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Semiotic representations of neoliberal dystopia in Black Mirror 《黑镜》中新自由主义反乌托邦的符号学表征
IF 2 2区 文学
Social Semiotics Pub Date : 2023-01-20 DOI: 10.1080/10350330.2023.2166399
M. E, Sabine Tan
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引用次数: 0
In search of the social in social semiotics: a historical perspective 在社会符号学中寻找社会:一个历史的视角
IF 2 2区 文学
Social Semiotics Pub Date : 2023-01-17 DOI: 10.1080/10350330.2023.2167594
L. O’Hagan
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引用次数: 0
Romaphobia in the UK Right-Wing Press: racist and populist discourse during the Brexit referendum 英国右翼媒体的罗马恐惧症：英国脱欧公投期间的种族主义和民粹主义话语
IF 2 2区 文学
Social Semiotics Pub Date : 2023-01-12 DOI: 10.1080/10350330.2023.2165907
Petre Breazu, Aidan McGarry
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引用次数: 1
The linguistic landscapes of nature trails: creating presence, marking absence, shaping meaning 自然轨迹的语言景观：创造存在、标记缺失、塑造意义
IF 2 2区 文学
Social Semiotics Pub Date : 2022-12-06 DOI: 10.1080/10350330.2022.2150541
Simona Soica, Michelle M. Metro-Roland
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引用次数: 0
“Yea I’m a f* Tomboy”: “girl crush,” postfeminism, and the reimagining of K-pop femininity “是的，我是个假小子”:“迷恋女孩”，后女权主义，以及对韩国流行音乐女性气质的重新想象
IF 2 2区 文学
Social Semiotics Pub Date : 2022-11-30 DOI: 10.1080/10350330.2022.2150542
Xiaomeng Li
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引用次数: 1
Actions and digital empathy in the interactive storytelling of serious games: a multimodal discourse approach 严肃游戏互动故事中的动作和数字移情：一种多模式话语方法
IF 2 2区 文学
Social Semiotics Pub Date : 2022-11-24 DOI: 10.1080/10350330.2022.2128039
Chiao-I Tseng, L. Thiele
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引用次数: 0
Metaphors of the virtual: how ordinary people frame what the internet is 虚拟的隐喻:普通人如何构建互联网
IF 2 2区 文学
Social Semiotics Pub Date : 2022-11-14 DOI: 10.1080/10350330.2022.2144203
Marina Dekavalla
{"title":"Metaphors of the virtual: how ordinary people frame what the internet is","authors":"Marina Dekavalla","doi":"10.1080/10350330.2022.2144203","DOIUrl":"https://doi.org/10.1080/10350330.2022.2144203","url":null,"abstract":"This article explores how experiences of the virtual are metaphorically articulated in people ’ s narratives of these experiences. It analyses a database of 171 responses by UK adults of all ages and backgrounds to establish how they used metaphor to frame their experiences online, at a time when the internet was increasingly becoming a platform for living everyday life. The article fi nds that respondents used a multiplicity of metaphoric frames simultaneously, some of them well established and conventionalised in discourse, and some newer. Although there is evidence of a new way of metaphorically framing the virtual as a way of experiencing the everyday, this had not yet replaced conventionalised metaphors in the data, but co-existed with them. The article argues that a slow shift in discourse patterns may be taking place alongside a shift in experience, whereby the role of technology in mediating the everyday is gradually becoming invisible.","PeriodicalId":21775,"journal":{"name":"Social Semiotics","volume":" ","pages":""},"PeriodicalIF":2.0,"publicationDate":"2022-11-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44742825","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Ghost signs at the mall: structuring semiotics and (formerly) branded retail space 购物中心的幽灵标志:构建符号学和(以前)品牌零售空间
IF 2 2区 文学
Social Semiotics Pub Date : 2022-11-11 DOI: 10.1080/10350330.2022.2140036
M. Lascity
{"title":"Ghost signs at the mall: structuring semiotics and (formerly) branded retail space","authors":"M. Lascity","doi":"10.1080/10350330.2022.2140036","DOIUrl":"https://doi.org/10.1080/10350330.2022.2140036","url":null,"abstract":"","PeriodicalId":21775,"journal":{"name":"Social Semiotics","volume":" ","pages":""},"PeriodicalIF":2.0,"publicationDate":"2022-11-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43247551","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Situating affect in Chinese mediated soundscapes of suona 中国人介导的索纳音景中的情景情感
IF 2 2区 文学
Social Semiotics Pub Date : 2022-11-03 DOI: 10.1080/10350330.2022.2139171
Jiayu Wang, Wenhua Li
{"title":"Situating affect in Chinese mediated soundscapes of suona","authors":"Jiayu Wang, Wenhua Li","doi":"10.1080/10350330.2022.2139171","DOIUrl":"https://doi.org/10.1080/10350330.2022.2139171","url":null,"abstract":"","PeriodicalId":21775,"journal":{"name":"Social Semiotics","volume":" ","pages":""},"PeriodicalIF":2.0,"publicationDate":"2022-11-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48151447","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Remembering the other, repositioning oneself: the right to a biography and autocommunication in perpetrator and collaborator descendant documentaries* 记住他者，重新定位自己:肇事者和合作者后代纪录片中的传记权和自动传播权*
IF 2 2区 文学
Social Semiotics Pub Date : 2022-10-20 DOI: 10.1080/10350330.2022.2158620
C. Demaria, M. Panico
{"title":"Remembering the other, repositioning oneself: the right to a biography and autocommunication in perpetrator and collaborator descendant documentaries*","authors":"C. Demaria, M. Panico","doi":"10.1080/10350330.2022.2158620","DOIUrl":"https://doi.org/10.1080/10350330.2022.2158620","url":null,"abstract":"ABSTRACT Can the perpetrator or the collaborator “speak”? How, and for whom? Do they have a “right to a biography” and, if so, what are the terms of this right? Who can speak for them? In short, what does it mean to work through their lives and the crimes they committed for those who decide to tell their stories? The main goal of this paper is to answer these questions using a particular kind of documentary directed by those who, in a certain moment of their lives, have discovered that a member of their families was a perpetrator or a collaborator relating to a dictatorship. Using Lotman’s theory of culture and memory, we discuss the positionalities of those who “wrote” these documentaries, located constantly between the individual and the collective semiosphere. Taking into account two case studies – El pacto de Adriana directed by Lissette Orozco (Chile, 2017) and L’occhio di vetro directed by Duccio Charini (Italy, 2020) – we look at the mechanisms of investigation and recollection that they use and “show,” in order to elucidate family secrets within the broader contexts of the collective traumas of Chile’s and Italy’s post-conflict societies.","PeriodicalId":21775,"journal":{"name":"Social Semiotics","volume":"32 1","pages":"689 - 707"},"PeriodicalIF":2.0,"publicationDate":"2022-10-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43284786","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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