre : usages, goûts, expérience Palatine，一个典型的观众?戏剧的兴趣:用途，品味，经验
Études Épistémè Pub Date : 2022-12-15 DOI: 10.4000/episteme.15413
S. Guyot
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引用次数: 0
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