{"title":"English Summaries","authors":"K. Arntzen","doi":"10.1515/zfr-2018-2001","DOIUrl":"https://doi.org/10.1515/zfr-2018-2001","url":null,"abstract":"Knut Ove Arntzen: »Den Gjenoppståtte Teatermaskin« In the article »The Resurgent Theatre-Machine« Arntzen points out a paradox in the relationship between what he calls a Theatre of Art and a Theatre-Machine. The paradox consists in the fact that the Theatre of Art, i.e. the avant-garde, on the one hand stands in opposition to the Theatre-Machine, i.e. art as craft. On the other hand however Arntzen observes the resurgence of the Theatre-Machine inside the framework of the Theatre of Art in contemporary theatre.","PeriodicalId":222401,"journal":{"name":"Zeitschrift für Religionswissenschaft","volume":"53 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-10-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130294638","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}