{"title":"Interview Series","authors":"John P. Young, John Fariselli Young","doi":"10.25370/array.v20042619","DOIUrl":"https://doi.org/10.25370/array.v20042619","url":null,"abstract":"","PeriodicalId":223537,"journal":{"name":"array. the journal of the ICMA","volume":"43 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-10-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121979300","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Assembling Music","authors":"Y. Nagashima","doi":"10.25370/array.v20152531","DOIUrl":"https://doi.org/10.25370/array.v20152531","url":null,"abstract":"In this paper, I report on my three projects - sound installation, new musical instruments and new platform of computer music - the common key concept is \"assembling music\". Musical performance is a kind of expansion of human-body activity. I have been developing many kinds of musical instruments as a part of my composition, and I focused essentially on human \"assembling\" action in music performance in these projects. Of course, musical composition is an assembling process of musical parts. However, I want to expand the concept of \"assembly\" - not only for composition but also for performance. I hope this report expands the possibilities in interaction design for media art, and hope to discuss the technological detail and artistic approach.","PeriodicalId":223537,"journal":{"name":"array. the journal of the ICMA","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-10-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125003754","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Diversity Statement by ICMA","authors":"","doi":"10.25370/array.v20192658","DOIUrl":"https://doi.org/10.25370/array.v20192658","url":null,"abstract":"","PeriodicalId":223537,"journal":{"name":"array. the journal of the ICMA","volume":"352 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-10-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134502974","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Letter from the President","authors":"T. Erbe, R. Dudas","doi":"10.25370/array.v20162549","DOIUrl":"https://doi.org/10.25370/array.v20162549","url":null,"abstract":"","PeriodicalId":223537,"journal":{"name":"array. the journal of the ICMA","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-10-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121694604","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"ICMC 2003 Concert Reviews","authors":"","doi":"10.25370/array.v20042618","DOIUrl":"https://doi.org/10.25370/array.v20042618","url":null,"abstract":"","PeriodicalId":223537,"journal":{"name":"array. the journal of the ICMA","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-10-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130439356","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"How well do Humans Capture the Sounds of Speech in Writing?","authors":"Nora Turoman, S. Styles","doi":"10.6084/M9.FIGSHARE.4216404.V1","DOIUrl":"https://doi.org/10.6084/M9.FIGSHARE.4216404.V1","url":null,"abstract":"A large body of research on connections between sensory modalities has shown that deep connections exist between sound and vision, such that people have a tendency to associate certain sounds with certain visual properties, including line-drawn shapes. While recognising the role of written language in audio-visual associations, previous research has largely considered written language a potential source of bias rather than a means of gaining deeper in sights into underlying audio-visual associations. We looked to ancient and unfamiliar writing systems spanning recorded human history, to explore whether humans have tried to encode certain characteristics of speech sounds in the letters they created to represent them. Our findings have revealed that modern humans can correctly identify unfamiliar letters at levels higher than would be obtained by chance, and that scripts which encode a particular sound with a particular set of visual characteristics tend to have more correct guesses. This suggests that humans share certain correspondences between sound and sight, which transcend both geographical space and historical time. The present multisensory demonstration aims to provide an interactive experience of the powerful connection between sounds and written letters through a series of activities integrating vision, audition, touch and imagination.","PeriodicalId":223537,"journal":{"name":"array. the journal of the ICMA","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-10-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130505136","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"David Wessel Remembered","authors":"","doi":"10.25370/array.v20152509","DOIUrl":"https://doi.org/10.25370/array.v20152509","url":null,"abstract":"After the sad news of David Wessel’s death at the end of 2014, John Chowning collected the following tributes from David’s friends, colleagues and former students. Array is pleased to be able to publish a selection here (with special thanks to Chryssie Nanou).","PeriodicalId":223537,"journal":{"name":"array. the journal of the ICMA","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-10-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114255620","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Language of Dance: Testing a Model of Cross-Modal Communication in the Performing Arts","authors":"S. Styles","doi":"10.25370/array.v20152521","DOIUrl":"https://doi.org/10.25370/array.v20152521","url":null,"abstract":"Integration between the senses is an intrinsic part of the human condition. Many forms of artistic expression make use of these sensory alliances, for example, the expression of rhythm and melody in dance. To test whether performers can effectively communicate information from one sensory modality (hearing) into another (vision), we asked one experienced dancer to perform dance-motions to the sounds of meaningless speech, and asked junior dancers to guess which dance motions were produced in response to which sounds. The junior dancers were substantially better than chance in the guessing task, suggesting that the dance performer successfully captured acoustic information about the identity of the speech sounds in her motions. We also found that dance experience did not predict performance in the task, suggesting that sensory congruence may not be learned through practice, but may be shared among the general population. However, a subset of dancers were much better than the main group, suggesting that sensory congruence may be differentially distributed through the population. This fits well with a model in which the strength of sensory connectivity differs across the population, and in which the creative arts attracts those individuals for whom the intrinsic links between the senses are experienced more powerfully.","PeriodicalId":223537,"journal":{"name":"array. the journal of the ICMA","volume":"42 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-10-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122663447","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"ICMC 2007 Concert Reviews","authors":"","doi":"10.25370/array.v20092463","DOIUrl":"https://doi.org/10.25370/array.v20092463","url":null,"abstract":"","PeriodicalId":223537,"journal":{"name":"array. the journal of the ICMA","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-10-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116895734","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Letter from the Editor","authors":"Jennifer Bernard Merkowitz","doi":"10.25370/array.v20112482","DOIUrl":"https://doi.org/10.25370/array.v20112482","url":null,"abstract":"","PeriodicalId":223537,"journal":{"name":"array. the journal of the ICMA","volume":"127 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-10-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115614690","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}