{"title":"List of Illustrations","authors":"","doi":"10.2307/j.ctv15d7zth.3","DOIUrl":"https://doi.org/10.2307/j.ctv15d7zth.3","url":null,"abstract":"","PeriodicalId":227791,"journal":{"name":"Transoceanic Animals as Spectacle in Early Modern Spain","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130516058","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Prologue","authors":"","doi":"10.2307/j.ctv15d7zth.4","DOIUrl":"https://doi.org/10.2307/j.ctv15d7zth.4","url":null,"abstract":"","PeriodicalId":227791,"journal":{"name":"Transoceanic Animals as Spectacle in Early Modern Spain","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131096412","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"1. Hawa’i the Elephant and Abada the Rhinoceros","authors":"John Beusterien","doi":"10.2307/j.ctv15d7zth.6","DOIUrl":"https://doi.org/10.2307/j.ctv15d7zth.6","url":null,"abstract":"Chapter 1 provides a biogeography of Hawa’i the elephant and Abada the\u0000 rhinoceros, beginning with their births in India. When Philip II came\u0000 into the possession of both animals, he took advantage of the financial\u0000 and structural relationship between hospitals and theaters and placed\u0000 each animal in a hospital in Madrid, where the public was charged a fee to\u0000 see them. The spectacle of Abada and Hawa’i functioned like a proto-zoo,\u0000 reflecting the emerging public sphere and Philip II’s desire to enhance\u0000 the image of the capital city. Chapter 1 also examines a silver-gilt ewer\u0000 (1583) designed by Juan de Arfe that uses an image of Abada and Hawa’i\u0000 to show off Philip II’s planetary power.","PeriodicalId":227791,"journal":{"name":"Transoceanic Animals as Spectacle in Early Modern Spain","volume":"87 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122950518","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}