Meeting the Medieval in a Digital World最新文献

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Chapter 6. ENCODING AND DECODING MACHAUT 第六章。编码和解码machaut
Meeting the Medieval in a Digital World Pub Date : 2018-12-31 DOI: 10.1515/9781641891936-009
Tamsyn Mahoney-Steel
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引用次数: 0
List of Illustrations 插图一览表
Meeting the Medieval in a Digital World Pub Date : 2018-12-31 DOI: 10.1515/9781641891936-001
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引用次数: 0
Chapter 7. OF DINOSAURS AND DWARVES: MOVING ON FROM MOUVANCE IN DIGITAL EDITIONS 第七章。恐龙和矮人:从数字版本的移动中走出来
Meeting the Medieval in a Digital World Pub Date : 2018-12-31 DOI: 10.1515/9781641891936-010
Timothy L. Stinson
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引用次数: 0
Chapter 2. IF (NOT “QUANTIZE, CLICK, AND CONCLUDE”) {DIGITAL METHODS IN MEDIEVAL STUDIES} 第二章。如果(不是“量化、点击和总结”){中世纪研究中的数字方法}
Meeting the Medieval in a Digital World Pub Date : 2018-12-31 DOI: 10.1515/9781641891936-005
Katayoun Torabi
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引用次数: 0
Chapter 10. BRIDGING THE GAP: MANAGING A DIGITAL MEDIEVAL INITIATIVE ACROSS DISCIPLINES AND INSTITUTIONS 第十章。弥合差距:管理跨学科和机构的数字中世纪倡议
Meeting the Medieval in a Digital World Pub Date : 2018-12-31 DOI: 10.1515/9781641891936-013
Joseph Koivisto, Lilla Kopár, Nancy L. Wicker
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引用次数: 0
Chapter 5. CONTENT IS NOT CONTEXT: RADICAL TRANSPARENCY AND THE ACKNOWLEDGEMENT OF INFORMATIONAL PALIMPSESTS IN ONLINE DISPLAY 第五章。内容不是上下文:彻底的透明度和对在线显示的信息重写的承认
Meeting the Medieval in a Digital World Pub Date : 2018-12-31 DOI: 10.1515/9781641891936-008
M. E. Davis
{"title":"Chapter 5. CONTENT IS NOT CONTEXT: RADICAL TRANSPARENCY AND THE ACKNOWLEDGEMENT OF INFORMATIONAL PALIMPSESTS IN ONLINE DISPLAY","authors":"M. E. Davis","doi":"10.1515/9781641891936-008","DOIUrl":"https://doi.org/10.1515/9781641891936-008","url":null,"abstract":"or for the internet, dividing structure and content— the layer approach used in modern web development— has in luenced our modern notions of textual presentation. Conscious of it or not, popular conceptions of “content” treat the text as a Platonic ideal loating in the cloud, divorced from any mechanisms of production or display. Since the presentation and display layers are handled separately in most modern web and publishing tools, the underlying assumption is that content can luidly it any container it is placed into, like water poured into beakers of differing shape, but similar volume. As scholars of medieval manuscript and early print culture can attest, however, this is ultimately a dangerous misconception. For example, in this very volume Timothy Stinson has pointed out that the act of “translating” a medieval scribal text to printed works has “profoundly shaped conceptions of medieval authorship and textuality and coloured the way we understand, read, and teach medieval literature.” 1 How much more, then, does the separation of presentation and display alter our understanding? Likewise, Tamsyn MahoneySteel’s chapter notes that, even when a single manuscript exists “the loss of information in the translation from parchment to page or screen, is still great.” 2 If the philosophy behind the modern notion of “content” is true— that it luidly its whatever space we wish it to in whatever manner we want— then surely the medieval manuscript and its print editions should be able to do so as well. As MahoneySteel’s cogent statement on the loss of information points out, however, this is not the case. The reality is that any action taken to inscribe text— whether the initial act of creation, an act of interpretation, or an act of presentation in a manuscript, printed book, or on an online display— is inherently an act of editorial interpretation at best and intervention at worst. The tools, infrastructures, and methods we use— and, increasingly, the standards we attempt to enfold all texts within under the banner of interoperability— have certain expectations and goals in mind, often built around the metadata ontologies used to allow text to be read by a machine and the needs of the software development cycle. Those goals may or may not correspond to the researcher’s goals in developing a virtual archive or those of the original authors, scribes, and editors of the manuscripts the tool is working with. Instead, these tools and methods are largely a black box, de ined here as anything that receives input and generates output but does not allow the observer to discern its underlying workings.","PeriodicalId":230608,"journal":{"name":"Meeting the Medieval in a Digital World","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131756978","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
List of Contributors 贡献者名单
Meeting the Medieval in a Digital World Pub Date : 2018-12-31 DOI: 10.1515/9781641891936-002
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引用次数: 0
Chapter 1. STATISTICAL ANALYSIS AND THE BOUNDARIES OF THE GENRE OF OLD ENGLISH PRAYER 第1章。统计分析与古英语祈祷体裁的界限
Meeting the Medieval in a Digital World Pub Date : 2018-12-31 DOI: 10.1515/9781641891936-004
W. H. Smith, Charles L. Butler
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引用次数: 0
Chapter 3. PROJECT PARADISE: A GEO- TEMPORAL EXHIBIT OF THE HEREFORD MAP AND THE BOOK OF JOHN MANDEVILLE 第三章。天堂计划:赫里福德地图和约翰·曼德维尔的书的时空展览
Meeting the Medieval in a Digital World Pub Date : 2018-12-31 DOI: 10.1515/9781641891936-006
Alexandra Bolintineanu
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引用次数: 0
Chapter 4. GHASTLY VIGNETTES: PIERCE THE PLOUGHMAN’S CREDE, THE GHOST OF SHAKESPEARE’S BLACKFRIARS, AND THE FUTURE OF THE DIGITAL PAST 第四章。可怕的小故事:农夫的信用皮尔斯,莎士比亚的黑衣修士的鬼魂,以及数字过去的未来
Meeting the Medieval in a Digital World Pub Date : 2018-12-31 DOI: 10.1515/9781641891936-007
J. Knowles
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引用次数: 0
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