array. the journal of the ICMA最新文献_第2页

Exploring Cultural Diversity in Experimental Sound 探索实验声音中的文化多样性

array. the journal of the ICMA Pub Date : 2021-12-17 DOI: 10.25370/array.v20213269

Amit Dinesh Patel

{"title":"Exploring Cultural Diversity in Experimental Sound","authors":"Amit Dinesh Patel","doi":"10.25370/array.v20213269","DOIUrl":"https://doi.org/10.25370/array.v20213269","url":null,"abstract":"The genres of computer music, noise, sound art, electroacoustic music, soundscape and improvisation – termed for the remainder of this article as ‘experimental sound’ are overwhelmingly dominated by affluent, White male practitioners. The Black Lives Matter movement has thrown into sharp relief many examples of the injustices that Black people face as a result of institutionalWhiteness, and this should catalyze serious investigation and honest critical reflection in our own field. Recent work in diversifying experimental sound practices has focussed on gender and increasing the representation of women (Born & Devine 2015, Lane 2016, and Goh & Thompson 2021). While this work is absolutely vital, there is a need to address other forms of exclusion, such as racial exclusion. This paper serves as an overview of an 18 Month UK Arts and Humanities Research Council funded research project “Exploring Cultural Diversity in Experimental Sound” (ECDES)1, beginning in September 2021 (Patel et al 2021). Our research will build an understanding of the experiences of experimental sound composers from Black and South Asian backgrounds, building awareness of the existing cultural diversity in electroacoustic music and sound arts, while also promoting strategies to realize change to support and nurture practitioners from across Britain’s diverse cultures.","PeriodicalId":223537,"journal":{"name":"array. the journal of the ICMA","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130512171","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

La Casa Azul: A Narrative in Five Parts 蓝色之家:五部分叙事

array. the journal of the ICMA Pub Date : 2021-12-17 DOI: 10.25370/array.v20213270

引用次数: 0

The Gender Gap and the Computer Music Narrative - On the Under- Representation ofWomen at Computer Music Conferences 性别差距和计算机音乐叙事——关于女性在计算机音乐会议上的代表性不足

array. the journal of the ICMA Pub Date : 2021-12-17 DOI: 10.25370/array.v20213274

引用次数: 1

Four Provocations on Diversity in Computer Music 计算机音乐多样性的四项启示

array. the journal of the ICMA Pub Date : 2021-12-17 DOI: 10.25370/array.v20213267

引用次数: 1

Tackling the Lack of Inclusivity in Computer Music in Rural Areas in Mexico: A Case Study of Michoacán 解决墨西哥农村地区电脑音乐缺乏包容性的问题:以Michoacán为例

array. the journal of the ICMA Pub Date : 2021-12-17 DOI: 10.25370/array.v20213272

引用次数: 1

Preservation strategies for mixed music: the long tail and the short tail 混合音乐的保存策略:长尾与短尾

array. the journal of the ICMA Pub Date : 2020-10-26 DOI: 10.25370/array.v20202629

G. Boutard

{"title":"Preservation strategies for mixed music: the long tail and the short tail","authors":"G. Boutard","doi":"10.25370/array.v20202629","DOIUrl":"https://doi.org/10.25370/array.v20202629","url":null,"abstract":"I have recently argued (Boutard 201 9) that preservation of digital technology in mixed music should build upon the work done for the past ten years in digital preservation in relation to cultural heritage institutions, namely l ibraries, archives and museums (LAMs). From this premise, I have discussed several hypothetical directions based on a broad and widely discussed distinction between three levels of preservation: bit-level preservation; logical-level preservation; and conceptual-level preservation. The goal of such a paper was to emphasize the similarities in the management of digital objects among various cultural heritage institutions at each one of these levels, whether these institutions manage complex objects (e.g. museums), research data (e.g. academic l ibraries), or more generic digital artefacts (e.g. archives). The promotion of Findabil ity, Accessibil ity, Interoperabil ity, and Reusability (FAIR) as wel l as Transparency, Responsibil ity, User focus, Sustainability and Technology (TRUST) is now a fairly widespread theme in research data management and digital archiving (Wilkinson et al. 201 6; Lin et al. 2020). These notions provide an overarching frame for best practices in each domain. Discussing these notions may entail shifting the discussion from similarities to differences between the preservation ofmixed music and the preservation of digital col lections, archives and new media art pieces. In this paper, I would l ike to point at these differences and to continue the discussion about the conceptual level of preservation in relation to documentation methods.","PeriodicalId":223537,"journal":{"name":"array. the journal of the ICMA","volume":"82 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-10-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125943565","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Electro-Acoustic Music Mine Project (EAMM): Collecting, Archiving, Sharing, and Exploring 电声音乐矿山计划(EAMM):收集、归档、共享与探索

array. the journal of the ICMA Pub Date : 2020-10-26 DOI: 10.25370/array.v20202627

T. Park

引用次数: 0

Review Concert 12 回顾音乐会12

array. the journal of the ICMA Pub Date : 2020-10-26 DOI: 10.25370/array.v20192662

Kıvanç Tatar

引用次数: 0

Reviews Installations 检查安装

array. the journal of the ICMA Pub Date : 2020-10-26 DOI: 10.25370/array.v20192666

引用次数: 0

Review Concert 19 回顾音乐会19

array. the journal of the ICMA Pub Date : 2020-10-26 DOI: 10.25370/array.v20192665

P. Hulen

引用次数: 0