Slovenská literatúra最新文献_第5页

Angela Škovierová: Humanista Ondrej Rochotský. Život a dielo 安吉拉-什科维尔人文主义者翁德雷-罗乔茨基。生平与作品

Slovenská literatúra Pub Date : 2023-09-14 DOI: 10.31577/slovlit.2023.70.5.9

Mária šibalová

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Motív smrti v slovenských ľudových uspávankách 斯洛伐克民间摇篮曲中的死亡主题

Slovenská literatúra Pub Date : 2023-09-14 DOI: 10.31577/slovlit.2023.70.5.5

Terézia Kulíková

{"title":"Motív smrti v slovenských ľudových uspávankách","authors":"Terézia Kulíková","doi":"10.31577/slovlit.2023.70.5.5","DOIUrl":"https://doi.org/10.31577/slovlit.2023.70.5.5","url":null,"abstract":"Although the primary function of the lullaby is coded in the very word that designates it, its secondary functions are equally important – they have been shown to have an impact on child development and mental health of the performer. The act of singing a lullaby creates a specific communicative situation in which the recipient does not fully understand its lyrics. Usually, the communicative act also only involves the performer and the child and the uniquely intimate moment that emerges creates an opportunity for the expedient to express all their thoughts – even the most unpleasant ones. The psycho-hygienic function comes to the fore and provides the performer with a space for introspection. This dimension is often reflected in the texts of lullabies in negative motifs, such as death. In various allegorical forms, death is present in as many as one in five Slovak folk lullabies. In careful interpretative analysis, it is possible to detect subtle differences in the meaning of motifs that may not originally refer to death. On this basis, death motifs can be divided into primary ones, which always symbolise death (black earth, church, river, covering/throwing, ringing of the bells, calling of a close person from the other world) and secondary ones, which acquire this meaning by up-dating individual motifs or whole recurring stanzas in the vertical structure of the text.","PeriodicalId":217287,"journal":{"name":"Slovenská literatúra","volume":"66 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134971397","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Slovenské a české osobnosti národného obrodenia v recepcii Cyrilometodejcov 接受西里尔和美多迪乌斯的斯洛伐克和捷克民族复兴人士

Slovenská literatúra Pub Date : 2023-09-14 DOI: 10.31577/slovlit.2023.70.5.4

Oleksandr Boroň

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Krátka próza Daniela Okáliho 丹尼尔-奥卡利的短篇散文

Slovenská literatúra Pub Date : 2023-09-14 DOI: 10.31577/slovlit.2023.70.5.7

Martina Péterová

{"title":"Krátka próza Daniela Okáliho","authors":"Martina Péterová","doi":"10.31577/slovlit.2023.70.5.7","DOIUrl":"https://doi.org/10.31577/slovlit.2023.70.5.7","url":null,"abstract":"From 1925 to 1932, Daniel Okáli (1903 – 1987) was the leading literary critic and theoretician in the communist-leaning intellectuals’ journal DAV. He only published one collection of poetry, Ozveny krvi a zápasov ([Echoes of blood and struggles] 1932), but in the early 1920s, he also published short fiction in student magazines and left-wing periodicals. In his prose, he employed fragmentary composition and emphasised the subject’s inner experience characterised by an exaggerated sensitivity, hypertrophy of emotion, and nervous – even pathological – irritability. In addition to the leftist tendency, his writing also reflects features of modernist and avant-garde poetics and expressionism and – despite its self-proclaimed modernity – also elements tying it to tradition. D. Okáli thus joined the group of authors of proletarian literature and circles of such left-oriented fiction writers as Ján Poničan, Andrej Sirácky, Edo Urx, Peter Jilemnický, Laco Novomeský, Jozef Zindr, Jozef Tomášik-Dumín, and Jarko Elen. The characters in their fiction and the way they portray the world deviated significantly from the proclaimed social functionality and ideology, which brings them closer to the literary expression of the young, non-communist-oriented generation of writers (representatives of the second wave of Slovak literary modernism).","PeriodicalId":217287,"journal":{"name":"Slovenská literatúra","volume":"33 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134971398","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Martin Braxatoris – Lenka Rišková – Oľga Vaneková: Plamene lásky. Obraz manželstva a ideál manželky v príležitostnej poézii 16. – 18. storočia Martin Braxatoris - Lenka Rišková - Olga Vaneková：爱的火焰。16-18 世纪偶发诗歌中的婚姻形象和妻子理想

Slovenská literatúra Pub Date : 2023-09-14 DOI: 10.31577/slovlit.2023.70.5.10

Miriam Ambrúžová Poriezová

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K možnostiam kvantitatívno-korpusovej analýzy nadrealistického verša (Vstup do problematiky) 论超现实主义诗歌定量-语料库分析的可能性（进入议题）

Slovenská literatúra Pub Date : 2023-09-14 DOI: 10.31577/slovlit.2023.70.5.8

Dušan Teplan

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