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Gender and Contemporary Horror in Comics, Games and Transmedia最新文献

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Anxiety and Mutation in Charles Burns’ Black Hole and Junji Ito’s Uzumaki 查尔斯·伯恩斯的《黑洞》和伊藤俊二的《Uzumaki》中的焦虑和突变
Gender and Contemporary Horror in Comics, Games and Transmedia Pub Date : 2019-09-19 DOI: 10.1108/978-1-78769-107-020191004
R. Shail
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引用次数: 1
Fans of the Alien Film Franchise: Creating a Fan-specific Checklist 《异形》系列电影的粉丝:创建粉丝专用清单
Gender and Contemporary Horror in Comics, Games and Transmedia Pub Date : 2019-09-19 DOI: 10.1108/978-1-78769-107-020191013
Janelle Vermaak
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引用次数: 0
Sightless Realms of Terror: Disembodied Voices and Sonic Immersion in Contemporary Horror Audio 看不见的恐怖领域:当代恐怖音频中的无实体声音和声音沉浸
Gender and Contemporary Horror in Comics, Games and Transmedia Pub Date : 2019-09-19 DOI: 10.1108/978-1-78769-107-020191017
Richard J. Hand
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引用次数: 0
A Jigsaw of all our Worst Fears: Representations of Mary Shelly as Gothic Heroine in Popular Media 我们所有最可怕的恐惧的拼图:玛丽·雪莉作为哥特式女主角在大众媒体中的表现
Gender and Contemporary Horror in Comics, Games and Transmedia Pub Date : 2019-09-19 DOI: 10.1108/978-1-78769-107-020191010
L. Sheppard, R. Sheppard
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引用次数: 0
Dad Rising? Playing the Father in Post-Apocalyptic Survival Horror Games 爸爸上升吗?在后世界末日生存恐怖游戏中扮演父亲
Gender and Contemporary Horror in Comics, Games and Transmedia Pub Date : 2019-09-19 DOI: 10.1108/978-1-78769-107-020191008
Michael Fuchs, K. Rieser
{"title":"Dad Rising? Playing the Father in Post-Apocalyptic Survival Horror Games","authors":"Michael Fuchs, K. Rieser","doi":"10.1108/978-1-78769-107-020191008","DOIUrl":"https://doi.org/10.1108/978-1-78769-107-020191008","url":null,"abstract":"In Dead Rising 2 (Blue Castle Games, 2010), former motocross rider Chuck Greene finds himself in the midst of a zombie outbreak. Five years prior, in another epidemic, Chuck’s wife was killed and his daughter Katey bitten by one of the undead. The zombie infection cannot be cured, but it can be stopped from spreading in the victim’s body by a drug called Zombrex. Katey needs a dose of the medication every single day. While the video game’s ludic dimension centres on Chuck fighting off zombie hordes, its rather convoluted narrative boils down to a simple goal for Chuck: to keep his daughter from mutating. Chuck sports the chiselled physique of a stereotypical, manly Hollywood hero, which visually highlights the rampant protectionist paternalism at play in the game. Fittingly, in the closing minutes of the game, Chuck not only outsmarts thousands of undead and overcomes his main human adversary but also saves Katey and his girlfriend-to-be Stacey from certain death. In the end, the three walk away, holding hands, symbolising the re-establishment of the heteronormative nuclear family.","PeriodicalId":218812,"journal":{"name":"Gender and Contemporary Horror in Comics, Games and Transmedia","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134160413","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Blood and Fire: Monstrous Women in Carrie and ‘The Dark Phoenix Saga’ 血与火:《魔女嘉莉》和《黑凤凰传奇》中的妖女
Gender and Contemporary Horror in Comics, Games and Transmedia Pub Date : 2019-09-19 DOI: 10.1108/978-1-78769-107-020191003
M. Linton
{"title":"Blood and Fire: Monstrous Women in Carrie and ‘The Dark Phoenix Saga’","authors":"M. Linton","doi":"10.1108/978-1-78769-107-020191003","DOIUrl":"https://doi.org/10.1108/978-1-78769-107-020191003","url":null,"abstract":"","PeriodicalId":218812,"journal":{"name":"Gender and Contemporary Horror in Comics, Games and Transmedia","volume":"131 6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124249477","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Index 指数
Gender and Contemporary Horror in Comics, Games and Transmedia Pub Date : 2019-09-19 DOI: 10.1108/978-1-78769-107-020191019
{"title":"Index","authors":"","doi":"10.1108/978-1-78769-107-020191019","DOIUrl":"https://doi.org/10.1108/978-1-78769-107-020191019","url":null,"abstract":"","PeriodicalId":218812,"journal":{"name":"Gender and Contemporary Horror in Comics, Games and Transmedia","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123947805","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘It was an indescribable terror. So terrifying, I cannot begin to describe it. But it had tentacles.’ H.P. Lovecraft and Gender in (Cult) Media 那是一种难以形容的恐怖。太可怕了，我无法形容。但它有触角。《h·p·洛夫克拉夫特与(邪教)媒体中的性别
Gender and Contemporary Horror in Comics, Games and Transmedia Pub Date : 2019-09-19 DOI: 10.1108/978-1-78769-107-020191009
Steven Gerrard
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引用次数: 0
Horrific Things: Alien Isolation and the Queer Materiality of Gender, Desire and Being 恐怖的事物:异族的孤立与性别、欲望和存在的奇异物质性
Gender and Contemporary Horror in Comics, Games and Transmedia Pub Date : 2019-09-19 DOI: 10.1108/978-1-78769-107-020191006
M. Seller
{"title":"Horrific Things: Alien Isolation and the Queer Materiality of Gender, Desire and Being","authors":"M. Seller","doi":"10.1108/978-1-78769-107-020191006","DOIUrl":"https://doi.org/10.1108/978-1-78769-107-020191006","url":null,"abstract":"","PeriodicalId":218812,"journal":{"name":"Gender and Contemporary Horror in Comics, Games and Transmedia","volume":"313 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116357671","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Illusion, Reality and Fearsome Femininity in Takashi Miike’s Audition 幻觉，现实和可怕的女性气质在三池隆的试镜
Gender and Contemporary Horror in Comics, Games and Transmedia Pub Date : 2019-09-19 DOI: 10.1108/978-1-78769-107-020191011
Kathryn Hemmann
{"title":"Illusion, Reality and Fearsome Femininity in Takashi Miike’s Audition","authors":"Kathryn Hemmann","doi":"10.1108/978-1-78769-107-020191011","DOIUrl":"https://doi.org/10.1108/978-1-78769-107-020191011","url":null,"abstract":"","PeriodicalId":218812,"journal":{"name":"Gender and Contemporary Horror in Comics, Games and Transmedia","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116492417","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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